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NEO RAUCH (b.1960) GEGENLICHT (BACK LIGHT) signed and dated "Rauch '00" lower right oil on canvas...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:100,000.00 - 150,000.00 USD
NEO RAUCH (b.1960) GEGENLICHT (BACK LIGHT) signed and dated  Rauch '00  lower right oil on canvas...
NEO RAUCH
(b.1960)
GEGENLICHT (BACK LIGHT)
signed and dated "Rauch '00" lower right
oil on canvas
983/8 x 783/4 in. (250 x 200 cm)
painted in 2000
ESTIMATE: $100,000-150,000
PROVENANCE
Galerie Eigen & Art, berlin
Private collection, FRANCE
EXHIBITED
LEIPZIG, Galerie für Zeitgenössische Kunst; MUNICH, Haus der Kunst and Kunsthalle Zürich, NEO RAUCH: RANDGEBIET, December 10, 2000-August 5, 2001, p. 113 (illustrated)
Rooted in German Realist tradition, Neo Rauch's complex narrative imagery and the autonomy of emphasized areas of color are at once enticing and provoking, dissociating and strange. Rauch's paintings are about working, building, manufacturing, instructing and servicing. Rauch, who lives in Leipzig Germany, weaves together imagery from fragments of German textbook illustrations and propaganda posters of the early to mid-twentieth century; this visual code in not merely reminiscent, but a pointed adaptation: "Neo Rauch reproduces the aesthetics of picture-books from the thirty's, forties and fifties in contemporary images that are shot through with energy. Classical Euclidian space is replaced by information, and vectors in concentrated human form [almost all men] charge the spaces of the pictures with extreme tension. People, spaces, architectural elements clash together as models and theatre sets in a confusion of diurnal insanity. The visual elements appear to be placed together as if, with cautiously affectionate violence, Neo Rauch had taken pieces from all the word's jigsaw puzzles and fashioned them into new images, in so doing resisting the ideological perspective of a world that only seeks its own reflection in art.
H. von Amelunxen, NEO RAUCH RANDGEBIeT,
LEIPZIG, 2000, pp. 13-14
Neo Rauch's paintings exist in parallel to the reality of perceptions, memories and dreams, yet seem protected in stopped time. Through shifting perspectives and intensely painted blocks of color, Rauch's work has an unsettling uniformity of vision, strengthened by the distinctive visual language he employs. A flat approach to color, an illustrative use of line, and variety of spatial planes within each work serve to confound depth.