October 2008 Torex

1908 ICCS VF-20 light-medium toned and 1910 ICCS EF-40 lightly toned

1909 ICCS MS-63. A strongly lustrous piece with pale golden toning. It is tied as the eighth highest graded by ICCS

1909 ICCS MS-60. This is a strongly lustrous piece with a pale golden toning

1909 ICG EF-45 pale golden toned and 1910 ICCS VF-30 very light golden toning

1909 ICCS VF-30. Light golden toning

1909 VF-EF. Light golden toning

1910 ICCS MS-65 Norweb. This is a fully struck piece with great lustre and near flawless surfaces that are beautifully toned in light-medium golden am

1910 ICCS MS-64. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied as the sixth highest graded b

1910 ICCS MS-63. This is a strongly lustrous example with a pale golden toning

1910 ICCS MS-63. This is a strongly lustrous example with a pale golden toning

1910 and 1911, both EF and both pale toned

1911 ICCS MS-63. Light golden toning

1911 ICCS MS-63. Pale golden toning

1911 ICCS EF-40. Light golden toning

1912 ICCS MS-64. This is a fully struck piece with great lustre on rather flawless surfaces with a medium golden olive toning. It is tied as the fourt

1912 ICCS MS-63. A fully struck piece with great lustre on rather flawless pale golden toned surfaces

1912 ICCS AU-55. Lightly toned

1913 ICCS MS-64. This is a fully struck and superbly lustrous piece with rather flawless surfaces that are beautifully toned in light-medium rose-gold

1913 ICCS MS-63. A fully struck piece with great lustre on pale golden toned surfaces

1913 Uncirculated, rim bump. Lightly toned

1913 ICCS EF-45. Pale golden toning

1913, 1916, 1917, 1918 and 1920. Five pale to lightly toned pieces, all EF or better

1914 ICCS MS-64. This is a very well struck piece with strongly lustrous and near flawless pale golden toned surfaces. It is tied as the highest grade

1914 ICCS AU-50. Pale golden toning

1915 ICCS EF-40. Light golden toning

1915 EF. A very sharp, pale toned example

1915 ICCS F-15. Light golden toning

1916 ICCS MS-64. A strongly lustrous pale golden toned piece. It is tied as the third highest graded by ICCS

1916 ICCS MS-64. A strongly lustrous light golden toned piece. It is tied as the third highest graded by ICCS

1916 ICCS AU-55. Light golden toning

1917 ICCS MS-64. Light golden toning

1917 ICCS MS-64. Pale golden toning

1917 ICCS MS-63. Beautifully toned in golden olives with overtones of iridescent greens, ambers and violets

1917 ICCS MS-62. Pale golden toning

1918 ICCS MS-64. Pale golden toning

1918 ICCS MS-63. Pale golden toning

1918 ICCS MS-63. Light orange amber toning

1918 ICCS AU-58 and 1919 ICCS AU-55

1919 ICCS MS-64 Pittman. Light tan accents

1919 ICCS MS-62. Pale golden toning

1919 ICCS MS-60. Pale golden toning

1919 ICCS MS-60. Pale golden toning

1919 and 1938, both AU-Uncirculated. Two pale to lightly toned pieces

1920 ICCS MS-64 Pittman. Light golden toned with tan accents, it is tied as the seventh highest by ICCS

1920 ICCS MS-63. Pale golden toning

1920 ICCS MS-63. Pale golden toning

1920 ICCS MS-62. Pale golden toning

1921 ICCS MS-62. A well struck piece with strongly lustrous, pale golden toned surfaces

1921 ICCS AU-50. A very sharp and near fully lustrous pale golden toned piece

1921 ICCS EF-40. Pale golden toning