March Sale - Day 2

James Edwards (19th Century, Nottingham Artist), A Quiet Stream, a sunlit summer landscape with angler and cottage, signed, 61 x 51cm 200/300

Paul Braddon (1864 - 1938), A Street Market In France, cathedral beyond, signed, watercolour, 74 x 54cm 180/220

F** Dawnay (19th Century), Children Playing In A Stream, signed, 69 x 105cm 300/500

Barbara Keay (20th Century), Fishing Boat And Quay, 62 x 47cm, stretcher inscribed, unframed 60/100

Lucy Harwood (1893 - 1972), 'Welsh Poppy', Still Life Of Flowers, Pottery Figure And Cockerel, signed verso, 56 46cm 50/100

Lucy Harwood (1893 - 1972), Portrait Of A Fair Haired Girl, head and shoulders, signed, verso, Ixion Society exhibition label verso, 46 x 38cm 50/100

Lucy Harwood (1893 - 1972), Industrial Landscape, hills beyond, signed verso, 61 x 51cm 40/60

Lucy Harwood (1893 - 1972), Mediterranean Landscape, signed verso, 51 x 41cm, unframed 50/100

Lucy Harwood (1893 - 1972), Bridge At Chatsworth, Derbyshire, signed verso, verso signed, Ixion Society exhibition label, inscribed and dated 1964, 61

D** M** B** (20th Century), Study Of A Stone Bridge, Il Molmundi Tofori, signed in pencil, dated '76, pencil, label verso Spink, London, 25 x 35...

Bernard Stern (Late 20th Century), The Tree Of Life, ink and coloured washes, signed, dated '76, label verso Gilbert Parr Gallery, Chelsea, 13 x...

Nude Study Of A Girl, indistinctly signed, pastel on tinted paper, 24 x 13cm 40/60

David Pole (Late 20th Century), Topiary, with strawberries in a straw hat, signed, dated 1992, watercolour and bodycolour, 13 x 8cm; Winifred Murray,

Tom Davison (Late 20th Century), Girl With White Robe, coloured pencils, label verso Margery Parr Gallery, Chelsea, 43 x 28cm 80/150

Frans Wesselman (Late 20th Century), Guinea Pig And Geraniums, signed, watercolour and bodycolour, 26 x 30cm 80/120

E** F** Crump (Late 20th Century), A Pair, Ethereal Figures Studies, signed, watercolour heightened with white, 57 x 37cm 50/80

Ernest Bottomley (Late 20th Century), The Young Cavorting On A Techno-Frame, signed, dated 1987, titled, pencil, 47 x 63cm 80/120

John Piper, A Ruined Abbey, signed in pencil, coloured lithograph, no. 41/100, 39 x 52cm 200/400

John Piper, Study Of A Church, signed in pencil, coloured lithograph, no. 49/70, 52 x 40cm 200/400

John Piper, The Palladian Bridge At Stowe, Buckinghamshire, signed in pencil, coloured lithograph, no. 12/50, 39 x 56cm 200/400