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MARCEL DUCHAMP (1887-1968) AIR DE PARIS / PARIS AIR (50 cc D'AIR DE PARIS) signed, titled and da...
Currency:USD
Category:Everything Else / Other
Start Price:NA
Estimated At:200,000.00 - 300,000.00 USD
NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2002 May 13 @ 16:00UTC-8 : PST/AKDT
MARCEL DUCHAMP (1887-1968) AIR DE PARIS / PARIS AIR (50 cc D'AIR DE PARIS) signed, titled and dated "Marcel Duchamp 1964 Exempl. Arturo 50cc air de Paris" in the center; inscribed "Marcel Duchamp 1964 Ex Arturo" and engraved "AIR DE PARIS, 1919 EDITION GALERIE SCHWARZ, MILAN" on a copper plate affixed to the artist's wooden storage case glass ampoule with artist's wooden storage case ampoule: 415/16 x 25/8 x 25/8 in. (12.5 x 6.6 x 6.6 cm) artist's wooden storage case: 53/4 x 31/4 x 31/4 in. (14.6 x 8.3 x 8.3 cm) executed 1919-1964 The original, produced in 1919, is in the permanent collection of the Philadelphia Museum of Art; the present lot was produced under the artist's supervision; it is an artist's proof, dedicated to Arturo Schwarz, from an edition of eight plus one replica reserved for the artist and two replicas made for museum exhibition purposes. ESTIMATE: - $200,000-300,000 Before leaving Paris for the United States late in 1919, Duchamp bought a souvenir for his friend and patron Walter Arensberg. Asking a pharmacist on rue Blomet to empty a glass bottle containing a "physiological serum," Duchamp told him to let it fill with air and then seal it up again. "I thought of it as a present for Arensberg, who had everything money could buy. So I bought him an ampoule of Paris air." (A. Schwarz, THE COMPLETE WORKS OF MARCEL DUCHAMP, New York, 2000, p. 676.) PROVENANCE Dedicated by the artist to Arturo Schwarz, 1964 EXHIBITED STOCKHOLM, Galerie Burén, DUCHAMP RÉTROSPECTIVE, April-May 1963 (another example exhibited) Pasadena, Pasadena Art Museum, MARCEL DUCHAMP: A RETROSPECTIVE EXHIBITION, October 8-November 3, 1963, no. 66 (another example exhibited) MILAN, Galleria Schwarz, OMAGGIO A MARCEL DUCHAMP, June 5-September 30, 1964 NEW YORK, Cordier & Ekstrom, NOT SEEN AND/OR LESS SEEN OF/BY MARCEL DUCHAMP/RROSE SÉLAVY, 1904-64, January 14-February 13, 1965, no. 69 (another example exhibited) LONDON, The Tate Gallery, THE ALMOST COMPLETE WORKS OF MARCEL DUCHAMP, June 18-July 31, 1966, no. 135 (another example exhibited) JERUSALEM, The Israel Museum, MARCEL DUCHAMP: drawings, etchings for the large glass, readymades, March-May 1972 (another example exhibited) MILAN, Galleria Schwarz, MARCEL DUCHAMP: 66 CREATIVE YEARS, December 12, 1972-February 28, 1973, no. 88 PHILADELPHIA, Philadelphia Museum of Art, MARCEL DUCHAMP, September 22-November 11, 1973, no. 133 (another example exhibited) PARIS, Musée National d'Art Moderne, Centre national d'art et de Culture Georges Pompidou, L'OEUVRE DE MARCEL DUCHAMP, January 31- May 2, 1977, no. 123 VANCOUVER, British Columbia, Vancouver Art Gallery, DUCHAMP READYMADES, April 29-June 4, 1978 (another example exhibited) OTTAWA, Alberta College of Art, MARCEL DUCHAMP: READYMADES, ETC., October 16-November 15, 1979, p. 45 (another example exhibited) BARCELONA, Fundació Joan Miró; MADRID, Sala de Exposiciones de la Caja de Pensiones and COLOGNE, Museum Ludwig, DUCHAMP, February 29-August 19, 1984, no. 87 MILAN, Accademia di Belle Arti di Brera, MARCEL DUCHAMP, LA SPOSA ... E I READYMADE, May 20-July 10, 1988, p. 63 (another example illustrated) ANTWERP, Galerie Ronny van de Velde, MARCEL DUCHAMP, September 15-December 15, 1991 (present lot exhibited) VENICE, Palazzo Grassi, MARCEL DUCHAMP, April 4-July 18, 1993, p. 77 (another example exhibited) LITERATURE W. Hopps, U. Linde and A. Schwarz, MARCEL DUCHAMP: READY-MADES, ETC. (1913-1964), MILAN, 1964, p. 55, no. 18 (another example illustrated) A. Schwarz, THE COMPLETE WORKS OF MARCEL DUCHAMP, NEW YORK, 1969, p. 478, no. 264 (another example illustrated) A. Schwarz, MARCEL DUCHAMP, NEW YORK, 1975, pl. 119 (another example illustrated) T. Zaunschirm, BEREITES MÄDCHEN READY-MADE, KLAGENFURT, 1983, p.112, fig. 33 (another example illustrated) U. Linde, MARCEL DUCHAMP, STOCKHOLM, 1986, p. 54 (another example illustrated) G. Moure, MARCEL DUCHAMP, LONDON, 1988, no. 93 (another example illustrated) E. Jaguer and J.-J. Lebel, AFTER DUCHAMP, PARIS, 1991, p. 119 (another example illustrated) P. Hulten, ed., MARCEL DUCHAMP: WORK AND LIFE, CAMBRIDGE, Massachusetts, 1993, p. 77 (another example illustrated) J. Mink, MARCEL DUCHAMP 1887-1968: ART AS ANTI-ART, COLOGNE, 1995, p. 67 (illustrated) D. Joselit, INFINITE REGRESS: MARCEL DUCHAMP, 1910-1941, CAMBRIDGE, Massachusetts, 1998, p. 182, fig. 4.11 (another example illustrated) D. Ades, N. Cox and D. Hopkins, MARCEL DUCHAMP, LONDON, 1999, p. 158, fig. 119 (another example illustrated) F. M. Naumann, MARCEL DUCHAMP, THE ART OF MAKING ART IN THE AGE OF MECHANICAL REPRODUCTION, NEW YORK, 1999 (other examples illustrated; p. 246, fig. 8.71 and p. 288, fig. C4) A. Schwarz, THE COMPLETE WORKS OF MARCEL DUCHAMP, NEW YORK, 2000, pp. 676-677, no. 375 (another example illustrated)
Auction Location:
United States
Previewing Details:
Viewing in Chelsea Saturday May 4, 2002 - Sun
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