The John Hobbs Collection Part I

A NORTH ITALIAN LATE BAROQUE GILTWOOD AND BLUE GLASS MIRROR Venice, Circa 1710 The rectangular plate within canted blue slips set at the centers and c

Attributed to MatthiJs Horrix, circa 1767-70 The serpentine Sainte-Anne marble top with molded edge above two bombé drawers decorated sans trav...

A PAIR OF ITALIAN LATE BAROQUE GILTWOOD MIRRORS circa 1720 Each cartouche-shaped divided plate within a molded scrolled frame surmounted by a foliate

AN ITALIAN ROCOCO GILTWOOD CONSOLE Circa 1740 The serpentine brêche violette marble top above a carved channelled frieze with a pierced foliate...

A PAIR OF NORTH ITALIAN EARLY ROCOCO BLUE-PAINTED AND PARCEL-GILT ARMCHAIRS Veneto, circa 1740 Each crestrail centered by an asymmetrical pierced roca

A North ITALIAN ROCOCO STYLE POLYCHROME-DECORATED AND PARCEL-GILT MIRROR Venice, late 19th century The arched rectangular plate within a molded surrou

AN ITALIAN ROCOCO GILTWOOD MIRROR Circa 1740 The rectangular plate in a molded frame carved with C-scrolls, foliage and trailing flowers, the pierced

AN ITALIAN NEOCLASSIC WHITE MARBLE BUST OF ARIADNE Early 19th century Depicting the wife of Bacchus as a young woman with shoulder-length curly hair,

A NORTH ITALIAN NEOCLASSIC GILTWOOD SIDE TABLE Piedmont, Circa 1780 The rectangular simulated porphyry top above a sunken frieze with beaded lower edg

A GEORGE II GREY-VEINED WHITE MARBLE MANTLEPIECE Designed by Sir William Chambers and probably carved by Sefferin Alken for Thomas Brand at The Hoo, K