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The Clash

Currency:USD Category:Collectibles / Autographs Start Price:NA Estimated At:10,000.00 - 12,000.00 USD
The Clash

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Auction Date:2013 Sep 26 @ 18:00 (UTC-05:00 : EST/CDT)
Location:5 Rt 101A Suite 5, Amherst, New Hampshire, 03031, United States
ALS - Autograph Letter Signed
ANS - Autograph Note Signed
AQS - Autograph Quotation Signed
AMQS - Autograph Musical Quotation Signed
DS - Document Signed
FDC - First Day Cover
Inscribed - “Personalized”
ISP - Inscribed Signed Photograph
LS - Letter Signed
SP - Signed Photograph
TLS - Typed Letter Signed
Unique collection of Clash typed and hand-annotated lyric sheets, notated and amended for noted artist, writer, and briefly the band’s manager, Caroline Coon, for use and quotes in articles she was writing for Melody Maker magazine, prior to the tracks being recorded, as well as for her book, 1988 The New Wave Punk Rock Explosion, and also for the first Clash songbook which she was helping to produce. Some of the lyrics were annotated backstage at various venues during the tour.

Archive consists of: two handwritten song list by Paul Simonon for the Clash songbook, one listing 22 songs on a 6 x 8.25 sheet of Albany Hotel stationery, and includes ‘White Riot,’ ‘London’s Burning,’ and ‘Clash City Rockers.’ The second list is on a 8.25 x 11.75 sheet, lists 19 songs, and includes suggestions for images to use in the book including as well as a couple of lyric snipets, “1977-row of coffins, Elvis etc.,” “London’s Burning—old picture of London 1666,” and “Careers—Army—Busdrive—Ambulanceman.”

Song lyrics are: ‘White Riot’: a photocopied sheet corrected in pencil by Joe Strummer and annotated in ink by Paul Simonon, with a second version on a typed sheet.

‘1977’: a printer's proof for the book '1988' annotated in pencil and ink by Paul Simonon.

‘Janie Jones’: photocopied sheet annotated in pencil by Joe Strummer and written over in ink by Paul Simonon.

‘Remote Control’: a photocopied lyric sheet annotated in pencil by Joe Strummer, and accompanied by a second sheet with an added handwritten verse by Strummer.

‘I'm So Bored With The USA’: a photocopied sheet of lyrics corrected in pencil by Strummer, and accompanied by a second sheet with an added handwritten verse by Strummer, which reads, “Never mind the stars and stripes / let’s print the Watergate tapes / I’ll salute the new wave / and I hope nobody else escapes.”

‘Hate And War’: a photocopied sheet corrected in pencil by Strummer.

‘What's My Name’: photocopied sheet corrected in pencil by Strummer and in ink by Simonon, with a second sheet bearing an additional verse written out by Simonon.

‘Deny’: photocopied sheet corrected in pencil by Joe Strummer.

‘London's Burning’: photocopied sheet and typed sheet featuring two different versions of the song.

‘Career Opportunities’: photocopied sheet annotated in pencil by Strummer, and accompanied by a typed sheet featuring a different version of the song.

‘Cheat’: photocopied sheet corrected in pencil by Strummer.

‘Protex Blue.’: photocopied sheet corrected in pencil by Strummer.

‘Police And Thieves’: photocopied lyric sheet.

‘48 Hours’: photocopied sheet corrected and annotated in pencil by Strummer.

‘Garageland’: photocopied sheet corrected and annotated in pencil by Strummer.

‘Capitol Radio’: A typed lyric sheet, with a second sheet featuring added lyrics, in pencil, by Strummer.

Typed lyric sheets by Joe Strummer for the songs ‘Complete Control,’ and ‘City of the Dead.’

In overall fine condition, with expected light handling wear. Accompanied by a certificate of authenticity from Tracks.

Many of these songs are the tracks which comprised the band’s self-titled debut album, with Strummer and Simonon working on these lyrics for future publication, sometimes while on the road. Published in 1978, the Clash Songbook featured 20 of the band’s song lyrics and bios of the members. Of the songs featured, ‘Career Opportunities’ was an attack on the economic situation in England, ‘Police and Theives’ was a reggae-inspired song originally written by Junior Murvin, and included on the album after jamming during a break in their recording session, and ‘White Riot,’ the band’s first single, and was quite controversial after its release, as some thought the band was trying to incite a race war. With very little handwritten band material having appeared on the market, this one-of-a-kind collection represents the largest assemblage from the punk rock icons we have seen.