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HEINRICH KIEPERT TABLE GLOBE, LAST QUARTER OF
Currency:USD
Category:Everything Else / Other
Start Price:NA
Estimated At:50,000.00 - 70,000.00 USD
NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2002 Apr 25 @ 07:30UTC-8 : PST/AKDT
HEINRICH KIEPERT TABLE GLOBE, LAST QUARTER OF THE 19TH/EARLY 20TH CENTURY mounted on an exceptional bronze, artist unknown 21in. (53.3 cm) diameter of globe 32 in. (81.3 cm) high 281/4 in. (71.7 cm) diameter of base Estimate: $50,000-$70,000 Provenance Collection of Anne-Sophie Duval, Paris THROUGH THE LOOKING GLASS: SERGE ROCHE In the early 1930s, while many French designers were striving to create Modernist interiors and furnishings in tune with the industrial era, Serge Roche (1898-1988) looked to the 17th century in an effort to make sumptuous and elaborate decorations. His love of the Baroque, coupled with a fascination with mirrors, led him to produce a wide variety of mirrored furnishings and decorations, among them this opulent octagonal masterpiece. Roche had a vast collection of antique mirrors and frames that served in part as inspiration for his own designs. In 1931, in collaboration with the Musée des Arts Décoratifs and the Société des Amis de Versailles, he organized an exhibition of 15th to 20th-century European frames at the Galerie Georges Petit in Paris. Amidst the 827 pieces noted in that exhibition catalogue, Roche included nine frames of his own design, four of which were mirrored. From that point on, he worked extensively with mirrors, using them in every aspect of his lavish interior designs, at times in combination with his more Rococo plaster consoles, torchères, sconces, and table lamps. He produced mirrored tables, commodes, consoles and objets d'art, including obelisks and a multi-faceted mirrored urn topped with a plaster flame which were featured in a 1934 issue of L'Amour de l'Art. His work was on view at his own gallery, and pre-eminent interior decorators such as Elsie de Wolfe in New York and Syrie Maugham in London exhibited many Roche pieces. His own home, illustrated in L'Amour de l'Art as a prime example of a Baroque-style interior, featured an imposing mirrored fireplace and other mirrored furnishings. Roche became to be so associated with Baroque-style mirrors that Jean Cocteau borrowed a small table-top looking glass to serve as the magical eye into the outside world in his renowned 1946 production of Beauty and the Beast. Roche's obsession culminated in 1951 with his publication of Miroirs: Galeries et Cabinets de Glaces, a detailed and well-illustrated history of the mirror and its mystical, cultural, and psychological connotations.
Auction Location:
United States
Previewing Details:
Friday April 19 10:00AM to 5:00PM; Saturday April 20 10:00AM to 5:00PM; Sunday April 21 1:00PM to 5:00PM; Monday April 22 10:00AM to 5:00PM; Tuesday April 23 10:00AM to 5:00PM; Wednesday April 24 10:00AM to 5:00PM
Additional Fees:
Shipping Details:
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1 BUYERS PREMIUM WILL BE CHARGED AT 15% ON THE FIRST CHF 70,000 OF THE HAMMER PRICE OF EACH LOT, AND AT 10% THEREAFTER. FOR LOTS MARKED WITH THE SYMBOL () IN THE CATALOGUE, THE BUYER HAS TO PAY SWISS VALUE ADDED TAX (VAT) AT 7.6% ONLY ON THE BUYERS PREMIUM, NOT ON THE HAMMER PRICE. FOR LOTS WITHOUT THE SYMBOL (), VAT OF 7.6% IS APPLICABLE ON THE HAMMER PRICE AND THE BUYERS PREMIUM. This VAT is refundable to non-Swiss resident buyers who, within 30 days following the sale, present to PHILLIPS, de PURY & LUXEMBOURG LIMITED (hereinafter PHILLIPS) the export declaration, duly stamped by Swiss customs, proving that the goods have left Switzerland. Non-stamped declarations are invalid.
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