197
LEE FRIEDLANDER (American, b. 1934) WILMINGTON, DELAWARE signed in blue ink with artist’s copyrig...
Currency:USD
Category:Everything Else / Other
Start Price:NA
Estimated At:8,000.00 - 12,000.00 USD
NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2003 Oct 16 @ 09:00UTC-05:00 : EST/CDT
LEE FRIEDLANDER
(American, b. 1934)
WILMINGTON, DELAWARE
signed in blue ink with artist’s copyright stamp in blue ink on verso of mount
gelatin silver print mounted on board
71?4 x 43?4 in. (18.4 x 14.6 cm)
mount: 14 x 11 in. (27.9 x 35.6 cm)
1965
ESTIMATE: $8,000-12,000
LITERATURE
Lee Friedlander, SELF PORTRAIT, NEW CITY, NEW YORK, Haywire Press, 1970, [pl. 17] (illustrated)
Reviewing an exhibition of Lee Friedlander’s work at the Witkin Gallery
in 1973, Sanford Schwartz wrote,”...What matters in the self-portraits
is the milieu and the situation this photographer–not this particular
personality–finds himself in. Friedlander is a demanding and complicated photographer. This has to be said, because his work can annoy people by its apparent ‘easiness.’ On a quick viewing, it’s possible to feel that his subject is banality itself, untransformed by thought. It is true that his pictures–of dusty windows of untenanted stores; of Victorian monuments in American towns that have long lost their charm and are now crisscrossed with telephone poles and power lines; of passing traffic, as seen from the partially blocked-off vantage point of a seat on a bus or a pay phone booth; of crossroads in western United States towns, where all the buildings have been torn down and only a lot or a bit of sidewalk remains; of suburban dwellings seen through a net of trees and shrubs–appear to be casually lifted from reality. But Friedlander, you feel, has worked hard for a certain pitch of casualness. He likes the images, on initial viewing, to appear as empty and uninviting as possible. He wants the fruits of a purely photographic way of chopping up space–a way that forces us to see many unrelated things simultaneously–to reveal themselves very slowly” (Sanford Schwartz, “Lee Friedlander,” THE ART PRESENCE, NEW YORK, Horizon Press, 1982, pp. 152-153. Originally published in ART INTERNATIONAL, February 1973, p. 60).
Auction Location:
United States
Previewing Details:
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