NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2002 May 13 @ 16:00UTC-8 : PST/AKDT
MARCEL DUCHAMP (1887-1968) IN ADVANCE OF THE BROKEN ARM signed and dated "Marcel Duchamp 1964" in black ink on the lower side edge of the wooden handle; inscribed "Marcel Duchamp, 1964 Ex Arturo" and engraved "IN ADVANCE OF THE BROKEN ARM, 1915 EDITION GALERIE SCHWARZ, MILAN" on a copper plate affixed to the handle wood and galvanized-iron snow shovel 513/4 x 135/8x 4 in. (131.4 x 34.7 x 10.2 cm) executed 1915-1964 The original, produced in 1915, was lost; the present lot was made under the artist's supervision from photographs of the lost original; it is an artist's proof, dedicated to Arturo Schwarz, from an edition of eight plus one replica reserved for the artist and two replicas made for museum exhibition purposes. ESTIMATE: - $700,000-900,000 In a 1916 letter to his sister Suzanne, Duchamp provided one of the first written explanations of his challenging new concept of the Readymade. "I have for example a large snow shovel upon which I wrote at the bottom: In advance of the broken arm. Don't try too hard to understand it in the Romantic or Impressionist or Cubist sense," he advised, "that does not have any connection with it." (A. Schwarz, The Complete Works of Marcel Duchamp, New York, 2000, p. 588.) Referring to the present work, Duchamp clearly severed his unorthodox sculpture from past artistic traditions. A pure Readymade, In Advance of the Broken Arm was not manipulated by the artist. Instead, the snow shovel was plucked from the realm of industrial manufacture and situated as a work of art, forcing the viewer to consider the creative act in a strictly cerebral sense. The present work also counts among Duchamp's most humorous Readymades. The clever title refers to the bone-breaking labor of shoveling snow, while its proposed suspension from a ceiling conveniently precludes the possibility of such an injury. PROVENANCE Dedicated by the artist to Arturo Schwarz , 1964 EXHIBITED NEW HAVEN, Connecticut, Yale University Art Gallery, DUCHAMP, DUCHAMP-VILLON, VILLON, March 1-April 1, 1945, no. 38 (another example exhibited) NEW HAVEN, Connecticut, Yale University Art Gallery, DADA, January 11-February 9, 1956 (another example exhibited) Pasadena, Pasadena Art Museum, MARCEL DUCHAMP: A RETROSPECTIVE EXHIBITION, October 8-November 3, 1963, no. 55 (another example exhibited) MILAN, Galleria Schwarz, OMAGGIO A MARCEL DUCHAMP, June 5-September 30, 1964, no. 6 NEW YORK, Cordier & Ekstrom, NOT SEEN AND/OR LESS SEEN OF/BY MARCEL DUCHAMP/RROSE SÉLAVY, 1904-64, January 14-February 13, 1965, no. 59 (another example exhibited) LONDON, The Tate Gallery, THE ALMOST COMPLETE WORKS OF MARCEL DUCHAMP, June 18-July 31, 1966, no. 119 (another example exhibited) JERUSALEM, The Israel Museum, MARCEL DUCHAMP: drawings, etchings for the large glass, readymades, March-May 1972 (another example exhibited) MILAN, Galleria Schwarz, MARCEL DUCHAMP: 66 CREATIVE YEARS, December 12, 1972-February 28, 1973, no. 66 PHILADELPHIA, Philadelphia Museum of Art; NEW YORK, The Museum of Modern Art and CHICAGO, The Art Institute of Chicago, MARCEL DUCHAMP, September 22, 1973-April 21, 1974, no. 111 (another example exhibited) PARIS, Musée National d'Art Moderne, Centre national d'art et de Culture Georges Pompidou, L'OEUVRE DE MARCEL DUCHAMP, January 31-May 2, 1977, no. 102 (another example exhibited) VANCOUVER, British Columbia, The Vancouver Art Gallery, DUCHAMP READYMADES, April 29-June 4, 1978 (another example exhibited) OTTAWA, Alberta College of Art, MARCEL DUCHAMP: READYMADES, ETC., October 16-November 15, 1979, p. 31 (another example exhibited) ONTARIO, Canada, National Gallery of Canada; CALGARY, Alberta, The Glenbow Museum; SACKVILLE, New Brunswick, The Owens Art Gallery; HALIFAX, Nova Scotia, The Art Gallery of Nova Scotia; SHERBROOKE, Quebec, Galerie d'art du Centre Cultural de l'Université de Sherbrooke; WINNIPEG, Manitoba, Winnipeg Art Gallery; JONQUIÈRE, Quebec, Centre national d'exposition à Jonquière and WHITEHORSE, Yukon, Yukon Arts Centre, MARCEL DUCHAMP: DUSTBALLS & READYMADES, August 30, 1997-August 29, 1999 (another example exhibited) BARCELONA, Fundació Joan Miró; MADRID, Sala de Exposiciones de la Caja de Pensiones and COLOGNE, Museum Ludwig, DUCHAMP, February 29-August 19, 1984, no. 81 (another example exhibited) MILAN, Accademia di Belle Arti di Brera, MARCEL DUCHAMP, LA SPOSA ... E I READYMADE, May 20-July 10, 1988, p. 54, no. 53 (another example illustrated) ANTWERP, Galerie Ronny van de Velde, MARCEL DUCHAMP, September 15-December 15, 1991 (present lot exhibited) VENICE, Palazzo Grassi, MARCEL DUCHAMP, April 4-July 18, 1993, p. 66 (another example exhibited) LITERATURE R. Lebel, SUR MARCEL DUCHAMP, PARIS, 1959, pl. 79 (Duchamp's studio installation) W. Hopps, U. Linde and A. Schwarz, MARCEL DUCHAMP: READY-MADES, ETC. (1913-1964), MILAN, 1964, p. 20, no. 6 (another example illustrated) A. Schwarz, THE COMPLETE WORKS OF MARCEL DUCHAMP, NEW YORK, 1969, p. 455, no. 233 (another example illustrated) K. Coutts-Smith, DADA, LONDON, 1970, p. 55 (another example illustrated) A. Schwarz, MARCEL DUCHAMP, NEW YORK, 1975, pl. 104 (the present lot illustrated) T. Zaunschirm, BEREITES MÄDCHEN READY-MADE, KLAGENFURT, 1983, p. 47, fig. 7 (Duchamp's studio installation) J.-C. Bailly, MARCEL DUCHAMP, NEW YORK, 1986, p. 50 (another example illustrated) G. Moure, MARCEL DUCHAMP, LONDON, 1988, no. 77 (another example illustrated) M. Partouche, MARCEL DUCHAMP: UNE VIE D'ARTISTE, MARSEILLE, 1991, (another example; backcover illustration) E. Jaguer and J.-J. Lebel, AFTER DUCHAMP, PARIS, 1991, p. 99 (another example illustrated) P. Hulten, ed., MARCEL DUCHAMP: WORK AND LIFE, CAMBRIDGE, Massachusetts, 1993, p. 66 (Duchamp's studio installation) G. Borgna, ed., DADA: L'ARTE DELLA NEGAZIONE, ROME, 1994, p. 75, pl. I/18 (present lot illustrated) D. Ades, N. Cox and D. Hopkins, MARCEL DUCHAMP, LONDON, 1999, p. 150, fig. 114 (another example illustrated) F. M. Naumann, MARCEL DUCHAMP, THE ART OF MAKING ART IN THE AGE OF MECHANICAL REPRODUCTION, NEW YORK, 1999, p. 62, fig. 3.2; p. 74, fig. 3.19; p. 84, fig. 3.39, p. 226, fig. 8.28 and p. 241, fig. 8.57 (other examples illustrated) A. Schwarz, THE COMPLETE WORKS OF MARCEL DUCHAMP, NEW YORK, 2000, pp. 636-637, no. 332 (another example illustrated)
Auction Location:
United States
Previewing Details:
Viewing in Chelsea Saturday May 4, 2002 - Sun
Additional Fees:
Shipping Details:
No Info Available
Payment Details:
No Info Available
Conditions of sale applicable to buyers
1 BUYERS PREMIUM WILL BE CHARGED AT 15% ON THE FIRST CHF 70,000 OF THE HAMMER PRICE OF EACH LOT, AND AT 10% THEREAFTER. FOR LOTS MARKED WITH THE SYMBOL () IN THE CATALOGUE, THE BUYER HAS TO PAY SWISS VALUE ADDED TAX (VAT) AT 7.6% ONLY ON THE BUYERS PREMIUM, NOT ON THE HAMMER PRICE. FOR LOTS WITHOUT THE SYMBOL (), VAT OF 7.6% IS APPLICABLE ON THE HAMMER PRICE AND THE BUYERS PREMIUM. This VAT is refundable to non-Swiss resident buyers who, within 30 days following the sale, present to PHILLIPS, de PURY & LUXEMBOURG LIMITED (hereinafter PHILLIPS) the export declaration, duly stamped by Swiss customs, proving that the goods have left Switzerland. Non-stamped declarations are invalid.
2 Every lot is sold with all faults and errors of description and PHILLIPS disclaim, for themselves and for the vendors, all responsibility, in particular for authenticity, age, origin, condition or quality. Any statement, whether contained in the catalogue or expressed orally, is considered a statement of opinion only and not a statement of fact. PHILLIPS GIVES NO EXPRESS OR IMPLIED GUARANTEES OR WARRANTIES. Purchasers are deemed to have satisfied themselves on authenticity, condition, etc., before bidding.
3 The Auctioneer has absolute discretion to divide any lot, to combine two or more lots, to withdraw any lots, to refuse bids, and to regulate the bidding. He may bid on the vendor’s behalf for all goods which are being offered subject to a reserve or at the Auctioneer’s discretion.
4 The highest bidder shall be the buyer. In case of disagreement the lot or lots will immediately be reoffered by the Auctioneer. No claim will be accepted once the adjudication has been given.
5 When the reserve price has not been reached, the lot will be passed at the fall of the hammer.
6 Bids from clients unknown to PHILLIPS, the Auctioneer, or the Stadtammann of Zurich might not be accepted unless accompanied by a full cash deposit, or a bank reference, which must arrive in good time to be taken up before the sale at PHILLIPS, Kreuzstrasse 54, 8008 Zurich, Switzerland. The Auctioneer retains full authority to refuse these bids.
7 PHILLIPS requires that all prospective buyers use a bidding number in place of their names.
8 Persons not present at the sale may leave their bids with the Auctioneer or the Stadtammann of Zurich. The prices on these bidding forms will be treated as maximum hammer price, excluding premium or taxes. Alterations to these forms can only be accepted in writing up to the evening preceding the sale.
9 Payment can be made in cash, by bank cheque or by wire transfer. Cash payments must be made in Swiss Francs. PHILLIPS reserves the right to refuse immediate clearance of goods when paid for by wiretransfer or by cheque, whether drawn on a Swiss or foreign bank.
10 Payment of the purchase price is due within seven days after sale. Interest of 1.5% (expenses included) per month on the purchase price will be charged if payment is not received within these seven days. PHILLIPS reserves the right to resell unpaid items after the period of seven days by auction or privately without notice to the buyer. In this event PHILLIPS may claim from the defaulter damages including all loss arising from any resale of the lot together with the charges and expenses in respect of both sales. Any money deposited in part payment shall be held by PHILLIPS against the defaulter’s liability.
11 No purchase shall be claimed or removed until PHILLIPS has received full payment of the purchase price. All lots shall be removed at the buyer’s risk and expense. Purchases will be held for collection at no charge for 28 days. All purchases not collected within such period are subject to a minimum warehousing charge of CHF 10 per lot per day. If purchases are not removed within 60 days of the sale, PHILLIPS may deposit the lot at the buyer’s risk and expense. PHILLIPS shall not be responsible if the lots in storage are lost, stolen, damaged or destroyed. Any liability which there may be on the part of PHILLIPS in respect of any loss shall be restricted to a maximum of the price paid by the purchaser of the lot. Clearance of purchases, other than by the purchaser, must be carried out by a person specified on the written direction of the buyer. ON REQUEST, PHILLIPS WILL QUOTE FOR DOOR-TO-DOOR TRANSPORT OF PURCHASED ITEMS. ALL COSTS INCURRED BY SHIPPING, CUSTOMS AND INSURANCE WILL BE AT THE EXPENSE OF THE BUYER.
12 Every person attending the public exhibition or the sales shall be deemed to be there at his own risk. He shall have no claim against PHILLIPS in respect of any injury he may sustain or any accident which may occur.
13 Any person causing damage to an item will be held legally responsible.
14 Notice of all forthcoming Auction Sales will appear in “La Feuille d’Avis Officielle”/ “Schweizerisches Handelsamtsblatt” and all interested parties are welcome to consult the Conditions of Sale at this time.
15 Any dispute concerning the auction/sale shall be governed by Swiss law and settled by the ORDINARY COURTS IN ZURICH.
16 The auction takes place under the supervision of the Stadtammannamt Zurich. The Canton and City of Zurich and particularly the Stadtammannamt Zurich bear no liability for the decisions taken by the auctioneer.