NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2002 May 13 @ 16:00UTC-8 : PST/AKDT
THOMAS DEMAND (b. 1964) MODELL/MODEL signed and dated "Thomas Demand 2000" on the reverse c-print Diasec 821/8 x 643/4 in. (208.7 x 164.5 cm) executed in 2000 this work is from an edition of six
ESTIMATE: - $40,000-60,000
PROVENANCE Monika Sprüth Galerie, COLOGNE EXHIBITED HANOVER, Parish Museum, THOMAS DEMAND, June 6-September 2, 2001 (another example exhibited) PARIS, Foundation Cartier pour l'Art Contemporain, THOMAS DEMAND, November 24, 2000-February 4, 2001 , THOMAS DEMAND, February 24-April 7, 2001 (another example exhibited) LITERATURE F. Bonami, R. Durand and F. Quintin, THOMAS DEMAND, LONDON, 2000, pp. 38-39 (illustrated) & pp. 3 and 7 (installation view) J. Heiser, "The Neutron Bomb Effect," PARKETT, no. 62, ZURICH, 2001, p. 143 (illustrated)
Originally trained as a sculptor, Thomas Demand holds a unique place in contemporary art. Thomas Demand approaches photography as a means of preserving ephemeral paper constructions but inevitably the camera becomes central to his creative process.
Looking at any of Demand’s work, in particular Modell/Model, is like looking at the physical representation of memory and its spatial dimensions. It is a metaphysical experience of memories and dreams, and in Demand’s world these are created by paper constructions. For Demand, looking at an image is not just a visual experience but a structural one, the same way a sculpture is in relation to the structure of a piece of stone, wood, or clay. Like a sculptor, Demand looks for the shape of the soul inside the image.
At first glance, Demand’s works seem to present fragments of a hyperreal and familiar place but, before long, they reveal their true identity: a wholly artificial world reduced to generic forms. Large immaculate photographs of interiors and architectural exteriors – a world peopled with inanimate objects and bathed in uniform lighting – are mounted on Plexiglass, which underscores the materiality of the photographic object.
Auction Location:
United States
Previewing Details:
Viewing in Chelsea Saturday May 4, 2002 - Sun
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