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This item WAS NOT SOLD. Auction date was 2002 May 13 @ 16:00UTC-8 : PST/AKDT
MARCEL DUCHAMP (1887-1968) HAT RACK signed and dated "Marcel Duchamp" in black ink on the underside of the base; inscribed "Marcel Duchamp 1964 Ex Arturo" and engraved "PORTE CHAPEAUX, 1917 EDITION GALERIE SCHWARZ, MILAN" on a copper plate affixed to the underside of the base wooden hat rack suspended from the ceiling: 97/16 x 18 x 18 in. (23.4 x 45.7 x 45.7 cm) executed 1917-1964 The original, produced in 1917, was lost; the present lot was produced under the artist's supervision from a photograph of the lost original; it is an artist's proof, dedicated to Arturo Schwarz, from an edition of eight plus one replica reserved for the artist and two replicas made for museum exhibition purposes. ESTIMATE: - $400,000-600,000 A simple, yet elegant wood curved structure, Hat Rack hung from the ceiling in Duchamp's studio at 33 West 67th Street, alongside two other early Readymades, In Advance of the Broken arm and Fountain. Hat Rack was probably one of the two Readymades (the other one was most likely trap) to be included in the "Exhibition of Modern Art" at the Bourgeois Gallery in April 1916. According to Duchamp, the two works were placed in the entrance of the gallery "where you place your hats," and since there were no identifying labels they went unnoticed. (F. M. Naumann, Marcel Duchamp, The Art of Making Art In the Age of Mechanical Reproduction, New York, 1999, p. 68.) When Duchamp was asked why he suspended some of his readymades from the ceiling, he replied that it was to escape from conformity, which demands that works of art be hung on the wall or presented on easels. (A. Schwarz, The Complete Works of Marcel Duchamp, New York, 2000, p. 656.) PROVENANCE Dedicated by the artist to Arturo Schwarz, 1964 EXHIBITED MILAN, Galleria Schwarz, OMAGGIO A MARCEL DUCHAMP, June 5-September 30, 1964, no. 13 NEW YORK, Cordier & Ekstrom, NOT SEEN AND/OR LESS SEEN OF/BY MARCEL DUCHAMP/RROSE SÉLAVY, 1904-1964, January 14-February 13, 1965, no. 66 (another example exhibited) THE HAGUE, Gemeentemuseum, MARCEL DUCHAMP: SCHILDERN, TEKENINGEN, READY-MADES, DOCUMENTEN, February 3-March 15, 1965, no. 44 (another example exhibited) LONDON, The Tate Gallery, THE ALMOST COMPLETE WORKS OF MARCEL DUCHAMP, June 18-July 31, 1966, no. 128 (another example exhibited) JERUSALEM, The Israel Museum, MARCEL DUCHAMP: drawings, etchings for the large glass, readymades, March-May 1972 (another example exhibited) MILAN, Galleria Schwarz, MARCEL DUCHAMP: 66 CREATIVE YEARS, December 12, 1972-February 28, 1973, no. 79 PHILADELPHIA, Philadelphia Museum of Art; NEW YORK, The Museum of Modern Art and CHICAGO, The Art Institute of Chicago, MARCEL DUCHAMP, September 22, 1973-April 21, 1974, no. 122 (another example exhibited) PARIS, Musée National d'Art Moderne, Centre national d'art et de Culture Georges Pompidou, L'OEUVRE DE MARCEL DUCHAMP, January 31- May 2, 1977, no. 112 (another example exhibited) VANCOUVER, British Columbia, Canada, The Vancouver Art Gallery, DUCHAMP READYMADES, April 29-June 4, 1978 (another example exhibited) OTTAWA, Alberta College of Art, MARCEL DUCHAMP: READYMADES, ETC., October 16-November 15, 1979, p. 41 (another example exhibited) BARCELONA, Fundació Joan Miró; MADRID, Sala de Exposiciones de la Caja de Pensiones and COLOGNE, Museum Ludwig, DUCHAMP, February 29-August 19, 1984, no. 84 (another example exhibited) MILAN, Accademia di Belle Arti di Brera, MARCEL DUCHAMP, LA SPOSA... E I READYMADE, May 20-July 10, 1988, p. 60, no. 61 (another example exhibited) ANTWERP, Galerie Ronny van de Velde, MARCEL DUCHAMP, September 15-December 15, 1991 (present lot exhibited) VENICE, Palazzo Grassi, MARCEL DUCHAMP, April 4-July 18, 1993, p. 67 (another example exhibited) ONTARIO, Canada, National Gallery of Canada; CALGARY, Alberta, The Glenbow Museum; SACKVILLE, New Brunswick, The Owens Art Gallery; HALIFAX, Nova Scotia, The Art Gallery of Nova Scotia; SHERBROOKE, Quebec, Galerie d'art du Centre Cultural de l'Université de Sherbrooke; WINNIPEG, Manitoba, Winnipeg Art Gallery; JONQUIÈRE, Quebec, Centre National d'Exposition à Jonquière and WHITEHORSE, Yukon, Yukon Arts Centre, MARCEL DUCHAMP: DUSTBALLS & READYMADES, August 30, 1997-August 29, 1999 (another example exhibited) LITERATURE R. Lebel, SUR MARCEL DUCHAMP, PARIS, 1959, pl. 80 (Duchamp's studio installation) W. Hopps, U. Linde and A. Schwarz, MARCEL DUCHAMP: READY-MADES, ETC. (1913-1964), MILAN, 1964, no. 13 (another example illustrated) A. Schwarz, THE COMPLETE WORKS OF MARCEL DUCHAMP, NEW YORK, 1969, p. 469, no. 249 (another example illustrated) K. Coutts-Smith, DADA, LONDON, 1970, p. 42-43 (installation view) P. Cabanne, Les 3 Duchamp: jacques Villon, raymond Duchamp-villon, Marcel Duchamp, Paris, 1975, p. 146 (another example illustrated) A. Schwarz, MARCEL DUCHAMP, NEW YORK, 1975, pl. 113 (present lot illustrated) T. Zaunschirm, BEREITES MÄDCHEN READY-MADE, PARIS, 1983, p. 77, fig. 19 (Duchamp's studio installation) G. Moure, MARCEL DUCHAMP, LONDON, 1988, no. 88 (another example illustrated) M. Arnold Dlitt. et. al., "De Arte," University of South Africa, SOUTH AFRICA, April 1988, p. 37, pl. 6 (another example illustrated) P. Hulten, ed., MARCEL DUCHAMP: WORK AND LIFE, CAMBRIDGE, Massachusetts, 1993, p. 67 (Duchamp's studio installation), fig. 4.6.1964 (installation view) D. Ades, N. Cox and D. Hopkins, MARCEL DUCHAMP, LONDON, 1999, (other examples illustrated, p. 151, fig. 115 and p. 162, fig. 123) F. M. Naumann, MARCEL DUCHAMP, THE ART OF MAKING ART IN THE AGE OF MECHANICAL REPRODUCTION, NEW YORK, 1999 (other examples illustrated, p. 74, fig. 3.19 and p. 242, fig. 8.63) A. Schwarz, THE COMPLETE WORKS OF MARCEL DUCHAMP, NEW YORK, 2000, p. 656, no. 351 (another example illustrated)
Auction Location:
United States
Previewing Details:
Viewing in Chelsea Saturday May 4, 2002 - Sun
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