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ROBERT FRANK (American, b. Switzerland, 1924) CHARLESTON, SOUTH CAROLINA dated and signed “1956 R...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:30,000.00 - 50,000.00 USD
ROBERT FRANK (American, b. Switzerland, 1924) CHARLESTON, SOUTH CAROLINA dated and signed “1956 R...
ROBERT FRANK
(American, b. Switzerland, 1924)
CHARLESTON, SOUTH CAROLINA
dated and signed “1956 R. Frank”
in black ink below image on recto
Robert Frank Archive stamp with handwritten title and numbered in pencil “Americans 13/ Charleston, South Carolina”, “114” on verso
gelatin silver print
image: 81?2 x 123?4 in. (21.6 x 32.4 cm)
paper: 11 x 14 in. (27.9 x 35.6 cm)
1955
printed later
ESTIMATE: $30,000-50,000
PROVENANCE
Simon Lowinsky Gallery, SAN FRANCISCO
Private Collection, CALIFORNIA
LITERATURE
Robert Frank, LES AM…RICAINS, Paris, Delpire, 1958, p. 31 [pl. 13] (illustrated) NOTE: We have chosen to assign a plate number because the sequence has remained constant throughout the various editions while the pagination has changed several times as listed below: GLI AMERICANI, Milan, Il Saggiatore, 1959, p. 31; THE AMERICANS, New York, Grove Press, 1959, n.p.; THE AMERICANS, New York, Aperture/The Museum of Modern Art and Aperture/Grossman, 1968 and 1969, n.p.; THE AMERICANS, Millerton, New York, Aperture, 1978, p. 37; LES AM…RICAINS, Paris, Delpire, 1986, p. 35; DIE AMERIKANER, Munich, Christian Verlag, 1986, p. 35; THE AMERICANS, New York, Pantheon, 1986, p. 35; THE AMERICANS, New York and Z¸rich, Scalo, 1993 and 1998, p. 35.
“Robert Frank,” APERTURE, vol. 9, no. 1 (1961), p. 7 (illustrated)
Willy Rotzler, “Robert Frank,” DU, vol. 22, no. 1, January 1962, pp. 1-32
(illustrated on p. 17)
DOCUMENTARY PHOTOGRAPHY, Life Library of Photography, NEW YORK, Time-Life Books, 1972, p. 171 (illustrated)
Tod Papageorge, WALKER EVANS AND ROBERT FRANK: AN ESSAY ON INFLUENCE, NEW HAVEN, Yale University Art Gallery, 1981, n.p. (illustrated)
Sarah Greenough and Philip Brookman, eds., ROBERT FRANK: MOVING OUT, WASHINGTON, D.C., National Gallery of Art, 1994, p. 197 (illustrated)
On one of the rare occasions where Robert Frank made specific comments on individual pictures in THE AMERICANS he said about this photograph, “It was the first time I was in the South, and the first time I really saw segregation. I found it extraordinary that whites would give their children to black women when they wouldn’t allow the women to sit by them in the drugstore. I did very few pictures that made a political point like this” (DOCUMENTARY PHOTOGRAPHY, NEW YORK, Time-Life, 1972, p. 171).