June Auction

English School, (second half 19th century) A BROWN HACKNEY HORSE, oil on canvas, 29.5cm x 40cm, (11.6in x 15.75in), in gilt slip and elm frame Est.&...

English School (mid 19th century) A SADDLED CHESTNUT HUNTER IN A STABLE, watched by a small white dog, oil on panel, bearing erroneous signature of ...

English School, (early 19th century) CATTLE AND SHEEP IN A LANDSCAPE, oil on panel, 14cm x 19cm, (5.5in x 7.5in), in gilt slip and ebonised frame unde

Attributed to Max Lieberman, (1847-1935) PORTRAIT OF A YOUNG GIRL, possibly the artist's grand- daughter, oil on canvas, initials scratched into...

Clarence H*** Roe, (1850-1909) “BEN VENNE AND LOCH ACHRAY FROM "KEUN ARHOEID", a stag and doe by the lochside, oil on canvas, signed lower...

Clarence H*** Roe, (1850-1909) A STAG WATERING IN A HIGHLAND RIVER, oil on canvas, signed lower right, 49.5cm,x 75cm, (19.5in x 29.5in), in carved wo

Edward Horace Thompson, (1879-1949) RYDAL WATER THE LION AND LAMB BEYOND, oil on canvas, signed and dated 1911 lower left, traces of original handwrit

Sir Charles John Holmes, (1868-1936) “ABER RHYDDNANT, “oil on canvas, signed with initials and dated 1931 lower centre recto, entitled, named and date

J*** Walter Hadland, (Exh.1906) "RATLER", A ROUGH HAIRED BEAGLE, oil on panel, signed and dated [19]05 lower right, inscribed in pencil on...

British School, (19th century) A SHETLAND OR FELL PONY with sheep in an upland setting, oil on canvas, unsigned, 37cm x 44.5cm, (14.5in x 17.5in), in

William Mitchell of Maryport, (c.1806-1900) A SCOTCH STAG HOUND, after Landseer, depicted head only in profile facing left, oil on canvas, signed and

William Mitchell of Maryport, (c.1806-1900) ODIN, A ST. BERNARD, after Landseer, oil on canvas, signed and dated 1890 lower left, and entitled "...

Abraham Cooper, (1787-1868) TWO OIL PORTRAITS; THE ARTIST'S WIFE, and THE ARTIST'S NURSE AND SON, both oil on mahogany panel, the former ent...

Frank Moss Bennett, R.A., (1874-1953) “A COURTYARD AT CHIPPING CAMPDEN,” oil on board, entitled and dated 'Aug 35' in pencil verso, 33.5cm x...

Frank Moss Bennett, (1874-1953) A VIEW OF SULGRAVE MANOR, oil on board, signed with initials and entitled "SULGRAVE" lower right, inscribe...

Frank Moss Bennett, (1874-1953) MONTACUTE, a view of the main archway, oil on board, 33.5cm x 23cm, (13.2in x 9in), in named swept gilt frame Est....

Charles Dudley, (19th Century) TWO GUNDOGS IN A LAKELAND UPLAND SETTING, approaching quarry, oil on canvas, signed lower right, 49.5cm x 74.5, (19.5in

English School (early 19th century) BOATING ON A RIVER, a cottage and bridge beyond, oil on panel, unsigned (with erroneous label "J.M.W.TURNER...

"Braaq", (Brian A*** Shields), (modern), after Laurence Stephen Lowry, (1887-1976) BY THE CANAL, an industrial landscape with numerous fig...

Andreas Schelfhout, (1787-1870) UNLOADING THE CATCH, two fishing boats, one moored, with figures gathered at the shoreline, oil on oak panel, signed a