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Roman Empire. Julia Maesa. Sestertius 225, Æ 24.36g.

Currency:CHF Category:Coins & Paper Money / Coins: Ancient Start Price:28,000.00 CHF Estimated At:35,000.00 CHF
Roman Empire. Julia Maesa. Sestertius 225, Æ 24.36g.
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The Roman Empire. Julia Maesa, grandmother of Elagabalus. Diva Maesa. Sestertius 225, Æ 24.36g. DIVA MAESA–AVGVSTA Veiled and draped bust r. Rev. CONSECRATIO Three-tiered pyre placed on draped and festooned base; in exergue, S–C. C 6 var. BMC S. Alexander 218. RIC S. Alexander 712. Very rare and in exceptionally good condition for this issue, possibly the finest specimen known. A superb untouched turquoise patina and a realistic portrait of great beauty, good extremely fine / extremely fine. Ex NAC sale 25, 2003, 531. From the Luc Girard collection. After the defeat of the interloper Macrinus in 218, and the resulting promotion of the young Syrian priest Elagabalus to the office of emperor, the Severan dynasty–factually the ‘Severan-Emesan’ dynasty–was restored, and would endure seventeen years. The two remaining emperors, Elagabalus and Severus Alexander, were sons, respectively, of the sisters Julia Soaemias and Julia Mamaea. Both of these women were daughters of Julia Maesa, the empress consecrated on this rare sestertius. Much commentary has been made on the reigns of Elagabalus and Severus Alexander, and of the control exercised by their mothers and their grandmother. In this respect, the revived Severan-Emesan dynasty was the opposite of the original dynasty, in which the emperors Septimius Severus, Geta and Caracacalla directed Imperial policy as Maesa’s sister, Julia Domna, was less influential than one might have expected. The portrait of Maesa is far from flattering, and does not mask her advanced age. A comparison may be drawn with Tiberius’ SALVS AVGVSTA dupondius of 22/23, on which his mother Livia appears as if in her late twenties or early thirties, though at the time she was about eighty years old. However, it should not surprise us that the age, experience, sobriety and dignity of Maesa is stressed, as it is an intentional foil to the shameful and immature extravagance of her recently murdered grandson Elagabalus. The funeral pyre on the reverse is well preserved, and its ornamentation is worth some commentary. The structure consists of a broad, draped and garlanded base upon which are three incrementally smaller tiers. The two central tiers are comprised of open archways occupied by standing figures; the large, central arch of the first tier contains a couch, or bier, upon which is the body of Maesa, or a representation of it. The two sections of the top tier are draped, flanked by two lighted torches, and are surmounted by a standing figure–perhaps Castor–attending horses.