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Robert Frank, (American, b. Zurich, Switzerland, 1924), COVERED CAR -- LONG BEACH, CALIFORNIA, da...
Currency:USD
Category:Everything Else / Other
Start Price:NA
Estimated At:5,000.00 - 7,000.00 USD
NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2003 Apr 25 @ 19:00UTC-05:00 : EST/CDT
Robert Frank
(American, b. Zurich, Switzerland, 1924)
COVERED CAR -- LONG BEACH, CALIFORNIA
dated and signed "1954-1973 Robert Frank" in black ink on verso
gelatin silver print
image: 91/4 x 139/16 in (23.5 x 34.4 cm)
paper: 111/16 x 1315/16 in (28.1 x 35.4 cm)
1954
printed 1973
ESTIMATE: $5,000-7,000
PROVENANCE
LIGHT Gallery, NEW YORK
LITERATURE
LITERATURE
Robert Frank, LES AM+RICAINS, Paris, Delpire, 1958, p. 73 [pl. 34] (illustrated)
NOTE: We have chosen to assign a plate number because the sequence through the various editions has always remained constant while the pagination, as demonstrated here, has changed several times
Robert Frank, GLI AMERICANI, Milan, Il Saggiatore, 1959, p. 73 [pl. 34] (illustrated)
Robert Frank, THE AMERICANS, NEW YORK, Grove Press, 1959, n.p. [pl. 34] (illustrated)
Willy Rotzler, "Robert Frank," DU, vol. 22, no. 1 (January 1962), pp. 1-32 (illustrated)
John Szarkowski, THE PHOTOGRAPHER'S EYE, NEW YORK, Mueum of Modern Art, 1966, p. 26 (illustrated)
Robert Frank, THE AMERICANS, NEW YORK, Aperture/Museum of Modern Art and Aperture/Grossman, 1968 and 1969, n.p. [pl. 34] (illustrated)
"Robert Frank: The Americans," CREATIVE CAMERA, no. 55 (January 1969), pp. 22-31 (illustrated on front cover)
Robert Frank, THE LINES OF MY HAND, Tokyo, Yugensha/Kazuhiko Motomura, 1972, , n.p. (contact strip illustrated)
Robert Frank, THE LINES OF MY HAND, [NEW YORK], Lustrum Press, 1972, , n.p. (contact strip illustrated)
Eugenia Parry Janis and Wendy MacNeil, eds., PHOTOGRAPHY WITHIN THE HUMANITIES, Danbury, New Hampshire, Addison House, 1977, p. 55 (illustrated)
Robert Frank, THE AMERICANS, Millerton, NEW YORK, Aperture, 1978, p. 79 [pl. 34] (illustrated)
Tod Papageorge, WALKER EVANS AND ROBERT FRANK: AN ESSAY ON INFLUENCE, New Haven, Yale University Art Gallery, 1981, n.p. (illustrated)
Jonathan Green, AMERICAN PHOTOGRAPHY: A CRITICAL HISTORY, 1945 TO THE PRESENT, NEW YORK, Harry N. Abrams, 1984, p. 169 (illustrated)
Robert Frank, LES AM+RICAINS, Paris, Delpire, 1986, p. 77 [pl. 34] (illustrated)
Robert Frank, DIE AMERIKANER, Munich, Christian Verlag, 1986, p. 77 [pl. 34] (illustrated)
Robert Frank, THE AMERICANS, NEW YORK, Pantheon, 1986, p. 77 [pl. 34] (illustrated)
Robert Frank, THE AMERICANS, NEW YORK and Zurich, Scalo, 1993 & 1998, p. 77 [pl. 34] (illustrated)
Sarah Greenough and Philip Brookman, eds., ROBERT FRANK: MOVING OUT, Washington, D.C., National Gallery of Art, 1994, p. 187 (illustrated)
Among the 83 photographs that constitute THE AMERICANS, this photograph is one of the most frequently reproduced. Although it works well on its own, the present work belongs to a chain of images that form a powerful, cinematic sequence in the book. Consisting of five pictures, the sequence begins with a gambler rolling dice in a Nevada casino, and ends with an image of car accident victims covered by a blanket on the side of a road.
Jack Kerouac wrote about this picture in his introduction to THE AMERICANS. "Car shrouded in fancy expensive designed tarpolian (I knew a truckdriver pronounced it 'tarpoolian') to keep soots of no-soot Malibu from falling on new simonize job as owner who is a two-dollar-an-hour carpenter snoozes in house with wife and TV, all under palm trees for nothing, in the cemeterial California night, ag, ack" (Jack Kerouac, "Introduction," in Robert Frank, THE AMERICANS, New York, Grove Press, 1959, p. iv).
Auction Location:
United States
Previewing Details:
Wednesday April 16 - Wednesday April 23
Additional Fees:
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