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Property from the Thyssen-Bornemisza Collection MAX WEBER (1881-1961) New York, 1913 signe...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:500,000.00 - 750,000.00 USD
Property from the Thyssen-Bornemisza Collection MAX WEBER (1881-1961) New York, 1913 signe...
Property from the Thyssen-Bornemisza Collection
MAX WEBER
(1881-1961)
New York, 1913
signed "Max Weber 13" (lower left)
oil on canvas
40 x 31 5/8 in. (101 x 81.3 cm) <p>Estimate: $500,000-750,000 <p> Provenance
Wright Ludington, Santa Barbara Edith Gregor Halpert, New York Sotheby Parke Bernet, New York, March 14-15, 1973, lot 35 Carl D. Lobell, New York Forum Gallery, New York Hirschl & Adler Galleries, New York Andrew Crispo Gallery, New York Thyssen-Bornemisza Collection, Lugano, Switzerland, 1977 <p> Exhibited
London, Alpine Gallery, Third Grafton Group Exhibition, 1913 Paris, Gallerie Bernheim-Jeune, Exposition Max Weber, January 26-February 13, 1924, cat. no. 8 San Francisco, Museum of Art, The Collection of Wright Ludington, 1948 New York, Museum of Modern Art, Abstract Painting and Sculpture in America 1951, no. 106, p. 32 (Illustrated, p. 37) Cincinnati, Contemporary Art Center; Dayton Art Institute; Cincinnati Art Museum, September-November 1957 New York, The Downtown Gallery, 43rd Anniversary Exhibition, 1968 Washington, D.C., Smithsonian Institution, Collection of Fine Arts: Opening Exhibition, National, 1968 Washington, D.C., Smithsonian Institution, National Collection of Fine Arts: Edith Gregor Halpert Memorial Exhibition, April 1972, no. 31 Corpus Christi, Art Museum of South Texas, A Selection of American Paintings from the Estate of the Late Edith Gregor Halpert, New York, January 19-February 10, 1973 New York, Andrew Crispo Gallery, American Masters, 1977, no. 88 Lugano, Villa Malpensata, Collezione Thyssen-Bornemisza, Arte Moderne, September 1-November 5, 1978, no. 106 Perth, Art Gallery of South Australia; Adelaide, Art Gallery of South Australia; Brisbane, Queensland Art Gallery; Melbourne, National Gallery of Victoria; Sydney, Art Gallery of New South Wales, Wellington, New zealand, National Art Gallery, Auckland, New zealand, Auckland City Art Gallery, Christchurch, New zealand, Robert McDougall Art Gallery, America & Europe: A Century of Modern Masters from the Thyssen-Bornemisza Collection, 1979-1980, no. 36 (illustrated) Washington, D.C., National Gallery of Art; Hartford, Wadsworth Atheneum; Toledo, Toledo Museum of Art; Seattle, Seattle Art Museum; San Francisco, San Francisco Museum of Art; New York, The Metropolitan Museum of Art, Twentieth Century Masters: The Thyssen-Bornemisza Collection, no. 27 (illustrated) Cologne, Galerie Gmurzynska, Pioniere der Abstrakten Kunst aus der Sammlung Thyssen-Bornemisza, September 1-30, 1986, p. 194 (illustrated) Kobe, Hyogo Prefectural Museum of Modern Art; Nagoya, Nagoya City Art Museum; Tokyo, The Bunkamura Museum of Art; Hiroshima, Hiroshima City Museum of Contemporary Art, Two Hundred Years of American Paintings from the Thyssen-Bornemisza Collection, January 5-August 25, 1991, no. 33 Atlanta, High Museum of Art; Houston, Museum of Fine Arts; Washington D.C., The Corcoran Gallery of Art; Buffalo, Albright-Knox Art Gallery; Brooklyn, The Brooklyn Museum of Art, Max Weber: The Cubist Decade, 1910-20, December 10, 1991-April 25, 1993, no. 38 (illustrated) <p> Literature
American Artists Group, Inc., Max Weber, New York, 1945, (n.p., illustated) Alfred Werner, Max Weber, New York, 1975, pp. 43, 61, (p. 48 illustrated) Phyllis Burkley North, Max Weber: The Early Paintings , 1905-1920, Ann Arbor, 1975, p. 252 (illustrated, fig. 6-2) Mahonri Sharp Young, "Scope and Catholicity: Nineteenth and Twentieth-Century American Paintings," Apollo, CXVIII, July 1983, p. 86 (illustrated) Dominic Ricciotti, "The Revolution in Urban Transport, Max Weber and Italian Futurism," The American Art Journal, v. XVI, no. 1, Winter 1984, no. 6, pp. 51-53, 56 (illustrated) Merrill Schleier, The Skyscraper in American Art, 1890-1931, Ann Arbor, 1986, p. 59 (illustrated, fig. 43) Gail Levin, The Thyssen-Bornemisza Collection: Twentieth-Century American Painting, London, 1987, pp. 154-157, no. 47 (illustrated, p. 155) Wanda M. Corn, The Great American Thing: Modern and National Identity,1915-1935, Berkeley and Los Angeles, 1999, p. 176 (illustrated, color pl. 154)
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