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SARAH LUCAS (b. 1962) BUNNY GETS SNOOKERED #10 tan tights, red stockings, chair, steel clamp, kap...
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Category:Everything Else / Other
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NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2003 Nov 13 @ 19:00UTC-5 : EST/CDT
SARAH LUCAS
(b. 1962)
BUNNY GETS SNOOKERED #10
tan tights, red stockings,
chair, steel clamp, kapok and wire
installation dimensions:
461/2 x 241/2 x 20 in.
(118.1 x 62.2 x 50.8 cm)
executed in 1997
this work is accompanied by a certificate of authenticity
signed by the artist
ESTIMATE: $120,000-150,000
PROVENANCE
Contemporary Fine Arts, Berlin
EXHIBITED
Hamburg, Kunstverein, Fast Forward - Body Check, September 11-November 1, 1998
LITERATURE
I. Goetz, ART FROM THE UK: ANGELA BULLOCH, WILLIE DOHERTY, TRACEY EMIN, DOUGLAS GORDON, MONA HATOUM, ABIGAIL LANE, SARAH LUCAS, SAM TAYLOR-WOOD, RACHEL WHITEREAD, MUNICH, 1997, p. 133 (illustration of BUNNY GETS SNOOKERED exhibition at Sadie Coles HQ, LONDON, May 12-June 20, 1997)
One of the most challenging artists to emerge from London in the late 1980s, Sarah Lucas has consistently created poetic, ironic and humorous artwork, an excellent example of which is BUNNY GETS SNOOKERED #10. Her work is overflowing with provocative allusions to male and female genitalia and sexual connotation. However, the initial simplistic visual impact of this present lot only briefly masks the layers of meaning that resonate with Lucas' work. In BUNNY GETS SNOOKERED #10, the sculpture may present a pair of legs encased in the most clichéd of provocative gear: a pair of red thigh-high stockings; however, the risqué nature of the title runs counter to what is presented before the viewer, as there is no evidence of Playboy perkiness in this faceless sculpture. This anthropomorphic chair is a blend of sensitivity and aggression, as the work evokes a savage humor in the passivity of the "figure" through its refusal to hold a pose, as well as strikes at the empty absurdity of sexual stereotypes. In her ability to allow a pair of tights and chair to speak volumes, Sarah Lucas is tapping into a time-honored sculptural tradition of giving new and powerful meaning to the most everyday objects, while simultaneously seeming to hardly change them at all. Sarah Lucas explains that "my images are not finely finished. I don't have the patience for that. I make things like I am myself. Artworks are actually descriptions, or at least mine art. Descriptions of an idea"
A. Paalman, SELF-PORTRAITS: CALDIC COLLECTION,
ROTTERDAM, 1998, p. 144
Auction Location:
United States
Previewing Details:
Saturday November 1, 2003 10am to 5pm
Sunday November 2, 2003 1Pm to 5pm
Monday November 3, 2003 10am to 5pm
Tuesday November 4, 2003 10am to 5pm
Wednesday November 5, 2003 10am to 5pm
Thursday November 6, 2003 10am to 5pm
Friday November 7, 2003 10am to 5pm
Saturday November 8, 2003 10am to 5pm
Sunday November 9, 2003 1Pm to 5pm
Monday November 10, 2003 10am to 5pm
Tuesday November 11, 2003 10am to 5pm
Wednesday November 12, 2003 10am to 5pm
Additional Fees:
Shipping Details:
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