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MATTHEW BARNEY (b. 1967) CREMASTER 5: ELVÁLÁS signed and dated on the reverse triptych: one gelat...

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MATTHEW BARNEY (b. 1967) CREMASTER 5: ELVÁLÁS signed and dated on the reverse triptych: one gelat...
MATTHEW BARNEY
(b. 1967)
CREMASTER 5: ELVÁLÁS
signed and dated on the reverse
triptych: one gelatin silver print and two c-prints each in self-lubricating acrylic frames
left and right panels:
353/8 x 295/8 x 1 in.
(90 x 75.2 x 2.5 cm) each
middle panel: 413/8 x 341/2 x 1 in. (105.1 x 87.6 x 2.5 cm)
executed in 1997
this work is from an edition of six
plus one artist's proof
ESTIMATE: $200,000-300,000

PROVENANCE
Barbara Gladstone Gallery, NEW YORK

SCREENED
FRANKFURT, Portikus Frankfurt Am Main, CREMASTER 5, June 18-August 10, 1997
BUDAPEST, Center for Culture and Communication, CREMASTER 5,
July 3-August 3, 1997
NEW YORK, Barbara Gladstone Gallery, CREMASTER 5, October 22-December 20, 1997
NEW YORK, Film Forum, CREMASTER 5, October 22-November 5, 1997

EXHIBITED
NEW YORK, Barbara Gladstone Gallery, October 25-December 20, 1997 (another example exhibited as part The Ehrich Weiss Suite)
Deichtorhallen Hamburg, October 30, 1998-January 17, 1999, p. 102 (another example exhibited; illustrated)
HOUSTON, Contemporary Arts Museum, OUTBOUND: PASSAGES FROM THE 90'S, March 4-May 7, 2000, no. 11, p. 24 (another example exhibited as part of The Ehrich Weiss Suite; illustrated)
COLOGNE, Museum Ludwig; Musée d'Arte Moderne de la Ville de Paris and NEW YORK, Solomon R. Guggenheim Museum, MATTHEW BARNEY: THE CREMASTER CYCLE, June 6, 2002-May 11, 2003, p. 452 (another example exhibited; illustrated The Ehrich Weiss Suite)

LITERATURE
T. Morgan and M. Barney, CREMASTER 5, NEW YORK/FRANKFURT, 1997, n.p. (illustrated without frames)
Z. Felix, EMOTION: YOUNG BRITISH AND AMERICAN ART FROM THE GOETZ COLLECTION, OSTFILDERN-RUIT, 1998, p. 102 (illustrated)
U. Grosenick and B. Riemschneider, eds., ART AT THE TURN OF THE MILLENNIUM, COLOGNE, 1999, p. 59, no. 03 (illustrated; installed as part of The Ehrich Weiss Suite)
M. Rush, NEW MEDIA IN LATE 20th CENTURY ART, LONDON, p. 151,
no. 167 (middle panel illustrated without frame)
D. Friis-Hansen, L. M. Herbert, M. Maya and P. Morsiani, OUTBOUND: PASSAGES FROM THE 90's, NEW YORK, 2000, p. 24, no. 11 (illustrated)
N. Spector, MATTHEW BARNEY: THE CREMASTER CYCLE, NEW YORK, 2002, p. 69 (The Queen of Chain and Her Magician Illustrated) p. 452 (illustrated; installed as part of the entire Ehrich Weiss Suite) and p. 459 (middle panel illustrated without frame)
Warmth...
Separation...
Descension...
Definition...
Release...
Black has finally overcome the threat of red
My love, I now understand the chain
And within the lock, the lilies are turning away from the light
We fall, my love, together
Come to me...(until now withholding)
Release...(until now withholding)
Release...
Ursula Andress mournful aria in CREMASTER 5 quoted in N. Spector,
ibid., pp. 71-71