Auction Date:2009 Nov 24 @ 19:00 (UTC-07:00 : PDT/MST)
Location:5240 1A Street S.E.,, Calgary, Alberta, Canada
Michael Lonechild Canadian [b. 1955]
GOING TO FEED THE HORSES
acrylic on canvas
16 x 20 in. (40.6 x 50.8 cm)
signed & titled
Auction Location:
5240 1A Street S.E.,, Calgary, Alberta, Canada
Previewing Details:
Saturday, November 21st Noon - 4 PM
Sunday, November 22nd Noon - 4 PM
Buyer's Premiums:
| From (Incl.) | To (Excl.) | Premium |
| 0.00 |
Infinite |
15% |
Additional Fees:
Shipping Details:
No Info Available
Payment Details:
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Accepted Payment Methods:
1. A premium of 15% of the successful bid price shall be added thereto and is payable by the purchaser as part of the total purchase price.
2. Goods and Services Tax of 6% will be charged on the hammer price and buyer's premium on all lots delivered within Canada.
3. Although Hodgins Art Auctions takes great care and diligence in cataloguing of lots offered for auction, all property is sold 'as is' and neither we nor the Consignor make any warranties or representations as to the correctness of the catalogue entry or other descriptions contained therein, of the physical condition, size, authenticity, or quality. Prospective bidders should inspect the property before bidding to determine the condition, size, and whether the purchaser acquires any reproduction rights in the property.
All photographic representations and other illustrations presented are solely for guidance and are not to be relied upon in terms of tone or colour or necessarily to reveal any imperfections in the lot.
4. Notwithstanding the preceding condition, if within twenty-one (21) days of the sale of any lot, the purchaser can provide to us in writing, the opinion of two acknowledged experts that the art, as outlined in the glossary, is in effect inaccurately described in the catalogue and within fourteen (14) days after such notice the purchaser returns the lot to us in the same condition as when sold, we as agent for the Consignor will rescind the sale and refund the purchase price.
Due to both time restraints and changing scholarly opinions 19th century and earlier works of art are not subject to the provisions as outlined in paragraph four (4) above.
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