October 2008 Torex

1950 ICCS MS-65. Pale golden toning

1950 ICCS MS-65. Pale golden toning

1950 ICCS MS-65, Pittman. Pale golden toning

1950 ICCS MS-65. Pale golden toning

1950 ICCS MS-65. Pale golden toning

1950 ICCS MS-65. Pale golden toning

1950 and 1952, both pale toned ICCS MS-64

1950 pale toned and 1953 No Shoulder Fold near untoned, both ICCS MS-64

1950 and 1953 Shoulder Fold. Two pale toned pieces, both ICCS MS-64

1950, 1950 Arnprior, 1951, 1952, 1952 No Waterlines, 1953 No Shoulder Fold, 1953 Shoulder Fold, 1954 and 1955, all AU-Uncirculated and better, mostly

1950 Arnprior ICCS MS-65. This is a fully struck piece with great lustre on near flawless surfaces, which are beautifully toned in light to medium gol

1950 Arnprior ICCS MS-64 Cameo. Amber rim accents. It is tied as the seventh highest graded by ICCS

1950 Arnprior ICCS MS-64. A near untoned piece that is tied as the seventh highest graded by ICCS

1950 Arnprior ICCS MS-64. A near untoned piece that is tied as the seventh highest graded by ICCS

1950 Arnprior ICCS MS-63. Pale golden toning

1950 Arnprior and 1950 Short Waterlines, both near untoned ICCS MS-63

1950 Arnprior, 1951, 1954 and 1957, all ICCS MS-62 and all with light rim toning

1950 Arnprior, 1953 No Shoulder Fold three pieces, 1955 four pieces, 1957 three pieces, 1957 One Waterline, 1958, 1962, 1965 Type 2 and 1965 Type 3 t

1950 Short Waterlines, 1951, 1952 and 1953 No Shoulder Fold, all ICCS MS-63, the 1950 with a Planchet Flaw and the 1953 wirh light golden rim toning

1950 Short Waterlines ICCS MS-60 and 1952 Short Waterlines ICCS MS-63. Two pale toned pieces

1951 ICCS SP-65 Pittman. A near flawless and near untoned piece that is tied as the eighth highest by ICCS

1951 ICCS PL-66. A near flawless and near untoned piece that is tied as the third highest by ICCS

1951 ICCS PL-66. A near flawless and near untoned piece that is tied as the third highest by ICCS

1951 ICCS PL-65. Near untoned

1951 ICCS MS-65. Attractively toned in light-medium golden olives, it is tied with four others as the highest by ICCS

1951 ICCS MS-65. Attractively toned in light-medium mauves and blues, it is tied with four as the highest by ICCS

1951 ICCS MS-65. A near untoned example that is tied with four others as the highest graded by ICCS

1951 PCGS MS-65. Light gold and amber toning

1951, 1952, 1952 No Waterlines, 1955, 1956, 1957 and 1958, all ICCS MS-63 and pale to light-medium toned

1951, 1954, 1955, 1956 and 1957 One Waterline. Five pale toned pieces, all ICCS MS-62

1951 Arnprior ICCS MS-64. A pale golden toned piece that is tied as the second highest graded by ICCS

1951 Arnprior ICCS MS-64. A pale golden toned piece that is tied as the second highest graded by ICCS

1951 Arnprior ICCS MS-63. Pale golden toned

1951 Arnprior ICCS MS-63. Pale golden toned

1951 Arnprior ICCS MS-62. Pale golden toned

1951 Arnprior ICCS AU-50. Lightly toned

1952 Waterlines ICCS MS-65. A pale golden toned piece that is tied as the highest graded by ICCS

1952 Waterlines ICCS MS-65. A light golden mauve toned piece that is tied as the highest graded by ICCS

1952 Waterlines ICCS MS-65. Lightly toned in olives, ambers and blues, it is tied as the highest graded by ICCS

1952 Waterlines PCGS MS-65. Lightly toned in olives, blues and violets

1952 Waterlines, 1953 No Shoulder Fold, 1954, 1955 and 1955 Arnprior, all pale toned ICCS MS-63

1952 Waterlines ICCS MS-63, 1953 No Shoulder Fold ICCS MS-63 Heavy Cameo and 1954 ICCS MS-63 Cameo. Three pale golden toned pieces

1952 Waterlines, 1953 No Shoulder Fold and 1954, all ICCS MS-63, the 1953 with light golden mauve toning

1952 No Waterlines ICCS MS-65. Near untoned, it is tied with ten others as the highest graded by ICCS

1952 No Waterlines ICCS MS-65. Pale golden toned, it is tied with ten others as the highest graded by ICCS

1952 No Waterlines ICCS MS-65. Near untoned, it is tied with ten others as the highest graded by ICCS

1952 No Waterlines ICCS MS-65. Lightly toned, it is tied with ten others as the highest graded by ICCS

1952 No Waterlines ICCS MS-64. Near untoned

1952 No Waterlines ICCS MS-64. Near untoned

1953 No Shoulder Fold ICCS SP-65. A very pale golden toned piece that is tied with three other examples as the highest graded by ICCS

1953 No Shoulder Fold ICCS MS-65. A pale golden toned piece that is tied with ten as the highest by ICCS

1953 No Shoulder Fold, 1958 and 1963, all ICCS MS-64, the 1963 with light-medium toning

1953 No Shoulder Fold ICCS MS-63 Cameo with light golden rim toning and 1954 ICCS MS-64 pale toned

1953 Shoulder Fold Very Choice Cameo Proof-Like. A near untoned piece

1953 Shoulder Fold ICCS MS-65. Beautifully toned in light golden ambers with overtones and accents in iridescent blues and violets. It is tied as the

1953 Shoulder Fold ICCS MS-65. A lightly toned example that is tied as the highest graded by ICCS

1953 Shoulder Fold ICCS MS-65. A lightly toned example that is tied as the highest graded by ICCS

1953 Shoulder Fold ICCS MS-65. A lightly toned example that is tied as the highest graded by ICCS

1953 Shoulder Fold ICCS MS-64 Heavy Cameo. A lightly toned example

1953 Shoulder Fold ICCS MS-64. Pale toned

1954 ICCS PL-66 Heavy Cameo. Light golden rim toning. It is tied as the fourth highest graded by ICCS

1954 ICCS PL-66 Heavy Cameo. A near untoned piece that is tied as the fourth highest graded by ICCS

1954 ICCS PL-66 Heavy Cameo. Light golden rim toning. It is tied as the fourth highest graded by ICCS

1954 ICCS PL-65 Heavy Cameo. Pale toned

1954 ICCS PL-65 Cameo. Lightly toned

1954 ICCS PL-65 Cameo. Near untoned

1954 ICCS PL-65 Cameo. Near untoned

1954 ICCS PL-64. Light golden toning

1954 ICCS PL-64. Near untoned

1954 Choice Heavy Cameo Proof-Like. Light-medium golden olive and blue toning

1954 ICCS MS-64 Cameo. Pale golden toning

1954 ICCS MS-64. Pale golden toning

1954 ICCS MS-64. Pale golden toning

1954 ICCS MS-64. Pale golden toning

1954 ICCS MS-64. Pale golden toning

1955 ICCS PL-66 Cameo. Pale golden toning

1955 ICCS PL-65 Heavy Cameo. Near untoned but for a light amber toning accent on the reverse

1955 ICCS PL-65. Pale golden toning

1955 ICCS PL-64 Cameo. Light golden toning

1955 Very Choice Cameo Proof-Like. Pale toned

1955 and 1956, both pale toned ICCS PL-64, the 1955 with a Cameo

1955 ICCS MS-65. A light golden toned piece that is tied with five others as the highest graded by ICCS

1955 pale toned and 1958 light golden toned. Two pieces, both ICCS MS-64 Cameo

1955 and 1958, both pale toned ICCS MS-64

1955 and 1958, both pale toned ICCS MS-64

1955, 1957, 1962, 1965 Type 2, 1965 Type 3, 1965 Type 5 and 1967. Seven pale toned pieces, all ICCS MS-63

1955 Arnprior ICCS PL-66 Cameo. A near untoned piece that is tied with one other as the second highest by ICCS with only a 66 Ultra Heavy Cameo higher

1955 Arnprior ICCS PL-65. Near untoned

1955 Arnprior With Die Breaks ICCS MS-64. Light golden toned. It is tied as the highest graded by ICCS

1955 Arnprior With Die Breaks ICCS MS-64. Pale golden toned. It is tied as the highest graded by ICCS

1955 Arnprior With Die Breaks ICCS MS-64. Light golden toned. It is tied as the highest graded by ICCS

1955 Arnprior with Die Breaks ICCS MS-63. A very light golden toned example

1955 Arnprior with Die Breaks ICCS MS-63. A very light golden toned example

1955 Arnprior with Die Breaks ICCS MS-63. A very light golden toned example

1955 Arnprior with Die Breaks ICCS MS-63. A very light golden toned example

1955 Arnprior with Die Breaks ICCS MS-63. A very light golden toned example

1955 Arnprior with Die Breaks, Uncirculated. A very light golden toned example

1956 ICCS PL-66 Cameo. Light golden rim toning

1956 ICCS PL-66 Cameo. Very pale toning

1956 ICCS PL-65 Heavy Cameo. Light rim toning