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PROPERTY from the pisces trust ANDREAS GURSKY (b. 1955) UNION RAVE c-print 641/2 x 1081/4 in. (16...

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PROPERTY from the pisces trust ANDREAS GURSKY (b. 1955) UNION RAVE c-print 641/2 x 1081/4 in. (16...
PROPERTY from
the pisces trust
ANDREAS GURSKY
(b. 1955)
UNION RAVE
c-print
641/2 x 1081/4 in. (164 x 275 cm)
executed in 1995
this work is from an edition of six
ESTIMATE: $250,000-350,000

PROVENANCE
Saatchi Collection, LONDON
11 Duke Street, LONDON

EXHIBITED
MALMÖ, Rooseum Center for Contemporary Art, ANDREAS GURSKY, March 25-May 14, 1995, n.p. (another example exhibited; illustrated)
Kunsthalle Düsseldorf, ANDREAs GURSKY: PHOTOGRAPHS FROM 1984 TO THE PRESENT, August 29-October 18, 1998, pp. 38-39 (another example exhibited; illustrated)
Kunstmuseum Wolfsburg; Fotomuseum Winterthur; LONDON, Serpentine Gallery; EDINBURGH, Scottish National Gallery of Modern Art; TORINO, Castello di Rivoli, Museo d'Art Contemporanea and LISBON, Centro Cultural de Belém, ANDREAS GURSKY: FOTOGRAFIEN 1994-1998, May 23, 1998-January 2, 2000, p. 67 (another example exhibited; illustrated)
Donaueschingen, Fürstenburg Sammlugen, AHEAD OF THE 21st CENTURY: THE PISCES COLLECTION, June 2002-October 2004, p. 82, no. 58 (illustrated)

LITERATURE
H. Irrek, Andreas Gursky, MALMÖ, 1995, n.p. (illustrated)
U. Grosenick, ed., ANDREAS GURSKY: FOTOGRAFIEN 1994-1998, OSTFILDERN-RUIT, 1998, p. 67 (illustrated)
R. Pfab and M.L. Syring, ANDREAS GURSKY: PHOTOGRAPHS FROM 1984 TO THE PRESENT, NEW YORK, 1998/2000, pp. 38-39 (illustrated)
U. Grosenick, Fürstenburg Sammlugen, AHEAD OF THE 21st CENTURY: THE PISCES COLLECTION, ostfildern-ruit, 2002, p. 82,
no. 58 (illustrated)
In fact I don't take a great many more photos than I publish. In the last few years I have often thought about various ideas for pictures over longer periods, and the creation of a photo can also take several weeks. That reminds me of something Gerhard Richter said that could, to a certain extent, apply to me: "I see millions of pictures, photograph thousands and opt for a hundred, which I paint..." It isn't easy to cite generally binding criteria for a good picture. Compositionally decisions are always important when structuring a picture, of course, but I don't think these are particularly interesting, as they should be a matter of course. The immediately visual experience should in any case be the catalyst for a pictorial decision. Questions of social relevance or contextual strategy should, in my opinion, only be considered in a second phase. In the first instance, what concerns me is the autonomy of picture and confidence in the power of the image.
Andreas Gursky quoted in excerpts from correspondence between Andreas Gursky and Veit Görner, 1998, in ANDREAS GURSKY FOTOGRAPFIEN 1994 - 1998, exhibition pamphlet, Kunstmuseum Wolfsburg, 1998, pp. VIII-IX.