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JOEL STERNFELD (American, b. 1944) NEAR LAKE POWELL, ARIZONA edition, artist’s code, title, print...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:1,000.00 - 1,500.00 USD
JOEL STERNFELD (American, b. 1944) NEAR LAKE POWELL, ARIZONA edition, artist’s code, title, print...
JOEL STERNFELD
(American, b. 1944)
NEAR LAKE POWELL, ARIZONA
edition, artist’s code, title, print date and signature inscribed
in black ink on verso
chromogenic color print
image: 133?8 x 173?16 in. (34 x 43.7 cm)
paper: 16 x 20 in. (40.6 x 50.8 cm)
1979
printed 1987
this print is number 39
from an edition of 100
from the
AMERICAN PROSPECTS SERIES
ESTIMATE: $1,000-1,500
LITERATURE
Joel Sternfeld, AMERICAN PROSPECTS: PHOTOGRAPHS, NEW YORK, Times Books in association with The Museum of Fine Arts, Houston, 1987, pl. 10 (illustrated)
While crossing the country in his Volkswagon camper, Joel Sternfeld captured extraordinary details that typically go unnoticed to most eyes. With deadpan wit, he documents the results of man trying to alter the natural landscape. Sternfeld’s viewer is repeatedly confronted with meetings of city and country, nature and technology.
The sleek Pennzoil headquarters in Houston embody man’s domination of nature to achieve economic profit. But the absurd elements in the photograph seem to mock this symbol of the American success story. The Christmas decoration on the streetlight, for example, suggests the tackiness of American popular culture. The fog has overtaken the building, as though nature were refusing to be exploited.
The lone basketball hoop planted in a vast, barren landscape near the Grand Canyon speaks of man’s presence even in the most remote areas. The pathetic droop of the rim, which seems to have fallen victim to the elements, helps to capture the scene’s surreal irony. Yet it also conveys humanity’s resilience and endurance through time.
Anne Tucker, in her essay accompanying AmERICAN PROSPECTS, comments thoughtfully on THE SPACE SHUTTLE COLUMBIA LANDS AT KELLY LACKLAND AIR FORCE BASE (lot 191). In this essay, she notes: “a potbellied man in a T-shirt surveys the crowd that gathered to see the Columbia on its maiden voyage from California to Cape Kennedy. Because he is closer to the camera, he appears to be equal in size to the shuttle. His relaxed posture makes striking contrast to the shuttle’s sleek design. In 1979 this photograph captured the public inspection of a soon-to-be-realized American dream, with a humorous aside added by the man in the foreground. The meaning of this picture has changed since the tragic explosion of the Challenger in January 1986. Now the shuttle program signifies American technology gone terribly wrong” (Tucker, AMERICAN PROSPECTS, 1987/1994, n.p.). The artist was conscious of this new meaning while printing this photograph, which was used as the frontispiece for his pivotal book, AMERICAN PROSPECTS, published just after the Challenger disaster in 1987.