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John Shinnors-MAYO MOON, BLACK SCARECROW AND BADGER, 1996

Currency:EUR Category:Art / General - Paintings Start Price:0.00 EUR Estimated At:12,000.00 - 15,000.00 EUR
John Shinnors-MAYO MOON, BLACK SCARECROW AND BADGER, 1996

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Auction Date:2012 May 21 @ 18:00 (UTC+1)
Location:Serpentine Hall, RDS, Anglesea Road entrance, Dublin, Dublin, ., Ireland
John Shinnors-MAYO MOON, BLACK SCARECROW AND BADGER, 1996

oil on canvaswith inscribed RHA exhibition label on reverse
36 by 38in., 91.44 by 96.52cm.
Orientation of Image: L

Provenance: RHA , Dublin, 1996

Exhibited: RHA Annual Exhibition, Dublin, 1996, catalogue no. 436

Literature:

Notes: John Shinnors was among the artists Jim O'Driscoll knew personally and his works hold a prominent place within his collection. This outstanding example by the Limerick artist displays all the characteristics one would associate with his work. As with many of his paintings the title guides the viewer into the narrative. Mayo Moon, Black Scarecrow and Badger, all familiar motifs in Shinnors' oeuvre, are shown here from an askew aerial perspective. The moon in the extreme left-hand corner casts a theatrical light on the scene hitting the figure of the scarecrow first, picking up accents of colour in the field, before resting on the striped back of the nocturnal creature lower right. The soft light cast off the Mayo moon lightens the mood of the canvas providing relief to the unsettling tone sometimes associated with the artist's work. Mayo Moon, Black Scarecrow and Badger was accepted to the RHA in 1996 from where it was sold to the present owner. Jim O'Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond and Pat Connor. He was an early supporter and friend of Tony O'Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented here, although some, for example those by Patrick Collins and Gerard Dillon, come from an earlier generation.This outstanding collection represents the powerful imprint of a true collector who was guided not only by his trained eye for quality but by a passion for interesting and authentic artworks.