29

LOUIS FAURER, (American, 1916-2001), TIMES SQUARE CONVERTIBLE, NEW YORK, dated and signed "1949 L...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:10,000.00 - 15,000.00 USD
LOUIS FAURER, (American, 1916-2001), TIMES SQUARE CONVERTIBLE, NEW YORK, dated and signed  1949 L...
LOUIS FAURER
(American, 1916-2001)
TIMES SQUARE CONVERTIBLE, NEW YORK
dated and signed "1949 Louis Faurer" in pencil on verso of flush-mount
"Louis Faurer TBR" inscribed in waxed pencil on verso of flush-mount
"Faurer" plus cropping notations in pencil on verso of flush-mount
gelatin silver print flush-mounted on board
89/16 x 13 in. (21.7 x 33 cm)
circa 1949-1950
ESTIMATE: $10,000-15,000
PROVENANCE
Marlborough Gallery, NEW YORK
EXHIBITED
PARIS, FRANCE, Palais de Tokyo, LOUIS FAURER April 8 -June 1, 1992
MADRID, Centro Reina Sofia, AMERICAN DREAMS, April 9 - September 16, 1983; traveled to BARCELONA, Fundacio Caixa de Barcelona, October 15 - November 30, 1987
HOUSTON, The Museum of Fine Arts, LOUIS FAURER RETROSPECTIVE, January 11 - April 14, 2002; traveled to ANDOVER, MA, Addison Gallery of American Art, Phillips Academy, May 4- July 28, 2002; SAN DIEGO, The Museum of Photographic Art, August 11- October 20, 2002; CHICAGO, The Art Institute of Chicago, November 9, 2002-January 26, 2003
LITERATURE
Robert Offergeld, "The Eight Million," FLAIR, September 1950, p. 31 (illustrated)
Edith A. Tonelli and John Gossage, eds., LOUIS FAURER: PHOTOGRAPHS FROM PHILADELPHIA AND NEW YORK, 1937-1973, College Park, University of Maryland Art Gallery, 1981, p. 46 (illustrated)
LOUIS FAURER, Paris, Centre National de la Photographie, Photo Poche no. 51, 1992, pl. 35 (illustrated)
"Louis Faurer: Sometime in New York City," D+J+-VU [Tokyo], no. 16, Spring 1994, p. 15 (illustrated)
IMAGES DE LA RUE: PHOTOGRAPHIES AM+RICAINES DES ANN+ES 1940-1960, Paris, Centre National des Arts Plastiques/Michel Baverey, 2001, n.p. (illustrated)
LOUIS FAURER, London, Merrell, 2002, cat. no. 74, p. 128 (illustrated)
When capturing scenes of sheer joy and youthful exuberance, Louis Faurer's photographs were perfectly tuned to the post-war spirit in urban America. Such masterful photographs as the present lot earned him the status of a photographer's photographer. Subversive and influential, Faurer made a significant impact on the work of Robert Frank, with whom he shared a darkroom. They also shared a determination to use only available light and the 35mm camera in opposition to the prevailing standard of large negatives and flash. Faurer spent countless nights in Times Square making use of ambient light from the numerous electric signs and advertisements to convey the special character of that time and place. His pictures often contain lone figures who exude sadness and isolation. As the present lot indicates, he also captured the cheerful optimism that followed in the wake of World War II.