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Rolling Stones

Currency:USD Category:Collectibles / Autographs Start Price:NA Estimated At:15,000.00 - 20,000.00 USD
Rolling Stones

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Auction Date:2016 Nov 09 @ 18:00 (UTC-5 : EST/CDT)
Location:236 Commercial St., Suite 100, Boston, Massachusetts, 02109, United States
ALS - Autograph Letter Signed
ANS - Autograph Note Signed
AQS - Autograph Quotation Signed
AMQS - Autograph Musical Quotation Signed
DS - Document Signed
FDC - First Day Cover
Inscribed - “Personalized”
ISP - Inscribed Signed Photograph
LS - Letter Signed
SP - Signed Photograph
TLS - Typed Letter Signed
Impressive archive of approximately 100 items, consisting primarily of various albums and singles, with additional uncommon production material related to the Rolling Stones period of 1981–1984, originating from the personal collection of Marlene Cohen, a former photo editor at Rolling Stone magazine and the girlfriend of Art Collins, the president of Rolling Stones Records. Highlights include: Keith Richards’s poplin-style turquoise scarf with cigarette burns, approximately 68 x 11.25, gifted to Cohen at the offices of Rolling Stones Records in Rockefeller Plaza; a pair of vintage circa 1981 black short sleeve t-shirts, both size medium, one showing a patriotic mouth logo on the front with the back reading, “Tattoo You, Rockford, Ill., October 1, 1981, WZOK,” and the other reading “Happy Birthday Keith, October 18, 1981” against a balloon and confetti background; a green and beige touring varsity jacket with wool body and leather sleeves, no size but likely medium, with an embroidered Rolling Stones mouth logo patch, “U. S. Tour ’81,” stitched to the chest; a program for the Rolling Stones’ 1981 American tour; a massive color 40 x 52 poster of the image used for the 1976 Frampton Comes Alive! album; a color 24 x 30 anniversary poster showing various album covers released during the band’s first twenty years; a set of ten bubblegum Rolling Stones miniature albums; two boxes of original photographs from the photo shoot for the front cover of the Rolling Stones’ 1984 compilation album Rewind, consisting of thirty-nine Polaroid photos and sixteen transparency photos, each housed in original Duggal boxes listing Cohen as the client, with delivery instructions, “c/o Rolling Stone Mag. 745 5th Avenue, 23rd floor, NYC”; a set of twelve original color negatives from the Rewind photo shoot, border of each image bearing a photo credit stamp, “’84 Ken Regan Camera”; and a set of three preliminary record cover artwork proofs for the albums Rewind, Released, and Five and Tens(e), the latter two titles were apparently related to unresolved projects.

Rolling Stones Records material related to the promotion and production of the Rewind and Undercover albums, including: a set of fifteen unsigned publicity photos, the majority 8 x 10 and 10 x 8, depicting the band as well as individual members, with a focus on Mick Jagger; info sheets for the commercial single ‘Undercover of the Night / All the Way Down’ and the label copy single ‘Undercover of the Night,’ both dated October 5, 1983; typescript lyric sheets for the songs ‘Too Tough,’ ‘Undercover (Of the Night),’ ‘She Was Hot,’ ‘Tie You Up (The Pain of Love),’ ‘Wanna Hold You,’ ‘Feel on Baby,’ ‘Too Much Blood,’ and ‘Pretty Beat Up’; sketches and handwritten notes by Cohen concerning layout for the Rewind album cover; and a host of ephemera such as mailing envelopes, stickers, a promo card, the majority of which bearing the band’s famous mouth logo, and a letter signed by Rolling Stones Records President Art Collins.

45 rpm records: a Specialty Records test pressing of ‘Under Cover,’ LP and edit versions, dated October 19, [1983]; a Columbia Records single for ‘Just Another Night / Turn the Girl Loose’; a Rolling Stones Records demo single for ‘Harlem Shuffle’; a Rolling Stones Records single for ‘Waiting on a Friend / Little T & A’; an EMI Music manufacturer’s copy of the single ‘Undercover of the Night / All the Way Down’; a Rolling Stones Records live single for ‘Time Is On My Side / Twenty Flight Rock’; four Rolling Stones Records promo singles for ‘Undercover of the Night’; and a Rolling Stones Records single for ‘Neighbors / Hang Fire.’

Albums: Their Satanic Majesties Request; three copies of Some Girls (two sealed); Aftermath; The Rolling Stones (stereo, electronically re-processed); ‘Get Yer Ya-Ya’s Out!’; Let It Bleed; 12 x 5; December’s Children (And Everybody’s); Flowers; Undercover; Made in the Shade; Emotional Rescue; Sticky Fingers (with working zipper); More Hot Rocks (Big Hits & Fazed Cookies); Between the Buttons (sealed); Through the Past, Darkly–Big Hits Vol. 2 (still sealed); Out of Our Heads (sealed); Big Hits–High Tide and Green Grass (sealed); three copies of Rewind; Got Live If You Want It! (sealed); and The Rolling Stones, Now! (sealed).

Single albums: a manufacturer’s copy of the ‘extended cheeky mix’ single ‘Undercover of the Night’ / ‘Feel on Baby’; a limited edition promotional copy of ‘Still Life’; a copy of the Peter Tosh single ‘Don’t Look Back’ / ‘Soon Come’; promotional copy ‘special dance remix’ single for ‘Undercover of the Night’; two promotional copy extended versions of the single ‘Undercover of the Night’ / ‘Feel On Baby’; promotional copy for the Peter Tosh single ‘(You Got to Walk and) Don’t Look Back’ / ‘Don’t Look Back (Don’t Space Out)’; a promotional copy for the single ‘Dance’ / ‘If I Was a Dancer (Dance Pt. 2)’; a Disco Oldies single for ‘Miss You’ / ‘Hot Stuff’; and a pair of uncommon picture disc single albums for ‘Brown Sugar / Bitch’ and ‘She Was Hot / I Think I’m Going Mad.’ In overall very good to fine condition.

The scarf is accompanied by a letter of provenance from Cohen, in part: “Keith Richards gave me this scarf when I was at their Rockefeller Plaza offices, where I spent much of my time, dating one of the executives.” The referenced “executive” was Art Collins, the president of Rolling Stones Records from 1980 to 1982, who oversaw tours, promotional campaigns, and helped veer the band back into the spotlight with the successful releases of Some Girls, Emotional Rescue, and Tattoo You. Many of the items in this collection were amassed by Collins during his time touring with the Stones. The various album production material originates directly from Cohen, who was hired by Rolling Stones Records to create original album artwork. Stemming from a period that saw the Stones reach their commercial peak, and then, by the close of 1984, poised to go their separate ways, this assemblage of rarities and impossible-to-find items exists as a uniquely diverse collection relating to the band’s rich and enduring history.