The Coeur D'Alene Art Auction-Reno, July 24, 2010

Bob Kuhn (1920-2007), Nomad, acrylic on board, 15¾ x 24 inches, signed lower right.

Joseph Henry Sharp (1859-1953), Acoma Pottery Decorators (1928), oil on canvas, 25 x 30 inches, signed lower right. According to Forrest Fenn in Teep

Olaf Wieghorst (1899-1988), Indian Warrior, watercolor on paper, 11¼ x 9¼ inches, signed lower left.

Nick Eggenhofer (1897-1985), Apache Horseman (1977), gouache on paper, 15 x 12 inches, signed and dated lower right

Maynard Dixon (1875-1946), Lone Rider, oil on board en grisaille, 10¼ x 7 inches, signed lower right

Joseph Henry Sharp (1859-1953), South Pueblo - Taos, New Mexico, oil on canvas laid on board, 13½ x 18½ inches, signed lower right. Verso...

Eanger Irving Couse (1866-1936), Firelight (1931), oil on board, 16 x 20 inches, signed lower right. According to Virginia Couse Leavitt, “Both Mendi

Laverne Nelson Black (1887-1938), The Ceremonial War Dance, oil on canvas laid on board, 27 x 34¾ inches, signed lower right. Provenance: F. R...

Joseph Henry Sharp (1859-1953), A Winter Afternoon, Big Horn Mountains, Wyoming, oil on board, 10 x 14 inches, signed lower right.

Joseph Henry Sharp (1859-1953), Rabbit Brush, oil on canvas laid on board, 12½ x 15½ inches, signed lower right

Eanger Irving Couse (1866-1936), Evening Reverie (1911), oil on canvas, 24 x 29 inches, signed lower right. According to Virginia Couse Leavitt, “In

Henry Merwin Shrady (1871-1922), Bull Moose (1900). 19½ inches high, bronze, inscribed in base: HM Shrady 1900 Roman Bronze Wks. N. Y. Copy Rig...

William Meuttman (1869-1948), The Advance Scout (1915), oil on canvas, 12 x 16 inches, signed and dated lower right.

Fritz Scholder (1937-2005), Fierce Indian (1975), oil on canvas, 40 x 30 inches, signed upper right.

Joseph Henry Sharp (1859-1953), Crucita, oil on canvasboard, 8½ x 6½ inches, signed lower right.

Nick Eggenhofer (1897-1985), Indian Trail, oil on canvas, 20 x 14 inches, signed lower left.

Burt Procter (1901-1980), Navajo Riders, oil on board, 12 x 16 inches, signed lower left.

Nick Eggenhofer (1897-1985), Cowboy Conversation, gouache on paper, 15 x 20 inches, signed lower right.

Charlie Dye (1906-1972), Sycamore Crossing (1963), oil on canvas, 24 x 30 inches, signed lower right. Literature: Paul Weaver, Charlie Dye - One hell

Hermann Herzog (1832-1932), Mountain Landscape with Cattle (1876), oil on canvas, 22 x 36 inches, signed lower left. Provenance: Bjorn Sallstrom, Bjo

Charles Partridge Adams (1858-1942), Lake O’Hara, British Columbia, gouache on paper, 12 x 10 inches, signed lower left.

Frank Sauerwein (1871-1910), Canyon Guardian (1909), oil on canvas, 26 x 20 inches, signed and dated lower left.

Joe Beeler (1931-2006), Thanks for the Rain, bronze 11/30, 18 inches high, stamped in base: Joe Beeler [CA insignia] 11/30. According to Joe Beeler i

Clyde Aspevig (b. 1951) Cottonwoods, oil on canvas laid on board, 12 x 16 inches, signed lower right.

Clyde Aspevig (b. 1951), Grand Canyon, oil on board, 12 x 19 inches, signed lower left.

Bill Anton (b. 1957), Predator’s Hideout (2008), oil on board, 36 x 24 inches, signed lower left. Literature: Catalog, Stars Over Tucson (Tucson, Ari

Adriano Manocchia (b. 1950), Waiting for the Summer Trip (2010), oil on board, 18½ x 18 inches, signed lower right.

Ralph Oberg (b. 1950), A Meeting of Equals (2010), oil on canvasboard, 32 x 42 inches, signed lower left.

Ken Carlson (b. 1937), More Than a Glance, oil on board, 18 x 36 inches, signed lower left.

W. Steve Seltzer (b. 1955), Trouble Hunters (2010), oil on canvas, 30 x 36 inches, signed lower right.

John Seerey-Lester (b. 1946), Counting Pelts (2010), acrylic on board, 18 x 24 inches, signed lower right. According to John Seerey-Lester, “This tra

Wilson Hurley (1924-2008), Grand Canyon, oil on canvas, 60 x 48 inches, signed lower right.

John Moyers (b. 1958), By the Light of the Moon, oil on canvas, 58 x 48 inches, signed lower right.

Gary Lynn Roberts (b. 1953), Supply Run (2010), oil on canvas, 40 x 54 inches, signed lower left. According to Gary Lynn Roberts, “This painting depi

John Clymer (1907-1989), Defeat at Daybreak (1974), oil on canvas, 24 x 40 inches, signed and dated lower left. John Clymer’s signed description of t

Luke Frazier (b. 1970), Outback Camp, oil on board, 12 x 12 inches, signed lower left.

Clark Kelley Price (b. 1945), Somethin’ Charlie Mighta Painted (2003), oil on canvas, 24 x 36 inches, signed and dated lower left. Provenance: Privat

Clark Kelley Price (b. 1945), Green River Riders (2001), oil on canvas, 30 x 40 inches, signed and dated lower left. Provenance: Private Collection,

Martin Grelle (b. 1954), Watcher, oil on canvas, 12 x 9 inches, signed lower right.

Conrad Schwiering (1916-1986), Phantom Glow (1949), oil on canvas laid on board, 24 x 28 inches, signed and dated lower left. An original letter from

Conrad Schwiering (1916-1986), Riptide, oil on board, 30 x 36 inches, signed lower left. Literature: Robert Wakefield, Schwiering and the West (Aberd

Frank B. Hoffman (1888-1958), Packing Out, oil on board, 18 x 24 inches, signed lower right. Provenance: William G. Kerr, Wilson, Wyoming

Olaf Wieghorst (1899-1988), Almost Home, oil on canvas, 30 x 36 inches, signed lower left.

Philip R. Goodwin (1881-1935), The Nature of Bears (1906), oil on canvas, 26 x 19 inches, signed lower right.

A. B. Frost (1851-1928), Woodcock Shooting, gouache on paper, 18 x 14½ inches, signed lower left. Literature: Scribner’s Magazine (November 19...

George Browne (1918-1958), Canada Geese Landing, oil on board, 21 x 27 inches, signed lower right.

A. B. Frost (1851-1928), Polar Bear, watercolor on paper, 28½ x 19 inches, signed lower right. Provenance: Mr. C.N. Kaupp, Short Hills, New Je...

Aiden Lassell Ripley (1896-1969), Woodcock Shooting (1937), watercolor on paper, 14½ x 24 inches, signed and dated lower left. Verso: Grouse o...

W. Herbert Dunton (1878-1936), Forest Landscape, oil on canvasboard, 8 x 5 inches, signed lower left.

W. Herbert Dunton (1878-1936), Chupadero Landscape, oil on canvasboard, 8 x 10 inches, signed lower right. Chupadero Landscape is a study for Dunton’