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JEAN-MICHEL BASQUIAT & ANDY WARHOL (1960-1988, 1928-1987) POISON signed "Andy Warhol, Jean-Miche...
Currency:USD
Category:Everything Else / Other
Start Price:NA
Estimated At:300,000.00 - 400,000.00 USD
NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2002 May 13 @ 16:00UTC-8 : PST/AKDT
JEAN-MICHEL BASQUIAT & ANDY WARHOL (1960-1988, 1928-1987) POISON signed "Andy Warhol, Jean-Michel Basquiat" on the reverse acrylic and oilsticks on canvas 761/2 x 103 in. (194.5 x 262 cm) executed in 1984 this work is accompanied by a certificate issued by the Authentication Committee of the Estate of Jean-Michel Basquiat ESTIMATE: - $300,000-400,000 PROVENANCE Galerie Bruno Bischofberger, ZURICH The Mayor Rowan Gallery, LONDON Didier Imbert Fine Art, PARIS Galerie Jérôme de Noirmont, PARIS Private collection EXHIBITED HANNOVER, Kestner-Gesellschaft, JEAN-MICHEL BASQUIAT, November 28, 1986-January 25, 1987, p. 85, no. 62 (illustrated) LONDON, The Mayor Rowan Gallery, COLLABORATIONS: ANDY WARHOL, JEAN-MICHEL BASQUIAT, November 21, 1988-January 21, 1989, p. 19, pl. 5 (illustrated; cover illustration) MONACO, Artis Monte Carlo, MAÎTRES MODERNES ET CONTEMPORAINS, July 31- September 15, 1989 PARIS, Galerie Jérôme de Noirmont, JEAN-MICHEL BASQUIAT: TÉMOIGNAGE 1977-1988, October 2-November 27, 1998, p. 73 (illustrated) PARIS, Halle Saint-Pierre, HAÏTI: ANGES ET DÉMONS, March 30- June 30, 2000, p. 91 (illustrated) CATANIA, Museo del Castello Ursino, ANDY WARHOL: LA FABBRICA DELL'ARTE, February 2-March 30, 2001, p. 118 (illustrated) LITERATURE I. Graw, "Warten auf Basquiat," WOLKENKRATZER ART JOURNAL, no. 1, HAMBURG, January-February 1987, p. 48 (illustrated) V. Fremont, J. Richardson and C. Stuckey, ANDY WARHOL: HEAVEN AND HELL ARE JUST ONE BREATH AWAY, LATE PAINTINGS AND RELATED WORKS 1984-1986, NEW YORK, 1992, p. 25, fig. 38 (illustrated) In 1984, Bruno Bischofberger commissioned, from Jean-Michel Basquiat, Francesco Clemente and Andy Warhol, a group of collaborative works that were shown in the fall in his gallery in Zurich. They consisted of 12 paintings and three works on paper mounted on canvas. In each of the 15 works, Andy Warhol used his usual painting technique of silkscreen. After this commission, Jean-Michel Basquiat and Andy Warhol continued to collaborate together to paint large-scale works. Jean-Michel Basquiat urged Andy Warhol to start using the brush again, as he had always very much admired Warhol's great draftsmanship. Interestingly, it was Jean-Michel Basquiat who, in a number of collaborative works, used the silkscreen technique. All these works were done between the summer of 1984 and the summer of 1985. A selection of these paintings was subsequently shown in the fall of 1985 at the Tony Shafrazi Gallery in New York. The present painting belongs to the first group of works done in 1984 and is one of its finest examples. As in most of the Basquiat/Warhol collaborations, it is Warhol who started the painting, and Basquiat who completed it. In this work, the compositional, painterly styles of both artists blend in the most perfect way. The "Poison Caution" label seems to have appealed to Warhol as a graphic alter ego to the skull-like heads that populate so many of Basquiat's works. Given Warhol's mood of intense introspection in the early 1980s, he probably also associated the "Poison Caution" skull with his own Skull series, the Self-Portraits with Skull series and with the skull image used by Jasper Johns. In Johns' painting from 1984, the image of the skull appears alongside his early vocabulary, such as the flag, and comes as a metaphor of self-reflection and danger.
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United States
Previewing Details:
Viewing in Chelsea Saturday May 4, 2002 - Sun
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