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Guillaume Azoulay Original Drawing Gagnants Race Horse

Currency:USD Category:Art Start Price:1,100.00 USD Estimated At:3,100.00 - 4,800.00 USD
Guillaume Azoulay Original Drawing Gagnants Race Horse
This is an original drawing by artist Guillaume Azoulay. An exciting action scene is shown here of a winning race horse. The horse and jockey appear blended together, composed of flowing lines like ribbons that emphasize the lightness, motion, and speed of the great race. Artist: Guillaume Azoulay Title: "Autre Version des Gagnants" Medium: Original pen and ink on paper Signed: In ink, lower right Titled: In ink, lower left, along with copyright Year: 2006 Image size: 18 x 24 inches Frame size: 28 x 35 inches Framing: Custom framed, double matted in black and white, with decorative wood frame in gold with slight crackle pattern Condition: Excellent Certificate of Authenticity: From Fine Art Showcase Azoulay has captured the excitement of a horse race winner. It will be exciting also to have an original drawing by this acclaimed artist. Guillaume Azoulay (Morocco, b. 1949) has held major exhibits in Rome, Copenhagen, Monte Carlo, Reno, Paris, Tel-Aviv and many other cities. In 1978 two of his works were accepted into the permanent collection of the Louvre Museum in Paris, making the self-taught artist the youngest artist to be accepted in the permanent archives of that prestigious museum. His works are found in the collections of former President Ronald Reagan, Francois Mitterand, the late Anwar Sadat, King Hassan II of Morocco, the late Prince Rainier and Prince Karim Aga Khan.

* According to artlex.com: "Remarque - In printmaking, most often in etchings, a sketch originally made by the artist on the margin of the plate to test the tools before immersing the entire plate in the acid bath. Because such remarques were originally intended to be scraped or burnished away before the final edition of the plate is printed, a print with a remarque is often called a remarque proof. In the nineteenth century such remarques came to be so valued that they were often retained as part of the finished print. The subjects of these little drawings typically relate in some way to the larger image."