788

Led Zeppelin

Currency:USD Category:Collectibles / Autographs Start Price:NA Estimated At:5,000.00 - 7,000.00 USD
Led Zeppelin

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Auction Date:2014 Mar 20 @ 22:00 (UTC-05:00 : EST/CDT)
Location:236 Commercial St., Suite 100, Boston, Massachusetts, 02109, United States
ALS - Autograph Letter Signed
ANS - Autograph Note Signed
AQS - Autograph Quotation Signed
AMQS - Autograph Musical Quotation Signed
DS - Document Signed
FDC - First Day Cover
Inscribed - “Personalized”
ISP - Inscribed Signed Photograph
LS - Letter Signed
SP - Signed Photograph
TLS - Typed Letter Signed
Vintage 10? tape reel of unreleased studio mixes from Led Zeppelin’s 1975 album Physical Graffiti, recorded on Ampex 406 quarter-inch tape. Affixed to the box is a large Ronnie Lane's Mobile Studio (LMS) label, hand-notated with the track listing and recording data. Top of the label is filled out with the following info: “Client: Led Zeppelin, Subject: Rough Mixes, Engineer: R. N., Date: 28-2-74, Location: Headley, Speed: 15, Reel: 2.” Song titles and times are listed as follows: “Trampled Underfoot—5:40,” “Driving to Kashmir—8:50,” “Custard Pie—4:20,” “In the Light (Everyone Makes It Then)—7:18,” “Swan Song—Part 1—1:20,” and “Swan Song—Part 2—1:20.” Along the bottom, the “ST” and “NAB” boxes are checked off. In fine condition. These tapes are being sold as a historical artifact and no copyright to the recorded material is claimed nor transferred by the auction house. Originates from the personal collection of legendary engineer and producer Ron Nevison.

These mixes offer the incredible opportunity to listen to Led Zeppelin's classic songs in their infancy—most of the final tracks were drastically changed, but all of these earliest recordings are easily discernible. The band recorded these in the Ronnie Lane Mobile Studio that Nevison designed in an Airstream trailer, working on these initial versions of the songs that went on to comprise Physical Graffiti. Structurally, many tracks are not very far along—most of the guitars and vocals were redone later, and some lack the vocals entirely. Additional orchestration was also added, and many times only the drum tracks from these recordings were used in the final product—they are stripped down backing tracks used as a starting point in the studio. Most notably, this reel features the drums from 'Kashmir,' then entitled 'Driving to Kashmir'—Robert Plant was inspired to write the song after driving on a long road through Morocco during a trip in 1973. Nevison recorded the drums on a separate track, running the cymbals through a phaser as an experiment—the band liked the results and used it on the final song. In addition to these drums, the instrumental 'Driving to Kashmir' recording also features the instantly recognizable guitar and bass parts. Nevinson's Physical Graffiti tapes provide a window into the creative process behind one the greatest albums ever produced—an absolutely remarkable piece of modern music history.