530

Paul Gauguin

Currency:USD Category:Collectibles / Autographs Start Price:NA Estimated At:25,000.00 - 30,000.00 USD
Paul Gauguin

Bidding Over

The auction is over for this lot.
The auctioneer wasn't accepting online bids for this lot.

Contact the auctioneer for information on the auction results.

Search for other lots to bid on...
Auction Date:2015 May 13 @ 18:00 (UTC-5 : EST/CDT)
Location:236 Commercial St., Suite 100, Boston, Massachusetts, 02109, United States
ALS - Autograph Letter Signed
ANS - Autograph Note Signed
AQS - Autograph Quotation Signed
AMQS - Autograph Musical Quotation Signed
DS - Document Signed
FDC - First Day Cover
Inscribed - “Personalized”
ISP - Inscribed Signed Photograph
LS - Letter Signed
SP - Signed Photograph
TLS - Typed Letter Signed
ALS in French, signed “P. Gaugin,” one page, 4.25 x 7, no date but circa 1884. Rare letter to his fellow painter Camille Pissarro. In full (translated): "My dear Pissarro, I do not expect to see you this time in Paris, a city where you have just settled in. My series of paintings was found to be good by Durand-Ruel, but with this man you never know what to expect. On Saturday, Bertaux invited several young men for dinner, he wanted to also have you, due to there are some of your admirers in the society, I believe that in this small center, there is something to do later. Come and then you will leave on Monday.” Central vertical and horizontal folds (one vertical fold passing through a single letter of the signature) and toning and a dark pencil notation to the upper portion, otherwise fine condition.

Living in Paris in the 1870s, Gauguin took up painting as a hobby and befriended Camille Pissarro, already a successful artist represented by Paul Durand-Ruel. Pissarro introduced him to the art world and Gauguin’s work improved under his tutelage. He showed paintings in Impressionist exhibitions in 1881 and 1882, and was then able to quit his job as a stockbroker and take up painting full-time. Later, with the help of Edgar Degas, Gauguin held a Durand-Ruel solo exhibition in November 1893. He exhibited with Durand-Ruel again in November 1894, but the two later had a falling out and Gauguin lost the gallery owner’s patronage—a tragedy for his career as Durand-Ruel’s business expanded into the American market. With fine artistic content from one painter to another, this letter also embodies the transition from the Impressionism of Pissarro to the Post-Impressionism of Gauguin. A superior association piece.