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LEE FRIEDLANDER (American, b. 1934) PHILADELPHIA (1961) GALAX, VIRGINIA (1962) each signed in pen...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:8,000.00 - 12,000.00 USD
LEE FRIEDLANDER (American, b. 1934) PHILADELPHIA (1961) GALAX, VIRGINIA (1962) each signed in pen...
LEE FRIEDLANDER
(American, b. 1934)
PHILADELPHIA (1961)
GALAX, VIRGINIA (1962)
each signed in pencil with artist’s copyright stamp in black ink on verso
each titled and dated in pencil on verso
2 gelatin silver prints
PHILADELPHIA:
signed in pencil with artist’s copyright stamp and separate “44 South Mountain Road” address stamp in black ink on verso
titled and dated in pencil on verso
image: 51?2 x 81?4 in. (14 x 21 cm)
paper: 107?8 x 14 in. (27.9 x 35.6 cm)
1961
GALAX:
signed in pencil with artist’s copyright stamp in black ink on verso
titled and dated in pencil on verso
image: 81?2 X 123?4 in. (21.6 x 32.4 cm)
paper: 11 x 14 in. (27.9 x 35.6 cm)
1962
ESTIMATE: $8,000-12,000
LITERATURE
Walker Evans, “The Little Screens,” HARPER’S BAZAAR, vol. 96, no. 2, February 1963, pp. 126-129 (both illustrated on pp. 126-127)
Paul F. Lazarsfeld, “Is TV Viewing an Addiction?” CURRENT, no. 36, April 1963, pp. 32-36 (both illustrated on pp. 35-36)
“Lee Friedlander,” CONTEMPORARY PHOTOGRAPHER, vol. 4, no. 4, Fall 1963, pp. 36-59 (GALAX illustrated on p. 58)
John Szarkowski, THE PHOTOGRAPHER’S EYE, NEW YORK, The Museum of Modern Art, 1966, p. 14 (GALAX illustrated)
John Szarkowski, MIRRORS AND WINDOWS: AMERICAN PHOTOGRAPHY SINCE 1960, NEW YORK, The Museum of Modern Art, 1978, p. 98 (GALAX illustrated)
“Lee Friedlander’s Inclusive Eye,” HORIZON, July 1978, pp. 86-91 (GALAX illustrated on p. 88)
LEE FRIEDLANDER, Collection Photo Poche, PARIS, Centre National de la Photographie, 1987, pl. 1 (GALAX illustrated)
Rod Slemmons, LIKE A ONE-EYED CAT: PHOTOGRAPHS BY LEE FRIEDLANDER 1956-1987, NEW YORK, Harry N. Abrams, in association with Seattle Art Museum, 1989, pl. 29 (GALAX illustrated)
LEE FRIEDLANDER, VALENCIA, Institut Valencia d’Art Modern, 1992, p. 31 (GALAX illustrated)
Lee Friedlander, THE LITTLE SCREENS, SAN FRANCISCO, Fraenkel Gallery, 2001, pls. 7 and 32 (both illustrated)
In the late 1950s and early 1960s, Lee Friedlander traveled often to support himself and his family photographing jazz and blues musicians for album covers. Finding himself often alone with only a television for companionship, he naturally set to work photographing the ubiquitous box. In 1963, HARPER'S BAZAAR published a half dozen of these pictures, including both images in this lot, accompanied by a text by Walker Evans of which the following is an excerpt: “What are these faces that moon out from the screens? Taken out of context as they are here, that baby might be selling skin rash, the careful, good-looking women might be categorically unselling marriage and the home and total daintiness. Here then from an expert hand, is a pictorial account of what tv-screen light does to rooms and to the things in them. The human denizens of the rooms are purposely left out. In this atmosphere of eclipse, the sense of citizen presence is actually increased” (Walker Evans, “The Little Screens,” HARPER'S BAZAAR, February 1963, pp. 127-128).