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129

LA RIVOLUZIONE SIAMO NOI

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LA RIVOLUZIONE SIAMO NOI
<b>Artist: </b>Joseph Beuys
<b>Birth: </b>(1921-1986)
<b>Medium: </b>transfer print on polyester laid down on board
<b>Dimensions: </b>76 x 40 in. (193 x 101.6 cm)
<b>Details: </b>executed in 1972 ; this work is from an edition of 180
<b>Provenance: </b>Edizioni Luciio Amelio, NAPLES
<b>Exhibited: </b>NEW YORK, Hirschl & Adler Modern, JOSEPH BEUYS, November 5-December 10, 1988, p. 53, no. 34 (another example exhibited; illustrated) ; Nationalegalerie im Hamburger Bahnhof and BERLIN, Museum für Gegenwart, JOSEPH BEUYS: EDITIONEN – SAMMLUNG REINHARD SCHLEGEL, February 19-June 13, 1999, p. 61, no. 41 (another example exhibited; illustrated) ; ARKEN, Museum for Moderne Kunst, VERONICA’S REVENGE, June 3-September 3, 2000 ; SYDNEY, Museum of Contemporary Art, VERONICA’S REVENGE, November 16, 2000-March 4, 2001
<b>Literature: </b>G. Celant, BEUYS. TRAACE IN ITALIA, NAPLES, 1978, p. 15, no. 10 (another version illustrated) ; J. Schellmann, JOSEPH BEUYS: CATALOGUE RAISONNÉ OF MULTIPLES AND PRINTS 1965-1985, MUNICH, 1985, no. 47 (another verSION illustrated) ; BOSTON, Museum of Fine Arts, BEUYS AND WARHOL: THE ARTIST AS SHAMAN AND STAR, December 7, 1991-March 8, 1992 (another example exhibited; illustrated in exhibition brochure) ; J. Schellmann, JOSEPH BEUYS: DIE MULTIPLES, MUNICH 1992, p. 85, no. 49 (another example illustrated) ; E. Janus, ed., VERONICA’S REVENGE: CONTEMPORARY PERSPECTIVES IN PHOTOGRAPHY, ZURICH-BERLIN-NEW YORK, 1998, p. 88 (illustrated) ; H. Bastian, ed., JOSEPH BEUYS: EDITIONS; THE COLLECTION OF REINHARD SCHLEGEL, EDINBURGH, 1999, p. 61, no. 41 (illustrated) ; D. Aaronson, ed., PHOTOGRAPHY TRANSFORMED: THE METROPOLITAN BANK AND TRUST COMPANY, NEW YORK, 2002, p. 54 (illustrated) ; ;
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