TOREX February 2008

1919 ICCS MS-63. Pale golden toning

1928 PCGS MS-61. Pale golden toning

1931 ICCS MS-64. Pale golden toning

1932 PCGS MS-62. Near untoned

1933 ICCS MS-63. Near untoned

1934 ICCS MS-65. A superbly lustrous piece with pale golden toning. It is tied with three other examples as the highest graded by ICCS

1935 PCGS MS-64. Light golden toning. It is tied as the ninth highest by PCGS

1935 ICCS AU-50. Near untoned

1937 Mirror ICCS SP-64. Medium toning

1938 ICCS MS-62. Beautiful rim toning

1938, 1947 and 1951 Double Date, all Uncirculated. Plus 1939 two pieces, both AU. Total five pieces, the 1938 with light golden toning, the others pal

1941 ICCS MS-65. Light golden toning. It is tied as the second highest graded by ICCS

1943 ICCS MS-65. Pale golden toning. It is tied as the second highest graded by ICCS

1945 ICCS MS-65. Near untoned. It is tied as the highest graded by ICCS

1946 ICCS MS-65. Near untoned. It is tied as the highest graded by ICCS

1946 ICCS MS-65. Near untoned. It is tied as the highest graded by ICCS

1948 PCGS SP-67. A superbly lustrous and near untoned piece with nice cameos. It is tied as the second highest by PCGS

1948 PCGS MS-64. Near untoned

1951 ICCS SP-66 Pittman. A near untoned piece that is the solo highest graded by ICCS

1951 Double Die ICCS MS-63. Plus 1953 Shoulder Fold Doubled 195, Rotated Dies ICCS MS-62 Cameo. Two pale toned pieces

1952 near untoned and 1953 No Shoulder Fold light-medium toned both ICCS MS-65. Plus 1951 and 1968 Silver, both near untoned, ICCS MS-64, the 1968 wit

1954 ICCS PL-66 Heavy Cameo. Light rim toning. Only a PL-67 Heavy Cameo and two PL-66 Ultras graded higher by ICCS

1954 ICCS MS-65 Heavy Cameo

1955 Gem Heavy Cameo Proof-Like

1956 ICCS PL-66 Heavy Cameo, 1959 ICCS PL-65 Cameo and 1965 ICCS PL-65 Heavy Cameo. Three pale to lightly toned pieces

1957 ICCS PL-66 Heavy Cameo. Lightly toned. Tied with two as the second highest by ICCS

2000P, ICCS MS-65. An untoned piece that is tied as the second highest graded by ICCS

1858 ICCS MS-64. Beautifully toned in light golden olives. It is tied with one as fifth highest by ICCS

1858 ICG MS-61. Nice light golden toning

1858 PCGS AU-58. Attractive light-medium toning in blues and ambers

1858 ICCS EF-45. Pale golden toning

1858 EF, lightly cleaned, scratched

1858 VF with light hairlining

1858 ICCS F-15. Light golden toning

1858, F-VF, Scratches. Pale toned

1870 Obverse 1 VF. Light golden toning

1870 Obverse 1 and 1882H, both ICCS F-12. Plus 1903 ICCS F-15. Three lightly toned pieces

1871 Obverse 2, ICCS AU-50. Light golden gray toning with blues at the rims

1871H Obverse 2 CCCS EF-45. Pale tone

1871H Obverse 2 ICCS VF-20. Pale toned

1871H, 1883H, 1886, 1887 and 1911. Five lightly toned pieces, G+ to VF+, all cleaned or scratched

1872H Obverse 2, ICCS MS-63. Attractively toned in light-medium golden olives with iridescent blues toward the rims. It is tied with three other examp

1872H Obverse 2, ICCS MS-62. Strongly lustrous with nice light golden toning

1872H Obverse 2, ICCS EF-45; Cleaned

1872H Obverse 2, ICCS VF-30

1872H Obverse 2, 1901 and 1902H. Three lightly toned pieces, all ICCS VF-30

1872H Die Break V, Obverse 2 ICCS VG-10. This is the so called “Inverted A Over V”. Lightly toned

1874H, 1900 and 1901. Three light to medium toned pieces,all VF

1875H ICCS SP-63 Planchet Flaw. This piece has an even light golden toning and there is a small planchet lamination on Victoria’s cheek. A very rare S

1875H Good, Lightly toned