October 2008 Torex

1936 Dot ICCS AU-50. A very sharp and near fully lustrous piece with pale golden toning

1936 Dot ICCS AU-50. A very sharp, pale golden toned piece with much remaining lustre

1936 Dot ICCS F-15. Lightly toned

1936 Dot ICCS F-15. Lightly toned

1936 Dot VF and 1936 Bar ICCS VG-8. Two pieces, both with light golden toning

1936 Dot Bar ICCS F-12. Lightly toned

1937 Matte Specimen. Plus 1940, 1942, 1943, 1944, 1945, 1946, 1947, 1947 Maple Leaf, 1949 and 1950, all Uncirculated to Choice Uncirculated or better.

1937 ICCS MS-65. A light golden toned piece that is tied as the second highest graded by ICCS

1937 ICCS MS-65. A pale golden toned piece that is tied as the second highest graded by ICCS

1937 ICCS MS-65. A pale golden toned piece that is tied as the second highest graded by ICCS

1937 and 1941, both pale toned ICCS MS-64

1937, 1941 and 1947 Maple Leaf. Three pale to lightly toned pieces, all ICCS MS-64

1937, 1942 and 1947 Maple Leaf. Three pale to lightly toned pieces, all ICCS MS-64

1937, 1942 and 1947 Maple Leaf. Three pale to lightly toned pieces, all ICCS MS-64

1937 beautiful medium blue and magenta toning and 1943 pale golden toned, both ICCS MS-64

1937, 1940, 1941, 1942, 1943, 1944, 1947, 1949, 1950, 1951 High Relief and 1952 Low Relief. Eleven pale toned Uncirculated pieces

1938 ICCS MS-65. Attractive light amber rim toning. It is tied as the third highest graded by ICCS

1938 ICCS MS-65. A very pale golden toning. It is tied as the third highest graded by ICCS

1938 ICCS MS-64. Pale golden toning

1938 ICCS MS-64. Light golden toning

1938 ICCS MS-64. Pale golden toning

1938 ICCS MS-64. Light golden toning

1938 ICCS MS-63. Pale golden toning

1938 ICCS MS-63. Pale golden toning

1938 and 1952 High Relief, both ICCS MS-63 and both with pale golden toning

1939 ICCS MS-65. Pale golden toning. It is tied as the third highest graded by ICCS

1939 ICCS MS-65. Very light golden toning. It is tied as the third highest graded by ICCS

1939 ICCS MS-65. Pale golden toning. It is tied as the third highest graded by ICCS

1939 ICCS MS-65. Pale golden toning. It is tied as the third highest graded by ICCS

1939 ICCS MS-65. Pale golden toning. It is tied as the third highest graded by ICCS

1939 ICCS MS-64. Pale golden toning

1939 ICCS MS-64. Lightly toned

1939, 1947 and 1954, all ICCS MS-63. Plus 1959 ICCS MS-63 Cameo. Four pale to lightly toned pieces

1939 and 1946, both attractively toned Uncirculated to Choice Uncirculated

1940 NGC MS-66. Light opalescent toning

1940 ICCS MS-65 Cameo. A pale golden toned piece that is tied third highest graded by ICCS

1940 ICCS MS-65. A pale golden toned piece that is tied third highest graded by ICCS

1940 ICCS MS-65. A very light golden toned piece that is tied third highest graded by ICCS

1940 ICCS MS-65. A lightly toned piece that is tied third highest graded by ICCS

1940 ICCS MS-65. A pale golden toned piece that is tied third highest graded by ICCS

1940 ICCS MS-65. A very light golden toned piece that is tied third highest graded by ICCS

1940 ICCS MS-64 Cameo and 1943 ICCS MS-64. Two pale golden toned pieces

1940 and 1965 three pieces, all ICCS MS-64 Heavy Cameo. Total four pale toned pieces

1940 PCGS MS-64 pale toned and 1949 ICCS MS-64 with light amber rim toning

1940 two pieces and 1949, all ICCS MS-63. Plus 1942, 1950, 1952 High Relief and 1991, all pale toned ICCS MS-60

1940, 1941, 1942, 1949 and 1999P. Five untoned to pale toned pieces, all ICCS MS-63

1940, 1941, 1949 and 1951 High Relief, all pale to lightly toned ICCS MS-63

1940, 1947, 1950, 1953 No Shoulder Fold and 1955, all pale toned ICCS MS-62, the 1940 with a Cameo

1941 ICCS MS-65. A very light golden toned piece that is tied fifth highest graded by ICCS

1941 ICCS MS-65. A pale golden toned piece that is tied fifth highest graded by ICCS

1941 ICCS MS-65. A pale golden toned piece that is tied fifth highest graded by ICCS

1942 ICCS MS-65. A pale golden toned piece that is tied third highest graded by ICCS

1943 ICCS and PCGS MS-66. A near flawless pale golden toned piece that is tied with three as the highest by ICCS and tied with five as the highest by

1943 ICCS MS-65 Cameo. Beautiful light-medium amber toning. It is tied as the fourth highest by ICCS

1943 ICCS and PCGS MS-65. Beautiful light-medium amber toning. It is tied as the fourth highest graded by ICCS and as the seventh highest by PCGS

1943 ICCS MS-65. Beautiful light-medium golden magenta toning. It is tied as the fourth highest by ICCS

1943 ICCS MS-65. Very pale golden toning. It is tied as the fourth highest by ICCS

1943 PCGS MS-65. Attractive light-medium amber and olive toning. It is tied as the seventh highest by PCGS

1943, 1944, 1947 and 1952 High Relief. Four pale toned pieces, all ICCS MS-63

1943 ICCS MS-63 and 1954 ICCS PL-64

1944 ICCS and PCGS MS-65. Beautiful rim toning. It is tied third highest by ICCS and second highest by PCGS

1944 ICCS MS-65. A pale golden toned piece that is tied third highest by ICCS

1945 ICCS MS-65 Cameo. A near untoned piece that is tied second highest by ICCS

1945 and 1947 Maple Leaf. Two lightly toned pieces, both ICCS MS-64

1945, 1947 Maple Leaf, 1951 High Relief and 1952 Low Relief, all pale to lightly toned ICCS MS-64

1945 lightly toned 1949 lightly toned and 1950 pale toned, all ICCS MS-64

1945, 1947 Maple Leaf, 1948 and 1952 High Relief. Four pale toned Choice Uncirculated pieces

1946 ICCS MS-65. A pale golden toned piece that is tied as the third highest graded by ICCS

1946 ICCS MS-65. A pale golden toned piece that is tied as the third highest graded by ICCS

1946 ICCS MS-65. A pale golden toned piece that is tied as the third highest graded by ICCS

1946 ICCS MS-65. A pale golden toned piece that is tied as the third highest graded by ICCS

1946 ICCS MS-65. A pale golden toned piece that is tied as the third highest graded by ICCS

1946 ICCS MS-65. A pale golden toned piece that is tied as the third highest graded by ICCS

1946 ICCS MS-65. A pale golden toned piece that is tied as the third highest graded by ICCS

1947 ICCS MS-65. A very light golden toned piece that is tied as the highest graded by ICCS

1947 ICCS MS-65. A pale golden toned piece that is tied as the highest graded by ICCS

1947 ICCS MS-64. Very pale golden toning

1947 ICCS MS-64. Pale golden toning

1947 Dot ICCS MS-63. Very pale golden toning

1947 Dot ICCS MS-62. Pale golden toned

1947 Dot and 1948, both lightly toned EF

1947 Maple Leaf ICCS and PCGS MS-65. Beautiful light golden amber toning. It is tied second highest by ICCS

1947 Maple Leaf ICCS MS-65. Light golden mauve toning. It is tied second highest by ICCS

1947 Maple Leaf ICCS MS-65. Light golden mauve toning. It is tied second highest by ICCS

1947 Maple Leaf ICCS MS-65. Very pale toning. It is tied second highest by ICCS

1947 Maple Leaf ICCS MS-65. Very pale toning. It is tied second highest by ICCS

1948 Very Choice Specimen with the ICCS SP-64 certificate from which it was cut. Very pale toning

1948 PCGS MS-66. Near untoned

1948 ICCS MS-65 Cameo. Near untoned

1948 ICCS MS-64. Near untoned

1948 ICCS MS-63. Pale golden toning

1949 PCGS SP-65. Pale golden toning

1949 ICCS and PCGS SP-64. Pale golden toning

1949 ICCS MS-65. Light golden magenta toning. it is tied as the second highest graded by ICCS

1950 ICCS MS-65. A near untoned piece that is tied as the fifth highest graded by ICCS

1950, 1955, 1958, 1963 and 1967, all ICCS MS-64 Cameo, the 1950 and 1958 with light-medium toning

1950, 1951 High Relief, 1952 Low Relief, 1953 No Shoulder Fold, 1953 Shoulder Fold and 1954. Six pale toned pieces, Uncirculated to Choice Uncirculat

1951 High Relief ICCS MS-65. Attractive light-medium amber and blue toning. It is tied highest by ICCS

1951 High Relief ICCS MS-65. Pale golden toning. It is tied highest by ICCS

1951 High Relief ICCS MS-64. Beautiful light opalescent toning offering Great Eye Appeal