General Sale

Charles Whymper, (1853-1941) A CIRCULAR PORTRAIT OF A GOLDEN EAGLE, perched on a rock in a mountainous landscape, watercolours, signed 50.5cm, (20in),

After Sir Alfred James Munnings, PRA, (1878-1959) THE HORSE RACE, oil on board, unsigned, 28cm x 37cm, (11in x 14.5in), in card mount, framed under gl

English School, (19th century) A RIVER SCENE with bridge and townscape beyond, a horse and rider nearby, oil on panel, unsigned, 26.5cm x 36cm, (10.4i

Attributed to George Smith Armfield, (c.1808-1893) THREE TERRIERS RATTING, oil on canvas, signed with initials and dated [18] 79 lower left, 14.5cm x

Petrus Paul Schiedges I, (1812-1876) A CONTINENTAL BEACH SCENE WITH FIGURES, depicting a central group, seated with the day's catch, possibly b...

William Thornley, (1857-1935) FISHING AND SAILING BOATS ON A CHOPPY SEA, oil on canvas, signed lower right, 19.5cm x 39.5cm, (7.7in x 15.5in), in gil

Richard Gay Somerset, (1848-1928) HAYTIMING, oil on canvas, signed lower right, 46cm x 61cm, (12in x 24in) unframed Est. £300/500

Paul Jones, (d.c.1888) TWO HUNTSMEN WITH THEIR GUNDOGS, oil on canvas, signed and dated 1868 lower right, 19.5cm x 29cm, (7.7in x 11.5in), in gilt sli

Elias Molineux Bancroft, (d.1924) HER FAVOURITE CHAPTER, oil on canvas, signed and dated 1917 lower left, entitled signed and dated on the canvas vers

Albert Pollitt, (Exh.1885-1926) A COASTAL SCENE WITH FISHING BOATS, watercolours, signed lower right, 24.5cm 35cm, (9.6in x 13.8in), in card surround,

T***A**Clarke, (Exh. 1927-38) "SINGLE ASTERS" a still life study with a vase of flowers and an octagonal bowl, oil on Rowney's canvas ...

English School, (19th century) A LAKESIDE VIEW, probably the Lake District, oil on canvas, 37cm x 50cm, (14.5in x 19.7in), in gilt slip and gilt frame

Jose Weiss, (1859-1919) A RURAL LANDSCAPE WITH FARMSTEAD, oil on panel, signed lower left, 16cm x 26cm, (6.3in x 10.2in), in gilt slip and laurel-deco

18th century British School A HALF-LENGTH PORTRAIT OF JOHN MAXWELL OF PORTRACK AND TERRAUGHTY, (1720 - 1814), depicted seated in three-quarter profile

After William Lakin Turner, (1867-1936) A STEAMER ON THE LAKE, probably Windermere, oil on canvas, unsigned, 23cm x 33cm, (9in x 13in), in gilt slip a

Margaret Stanley Thomson, (b. 1891, Exh. 1919-33) STILL LIFE WITH A VASE OF FLOWERS, oil on canvas, signed lower left, 59cm x 49cm, (23.3in x 19.3in)

Lakes School, (late 19th century) A PAIR OF LAKELAND LANDSCAPES, 'The Boathouse at Pooley Bridge' and 'A Water Mill', possibly at Es...

English School, (early 19th century) AN OVAL WOODED VALLEY LANDSCAPE, with rolling hills beyond, oil on canvas, unsigned, 43cm x 58cm, (17in x 22.8in)

Raffaele Frigerio, (19th-20th centuries) A PAIR OF PORTRAITS of bearded old men smoking pipes, oil on canvas, both signed, 39.5cm x 29.5cm, (15.5in x

Walter Meegan, (1859-1944) A MOONLIT THAMES RIVER SCENE with a steamer and tall-masted ships, oil on panel, signed lower left, 29.5cm x 49cm, (11.5in

English School, (early 19th century) A PORTRAIT OF A GENTLEMAN, depicted half-length, seated, oil on canvas, unsigned, 75cm x 6.2.5cm, (29.5in x 24.5

Continental (possibly Hague) School,(early 20th century) A COTTAGE GARDEN with trees in blossom, oil on panel, the back also painted with the beginni

Oskar Larsen, (1882-1972) THE DISCOVERY OF MOSES, oil on paper, signed and dated 1927 lower right, 34cm x 48.5cm, (13.3in x 19in), in cloth-covered sl

Henry Hadfield Cubley, (c.1850-c.1930) "BETWEEN THE SHOWERS", HIGHLAND CATTLE WATERING, oil on canvas, signed lower left, entitled, signed...

After George Morland, (1763-1804)o LEAVING HOME, an oval genre scene, depicting figures outside a cottage in a rural landscape, oil on tin plate, 63cm

Charles Town(e), (1763-1840) CATTLE AND SHEEP BY A RIVER,oil on canvas, signed with monogram lower right, inscribed C.TOWN on the stretcher verso, 44.

William Manners, (1865-c.1940) CATTLE BEFORE A FARMSTEAD, oil on panel, signed and dated 1909 lower left, 19.5cm x 29.5cm, (7.7in x 11.6in), in modern

Bernard Dufour, (fl.c.1922) STILL LIFE WITH TABLE AND CHAIR, HAT, LAMP, BOOKS AND BOWL OF FRUIT, oil and watercolour on canvas, laid down onto board,

Samuel John Lamorna Birch, (1869-1955) THE FARM AT HALTON GREEN, oil on panel, faintly signed and dated (18)98 lower right, entitled, signed and dated

Attributed to Samuel John Lamorna Birch, (1869-1955) THE RIVER BRIDGE, a preparatory study, oil on Rathbone canvas board, unsigned 33.5cm x 44.5cm, (1

Robert Watson, (fl.c.1877-1920) THE HIGHLAND DROVE, a mounted herdsman following Highland cattle through a glen, oil on canvas, signed and dated 1890

F***Br***, (late 19th/early 20th century) A PAIR OF RURAL LANDSCAPES, oil on board, one depicting a fisherman by a wooden bridge outside farm building

Frank Hider, (1861-1933) A PAIR OF COASTAL SCENES, oil on canvas, one depicting a fisherman checking the nets, the other boats on a choppy sea close t

Mesdag H*** Willem, (late 19th century) A WOMAN BEFORE A FARMSTEAD, oil on canvas, signed lower left, 35cm x 40cm, (13.8in x 15.75in), unframed Est....

Frank Hider, (1861-1933) A PAIR OF LANDSCAPE PAINTINGS, "The Sunset Hour" and "Autumn in the Highlands" oil on canvas, both sign...

A***R***Sawyer, (late 19th/early 20th century) HIGHLAND CATTLE IN A GLEN, SUNSET, oil on canvas, signed lower right, 60cm x 91cm, (23.6in x 35.8in), i

English School, (19th century) [CATTLE WATERING] "NEAR FULFORD ON THE OUSE" (near York), oil on canvas, unsigned, inscribed on the stretch...

A Scottish School, (19th century) A YOUNG GIRL AND HER DOG, she collecting water from a downspout, her dog seated beside her, oil on canvas stamped ve

William E*** Ellis, (Exh. 1863/4) COTTAGE ON THE MARGIN OF GRASMERE, WESTMORELAND, oil on canvas, signed lower left, entitled on the canvas verso, 49.

Alfred H*** Vickers, (d.c. 1907) RYDAL WATER, WESTMORLAND, oil on canvas, entitled and signed on the stretcher verso, 19.5cm x 37.5cm, (7.7in x 14.75i

William Lakin Turner, (1867-1936) A WOODLAND STREAM, LATE AUTUMN, oil on canvas, signed and dated 1910 lower right 39.5cm x 54.5cm, (15.5in x 21.5in),

William Lakin Turner, (1867-1936) A WOODLAND STREAM, LATE AUTUMN, oil on panel, signed lower left, 35cm x 25cm, (13.8in x 9.8in), in gilt slip and gil

William Lakin Turner, (1867-1936) CHICKENS BY A THATCHED COTTAGE ON A COUNTRY LANE, oil on canvas, signed and dated 1913 lower left, 17.5cm x 25cm, (7

Eastern School, (late 19th/early 20th century) THE RUG MARKET, figured haggling, oil on canvas, unsigned, 120.5cm x 89.5cm, (47.25in x 35.25in) Est....

A*** Luvate, Preston AN EARLY VICTORIAN MAHOGANY WHEEL OR "BANJO" BAROMETER, having a replacement swan-neck pediment with brass urn finial...

Charles Gerletti, Glasgow (mid 19th century) AN EARLY VICTORIAN INLAID MAHOGANY WHEEL OR "BANJO" BAROMETER, having a swan- necked pediment...

J.G.Graves, Sheffield, A LATE VICTORIAN/EDWARDIAN INLAID WALNUT WALL CLOCK having a white enamelled dial with Roman chapter ring and painted with the

W & H Insch AN EARLY 20TH-CENTURY MAHOGANY-CASED MANTEL CLOCK having a stepped rectangular top with brass bale carrying handle, the sides with c...

A LATE 19TH/EARLY 20TH-CENTURY BRASS CARRIAGE TIMEPIECE, the dial with Roman numerals, the escapement and backplate both engraved S/R and F/A, the lat

AN EARLY 20TH-CENTURY BRASS CARRIAGE TIMEPIECE, the dial with Arabic numerals, between turned columns, the escapement and backplate both engraved S/R