LOT Phillips de Pury & Company  /  Veronica’s Revenge  / 

14

NO

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:300,000.00 - 400,000.00 USD
NO
<b>Artist: </b>Charles Ray
<b>Birth: </b>(b. 1953)
<b>Medium: </b>color photograph
<b>Dimensions: </b>38 x 30 in. (96.5 x 76.2 cm)
<b>Details: </b>executed in 1992 ; this work is from an edition of four
<b>Provenance: </b>Donald Young Gallery, SEATTLE
<b>Exhibited: </b>SEATTLE, Donald Young Gallery, CHARLES RAY, May-July 1992 (another example exhibited) ; CHICAGO, Museum of Contemporary Art, RADICAL SCAVENGERS: THE CONCEPTUAL VERNACULAR IN RECENT AMERICAN ART, February 7-April 17, 1994 (another example exhibited; illustrated) ; Malmö, Rooseum-Center for Contemporary Art; LONDON, Institute of Contemporary Art; Kunsthalle Bern & Kunsthalle Zurich, CHARLES RAY, March-October 1994, p. 55 (another example exhibited; illustrated) ; DIJON, Le Consortium; MILAN, Galeria Massimo de Calo and Göpingen, Städtische Galerie, PICTURES OF THE REAL WORLD IN REAL TIME, September 10, 1994-February 26, 1995 ; PHILADELPHIA, Institute of Contemporary Art, University of Pennsylvania; OMAHA, Joslyn Art Museum and GREENSBORO, Weatherspoon Art Gallery, University of North Carolina, FACE OFF: THE PORTRAIT IN RECENT ART, September 1994-May 1995, p. 25 (another example exhibited; illustrated) ; LOS ANGELES, California Center for the Arts, NARCISSISM: ARTISTS REFLECT THEMSELVES, February 4-May 26, 1996, n.p. (another example exhibited; illustrated) ; GENEVA, Centre d’Art Contemporain, VERONICA’S REVENGE, February 28-May 11, 1997 ; ARLES, Recontres Internationales de la Photographie, VERONICA’S REVENGE, June 25-August 25, 1997 ; Milwaukee Art Museum and Aspen Art Museum, IDENTITY CRISIS: SELF-PORTRAITURE AT THE END OF THE CENTURY, September 12, 1997-February 15, 1998, p. 42, no. 60 (another example exhibited; illustrated) ; The Museum of Contemporary Art, Los Angeles, A LASTING LEGACY: SELECTIONS FROM THE LANNAN FOUNDATION GIFT, September 1997-January 1998 (another example exhibited) ; ANTWERP, Museum van Hedendaagse Kunst Antwerpen (MUHKA), VERONICA’S REVENGE, November 21, 1997-January 18, 1998 ; Deichtorhallen Hamburg, VERONICA’S REVENGE, February 25-June 1, 1998 ; NEW YORK, Whitney Museum of American Art, June 4-August 30, 1998; The Museum of Contemporary Art, Los Angeles, November 15, 1998-March 14, 1999 and CHICAGO, Museum of Contemporary Art, June 19-September 12, 1999, p. 34 (another example exhibited; illustrated) ; LUXEMBOURG, Musée National d’Histoire et d’Art Casino Luxembourg, VERONICA’S REVENGE, March 6-April 25, 1999 ; Aspen Art Museum, 20 YEARS/20 ARTISTS, August-September 1999, p. 47, no. 11 (another example exhibited; illustrated) ; PORTO, Centro Portugeès de Fotografiia, VERONICA’S REVENGE, December 9, 1999-February 4, 2000 ; ARKEN, Museum for Moderne Kunst, VERONICA’S REVENGE, June 3-September 3, 2000 ; SYDNEY, Museum of Contemporary Art, VERONICA’S REVENGE, November 16, 2000-March 4, 2001 ; Los Angeles, The Museum of Contemporary Art, A ROOM OF THEIR OWN: FROM ARBUS TO GOBER, February 2001-2003 (another example exhibited)
<b>Literature: </b>L. Relyea, “Charles Ray in the No,” ARTFORUM 31, no. 1, September 1992, p. 66 (illustrated) ; E. Sussman, et al., 1993 BIENNIAL EXHIBITION:WHITNEY MUSEUM OF AMERICAN ART, NEW YORK, 1993, p. 215 (illustrated) ; L. Relyea, “Charles Ray in the No,” BIJUTSO TECHNO, April 1993, p. 184-194 (illustrated) ; P. Schjeldahl, “Ray’s Tack,” PARKETT NO. 37, ZURICH, 1993, p. 26 (illustrated) ; C. Tomkins, “Mind Games,” THE NEW YORKER, July 20, 1998, p. 72 ; C. Knight, “Charles Ray Mind-Bender,” LOS ANGELES TIMES, November 17, 1998, p. F1 (illustrated) ; R. Ferguson and S. Emerson, eds., CHARLES RAY, LOS ANGELES, 1998, p. 34 (illustrated) ; E. Janus, ed., VERONICA’S REVENGE: CONTEMPORARY PERSPECTIVES IN PHOTOGRAPHY, ZURICH-BERLIN-NEW YORK, 1998, p. 200 (illustrated) ; S. Feldman, 20 YEARS/20 ARTISTS, SEATTLE, 1999, p. 47, no. 11 (illustrated)
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