17

SIGMAR POLKE (b. 1941) LUNGTA (cheveux de vent), dordogne signed "S. Polke 85" lower right; signe...

Currency:USD Category:Everything Else / Other Start Price:NA
SIGMAR POLKE (b. 1941) LUNGTA (cheveux de vent), dordogne signed  S. Polke 85  lower right; signe...
SIGMAR POLKE
(b. 1941)
LUNGTA (cheveux de vent), dordogne
signed "S. Polke 85" lower right; signed and dated twice "S. Polke 85 Sigmar Polke 85" on the overlap
acrylic dispersion on fabric
591/4 x 71 in. (150.5 x 180.3 cm)
executed in 1985
ESTIMATE: $150,000-200,000

PROVENANCE
Acquired directly from the artist
Private collection, COLOGNE

EXHIBITED
Musée d'art Moderne de la Ville de Paris, ARC (Animation-Recherche-Confrontation), SIGMAR POLKE, October 20-December 31, 1988,
p. 110 (illustrated)
AMSTERDAM, Stedelijk Museum, SIGMAR POLKE, September 25-November 29, 1992, p.77, no. 22 (illustrated)

LITERATURE
S. Pagé, B. Lamarche-Lamarche Vadel, D. Davvetas, B. Marcadé,
B. Curiger, M. Oppitz, H. Lieberknecht, et al., SIGMAR POLKE, PARIS, 1988, p. 110 (illustrated)
W.A.L. Beeren, P. Sloterdijk, B. Curigier, U.P. Jauch and G. Garrels, SIGMAR POLKE, AMSTERDAM, 1992, p. 77 (illustrated)
I am interested in the chemical effect of paints, the alchemy of color [...], which arouses a desire for the unknown mystery.
Polke, IN THE POWER OF PAINTING 1:
WARHOL, POLKE, RICHTER, ZüRICH, 2001, p. 94
When Polke returned from extended travels in Asia and Australia in the early 1980s, his relationship to the means of painting had undergone a fundamental change. For the first time in his work we find non-representational pictures referring solely to themselves. His recent exploitation of the chemistry of paints and tinctures has revealed processes that show surprising parallels to the internal dynamics of nature. Accordingly, he has extended the palette of his mediums to include nickel, silver bromide, silver nitrate, powdered graphite, cinnabar, orpiment, ruby sulfur, tellurium, micaceous iron ore, plastic sealant - whatever appeals to his desire to experiment, transmuted - by the universal understanding of his painting - into pictures whose final form remains uncertain... [T]he tool of this coordination is alchemy. In the Hermetic writings, Polke discovered a view of nature as pure becoming, as anarchy, whose goal is ceaseless renewal. It serves as the antithesis to linear and scientific ideas of progress hyperbolized by global acceleration.
ibid., pp. 78-79