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HENRI CARTIER-BRESSON, (French, b. 1908), BEHIND THE GARE ST. LAZARE, PARIS, "France. Place de l'...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:6,000.00 - 8,000.00 USD
HENRI CARTIER-BRESSON, (French, b. 1908), BEHIND THE GARE ST. LAZARE, PARIS,  France. Place de l'...
HENRI CARTIER-BRESSON
(French, b. 1908)
BEHIND THE GARE ST. LAZARE, PARIS
"France. Place de l'Europe 1932, a fence at the side of a road ['road' inscribed in blue ink]. I put my lens through an opening just as the man was jumping" in typescript on label adhered to verso with title "Behind the Gare St. Lazare" inscribed in black ink
artist's copyright stamp in blue ink on verso
"MAGNUM / PHOTO / SUPPLIED BY / J. ALLAN CASH" stamp in black ink on verso
gelatin silver print
1315/16 x 97/16 in. (35.4 x 24 cm)
1932
printed no later than 1956
ESTIMATE: $6,000-8,000
<p>PROVENANCE
Acquired at auction in the early 1970s
by a Private Collector
<p>LITERATURE
HENRI CARTIER-BRESSON, New York, The Museum of Modern Art, 1947,
p. 24 (illustrated)
Henri Cartier-Bresson, IMAGES À LA SAUVETTE, Paris, Éditions Verve, 1952, pl. 26 (illustrated)
Henri Cartier-Bresson, THE DECISIVE MOMENT, New York, Simon & Schuster, 1952, pl. 26 (illustrated)
Peter Pollack, THE PICTURE HISTORY OF PHOTOGRAPHY, New York, Abrams, 1958, p. 484 (illustrated)
PHOTOGRAPHS BY CARTIER-BRESSON, Introductions by Lincoln Kirstein and Beaumont Newhall, New York, Grossman, 1963, pl. 47 (illustrated)
HENRI CARTIER-BRESSON, Paris, Nouvel Observateur/Delpire, 1976, p. 39 (illustrated)
HENRI CARTIER-BRESSON, Millerton, New York, Aperture, 1976, p. 39 (illustrated)
Henri Cartier-Bresson, HENRI CARTIER BRESSON: PHOTOGRAPHE, Paris, Delpire, 1979, pl. 14 (illustrated)
Henri Cartier-Bresson, HENRI CARTIER-BRESSON: PHOTOGRAPHER, Boston, New York Graphic Society, 1979, pl. 14 (illustrated)
Jean Clair, HENRI CARTIER-BRESSON, Paris, Centre National de la Photographie, 1982, pl. 5 (illustrated)
HENRI CARTIER-BRESSON: PARIS À VUE D'OEIL, Paris, Musée Carnavalet, 1984, pl. 37 (illustrated)
Peter Galassi, HENRI CARTIER-BRESSON: THE EARLY WORK, New York,
The Museum of Modern Art, 1987, p. 101 (illustrated)
HENRI CARTIER-BRESSON, Osaka, Osaka University of Arts, 1991, pl. 8
(illustrated)
HENRI CARTIER-BRESSON: PHOTOGRAPHE, Paris, Delpire, 1992, Seventh ed., pl. 14 (illustrated)
Henri Cartier-Bresson, HENRI CARTIER-BRESSON: PHOTOGRAPHER, London, Thames & Hudson, 1993, pl. 14 (illustrated)
John Loengard, CELEBRATING THE NEGATIVE, New York, Arcade, 1994,
p. 9 (negative illustrated)
HENRI CARTIER-BRESSON: PEN, BRUSH AND CAMERAS, Minneapolis, Minneapolis Institute of Arts, 1996, frontispiece (illustrated)
Jean-Pierre Montier, L'ART SANS ART D'HENRI CARTIER-BRESSON, Paris, Flammarion, 1996, fig. 89 on p. 96 (illustrated)
Jean-Pierre Montier, HENRI CARTIER-BRESSON AND THE ARTLESS ART, Boston, Little, Brown and Co., 1996, fig. 89 on p. 96 (illustrated)
It is presumed that this print was made to illustrate the following article, Tom Hopkinson, "Henri Cartier-Bresson," PHOTOGRAPHY, January 1957, p. 22, to promote the exhibition Henri Cartier-Bresson The Decisive Moment, R.B.A. Gallery, London, January 8-27, 1957, that was on tour from its first venue; Henri Cartier-Bresson Photographies 1930/1955, Musée des Arts Décoratifs, Pavillon de Marsan, Paris, October 26-November 30, 1955 [358 photographs].