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Paul Henry RHA (1876-1958) - A COLLECTION OF CORRESPONDENCE BETWEEN THE ARTIST AND SECOND WIFE MABEL

Currency:EUR Category:Art / General - Paintings Start Price:NA Estimated At:3,000.00 - 4,000.00 EUR
Paul Henry RHA (1876-1958) - A COLLECTION OF CORRESPONDENCE BETWEEN THE ARTIST AND SECOND WIFE MABEL

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Auction Date:2011 Oct 10 @ 18:00 (UTC+1)
Location:Royal Dublin Society, Ballsbridge, Dublin 4, Dublin, Dublin, ., Ireland
Artist: Paul Henry RHA (1876-1958)
Title: A COLLECTION OF CORRESPONDENCE BETWEEN THE ARTIST AND SECOND WIFE MABEL YOUNG
Medium:
Signature: variously dated between 1925 and 1929
Dimensions:
Provenance: Provenance:The collection of Mabel Young; Gifted to the uncle of the present owner
Exhibited:
Literature:
Note: This correspondence archive unveils the intimate exchanges between Paul Henry and his second wife Mabel Young during the early years of their relationship when Henry was still married to his first wife, Grace. The artist’s affection for his “little lamb” is clear throughout and his longing for her is felt in several letters which he writes from Donegal Sq. and Crosshill, Belfast. ”I loath being here, there is nothing to do and my whole body aches for want of you.” He refers regularly to “G” [Grace] and their martial troubles and their mutual friends in artistic circles. Some commissions and artworks are discussed also. Henry discusses his reading material, Lady Chatterley’s Lover and Well of Loneliness, both controversial and sexually charged, and even writes his own four-part prose, about his relationship with Mabel.
“The failure of the marriage can probably be put down to social differences in their backgrounds and upbringing which led, eventually, to incompatibility. Paul’s total absorption in his work, at times to the detriment of everything else, was also a cause and is borne out by his determination, in the face of Grace’s dislike for the place, to live on Achill as long as he could… In the absence of the necessary evidence one can only speculate about their personal lives together, but certainly from the middle of their time on Achill they had begun to drift apart. The appearance of Stephen Gwynn and Mabel Young on the scene, far from being the cause of disenchantment and their (eventual) separation, merely brought each of them face to face with the state of their relationship as it had developed by that time.”(Kennedy, p.69)