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MARCEL DUCHAMP (1887-1968) TRÉBUCHET (TRAP) signed, dedicated and dated "Marcel Duchamp 1964 Exe...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:500,000.00 - 700,000.00 USD
MARCEL DUCHAMP (1887-1968) TRÉBUCHET (TRAP) signed, dedicated and dated  Marcel Duchamp 1964 Exe...
MARCEL DUCHAMP (1887-1968) TRÉBUCHET (TRAP) signed, dedicated and dated "Marcel Duchamp 1964 Exempl: Arturo" in black ink along the front; inscribed "Marcel Duchamp 1964 ex Arturo" and engraved "TRÉBUCHET, 1917 EDITION GALERIE SCHWARZ, MILAN" on a copper plate affixed to the backside oak panel and steel hook coat rack 71/2 x 393/8 x 411/16 in. (19 x 100 x 11.1 cm) executed 1917-1964 The original, produced in 1917, was lost; the present lot was produced under the artist's supervision from photographs of the lost original; it is an artist's proof, dedicated to Arturo Schwarz, from an edition of eight plus one replica reserved for the artist and two replicas made for museum exhibition purposes. ESTIMATE: - $500,000-700,000 In describing the genesis of Trébuchet (Trap), Duchamp declared that it had not been bought to be a readymade, but that it was "a real coat hanger that I wanted sometime to put on the wall and hang my things on but I never did come to that-so it was on the floor and I would kick it every minute, every time I went out-I went crazy about it and said to Hell with it, if it wants to stay there and bore me, I'll nail it down...and then the association with the Readymade came and that was it. It was not bought to be a Readymade-it was a natural thing...it was nailed where it was and then the idea came...." (A. D'Harnoncourt and K. McShine, eds., Marcel Duchamp, New York, 1989, pp. 283-284.) Appropriating a term taken from chess, trébuchet (meaning a snare: to offer a pawn in the hopes that the opponent will "stumble"), Duchamp defined the coat rack that he screwed to the floor with the desire that people might trip (trébuchet) over it. The original readymade was nailed to the floor of Duchamp's New York studio. PROVENANCE Dedicated by the artist to Arturo Schwarz, 1964 EXHIBITED MILAN, Galleria Schwarz, OMAGGIO A MARCEL DUCHAMP, June 5-September 30, 1964, no. 12 NEW YORK, Cordier & Ekstrom, NOT SEEN AND/OR LESS SEEN OF/BY MARCEL DUCHAMP/RROSE SÉLAVY, 1904-64, January 14-February 13, 1965, no. 65 (another example exhibited) LONDON, The Tate Gallery, THE ALMOST COMPLETE WORKS OF MARCEL DUCHAMP, June 18-July 31, 1966, no. 129 (another example exhibited) JERUSALEM, The Israel Museum, MARCEL DUCHAMP: drawings, etchings for the large glass, readymades, March-May 1972 (another example exhibited) MILAN, Galleria Schwarz, MARCEL DUCHAMP: 66 CREATIVE YEARS, December 12, 1972-February 28, 1973, no. 78 PHILADELPHIA, Philadelphia Museum of Art; NEW YORK, The Museum of Modern Art and CHICAGO, The Art Institute of Chicago, MARCEL DUCHAMP, September 22, 1973-April 21, 1974, no. 121 (another example exhibited) PARIS, Musée National d'Art Moderne, Centre national d'art et de Culture Georges Pompidou, L'OEUVRE DE MARCEL DUCHAMP, January 31-May 2, 1977, no. 111 (another example exhibited) VANCOUVER, British Columbia, Canada, The Vancouver Art Gallery, DUCHAMP READYMADES, April 29-June 4, 1978 (another example exhibited) OTTAWA, Alberta College of Art, MARCEL DUCHAMP: READYMADES, ETC., October 16-November 15, 1979, p. 39 (another example exhibited) BARCELONA, Fundació Joan Miró; MADRID, Sala de Exposiciones de la Caja de Pensiones and COLOGNE, Museum Ludwig, DUCHAMP, February 29-August 19, 1984, cat. no. 82 (another example exhibited) MILAN , Accademia di Belle Arti di Brera, MARCEL DUCHAMP, LA SPOSA ... E I READYMADE, May 20-July 10, 1988, p. 59, no. 60 (another example illustrated) ANTWERP, Galerie Ronny van de Velde, MARCEL DUCHAMP, September 15-December 15, 1991 (present lot exhibited) VENICE, Palazzo Grassi, MARCEL DUCHAMP, April 4-July 18, 1993, p. 66 (another example exhibited) LITERATURE R. Lebel, SUR MARCEL DUCHAMP, PARIS, 1959, pl. 81 (Duchamp's studio installation) W. Hopps, U. Linde and A. Schwarz, MARCEL DUCHAMP: READY-MADES, ETC. (1913-1964), MILAN, 1964, p. 19, no. 12 (another example illustrated) A. Schwarz, THE COMPLETE WORKS OF MARCEL DUCHAMP, NEW YORK, 1969, p. 468, no. 248 (another example illustrated) A. Schwarz, MARCEL DUCHAMP, NEW YORK, 1975, pl. 112 (another example illustrated) T. Zaunschirm, BEREITES MÄDCHEN READY-MADE, KLAGENFURT, 1983, p. 17, fig. 1 (Duchamp's studio installation) G. Moure, MARCEL DUCHAMP, LONDON, 1988, no. 89 (another example illustrated) E. Jaguer and J.-J. Lebel, AFTER DUCHAMP, PARIS, 1991, p. 92 (another example illustrated) P. Hulten, ed., MARCEL DUCHAMP: WORK AND LIFE, CAMBRIDGE, Massachusetts, 1993, pp. 30 and 66 (Duchamp's studio installation) J. Mink, MARCEL DUCHAMP 1887-1968: ART AS ANTI-ART, COLOGNE, 1995, p. 51 (this work illustrated) D. Ades, N. Cox and D. Hopkins, MARCEL DUCHAMP, LONDON, 1999, p. 162, fig. 122 (another example illustrated) F. M. Naumann, MARCEL DUCHAMP, THE ART OF MAKING ART IN THE AGE OF MECHANICAL REPRODUCTION, NEW YORK, 1999 (other examples illustrated; p. 74, fig. 3.20 and p. 242, fig. 8.61) A. Schwarz, THE COMPLETE WORKS OF MARCEL DUCHAMP, NEW YORK, 2000, p. 655 no. 350 (another example illustrated)