General Sale

T***A**Clarke, (Exh. 1927-38) "SINGLE ASTERS" a still life study with a vase of flowers and an octagonal bowl, oil on Rowney's canvas ...

English School, (19th century) A LAKESIDE VIEW, probably the Lake District, oil on canvas, 37cm x 50cm, (14.5in x 19.7in), in gilt slip and gilt frame

Jose Weiss, (1859-1919) A RURAL LANDSCAPE WITH FARMSTEAD, oil on panel, signed lower left, 16cm x 26cm, (6.3in x 10.2in), in gilt slip and laurel-deco

18th century British School A HALF-LENGTH PORTRAIT OF JOHN MAXWELL OF PORTRACK AND TERRAUGHTY, (1720 - 1814), depicted seated in three-quarter profile

After William Lakin Turner, (1867-1936) A STEAMER ON THE LAKE, probably Windermere, oil on canvas, unsigned, 23cm x 33cm, (9in x 13in), in gilt slip a

Margaret Stanley Thomson, (b. 1891, Exh. 1919-33) STILL LIFE WITH A VASE OF FLOWERS, oil on canvas, signed lower left, 59cm x 49cm, (23.3in x 19.3in)

Lakes School, (late 19th century) A PAIR OF LAKELAND LANDSCAPES, 'The Boathouse at Pooley Bridge' and 'A Water Mill', possibly at Es...

English School, (early 19th century) AN OVAL WOODED VALLEY LANDSCAPE, with rolling hills beyond, oil on canvas, unsigned, 43cm x 58cm, (17in x 22.8in)

Raffaele Frigerio, (19th-20th centuries) A PAIR OF PORTRAITS of bearded old men smoking pipes, oil on canvas, both signed, 39.5cm x 29.5cm, (15.5in x

Walter Meegan, (1859-1944) A MOONLIT THAMES RIVER SCENE with a steamer and tall-masted ships, oil on panel, signed lower left, 29.5cm x 49cm, (11.5in

English School, (early 19th century) A PORTRAIT OF A GENTLEMAN, depicted half-length, seated, oil on canvas, unsigned, 75cm x 6.2.5cm, (29.5in x 24.5

Continental (possibly Hague) School,(early 20th century) A COTTAGE GARDEN with trees in blossom, oil on panel, the back also painted with the beginni

Oskar Larsen, (1882-1972) THE DISCOVERY OF MOSES, oil on paper, signed and dated 1927 lower right, 34cm x 48.5cm, (13.3in x 19in), in cloth-covered sl

Henry Hadfield Cubley, (c.1850-c.1930) "BETWEEN THE SHOWERS", HIGHLAND CATTLE WATERING, oil on canvas, signed lower left, entitled, signed...

After George Morland, (1763-1804)o LEAVING HOME, an oval genre scene, depicting figures outside a cottage in a rural landscape, oil on tin plate, 63cm

Charles Town(e), (1763-1840) CATTLE AND SHEEP BY A RIVER,oil on canvas, signed with monogram lower right, inscribed C.TOWN on the stretcher verso, 44.

William Manners, (1865-c.1940) CATTLE BEFORE A FARMSTEAD, oil on panel, signed and dated 1909 lower left, 19.5cm x 29.5cm, (7.7in x 11.6in), in modern

Bernard Dufour, (fl.c.1922) STILL LIFE WITH TABLE AND CHAIR, HAT, LAMP, BOOKS AND BOWL OF FRUIT, oil and watercolour on canvas, laid down onto board,

Samuel John Lamorna Birch, (1869-1955) THE FARM AT HALTON GREEN, oil on panel, faintly signed and dated (18)98 lower right, entitled, signed and dated

Attributed to Samuel John Lamorna Birch, (1869-1955) THE RIVER BRIDGE, a preparatory study, oil on Rathbone canvas board, unsigned 33.5cm x 44.5cm, (1