47

ROBERT FRANK (American, b. Switzerland, 1924) LOOK OUT FOR HOPE signed in ink on verso "Monuments of

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:15,000.00 - 20,000.00 USD
ROBERT FRANK (American, b. Switzerland, 1924) LOOK OUT FOR HOPE signed in ink on verso  Monuments of
ROBERT FRANK (American, b. Switzerland, 1924) LOOK OUT FOR HOPE signed in ink on verso "Monuments of Glory and Regret" inscribed in negative below image "Printed: Aug. 1980. NYC, 7 prints, KAPLAN [signature] 5" inscribed by printer in ink on verso "New York City and Mabou 1979" inscribed in ink on recto gelatin silver print 233/4 x 195/8 in. (60.3 x 49.8 cm) photographed in 1978-1979 printed in 1980 ESTIMATE: $15,000-20,000 PROVENANCE Galerie Löhrl, MÖNCHENGLADBACH Private Collection, NEW YORK LITERATURE "Robert Frank Returns to Still Photography," COEVOLUTION QUARTERLY, no. 29, Spring 1981, front and back covers and p. 2 (lower right image illustrated on front cover; top image is on back cover; lower left image is on p. 2) Robert Frank, THE LINES OF MY HAND, Zurich, 1989, n.p. (variant illustrated minus the images at lower left and lower right) Sarah Greenough and Philip Brookman, eds., MOVING OUT, Washington, D.C., 1994, p. 245 (variant illustrated minus the images at lower left and lower right) In the late 1970s, Robert Frank began to make still photographs using the Polaroid positive/negative process. Within a minute of exposure he could have an instant print to work with, and a negative from which to make enlargements later. He could manipulate the negative during development to create uneven density and marks around the edges. Having worked with multiple images from the beginning of his career, Frank began to experiment further by adding words and scratching the negatives. Confident of how he wanted to print them, he worked closely in the darkroom with his printer Sid Kaplan. Utilizing more than one enlarger, they would try different configurations, rarely creating two prints from this series that are alike. LOOK OUT FOR HOPE, the fifth print of seven from a basic enlarger setup, is perhaps the only print containing these same images in the lower corners. The version most often reproduced includes only the top and bottom center negatives. No other prints were made of this configuration later.