General Sale - Session 2

Ralston Gudgeon R.S.W. A BARN OWL AT NIGHT signed, watercolour on brown paper, 50 x 30cm Est. 100/200

William Douglas Macleod 'BA BRIDGE AND STOB GHABHER, FROM THE ULD GLENCOE ROAD' pastel, signed, verso, T and R Annan & Sons Ltd. 518 Sau...

After Frans Van Mieris INTERIOR VIEW WITH TWO FIGURES oil on panel, inscribed and dated Firenze 1876 on reverse, 37 x 32cm Est. 300/500

J. Hartley SAILING SHIPS IN A STORMY SEA signed and dated 1907, oil, 35 x 56cm Est. 300/400

Late 19th Century, English School CATTLE GRAZING BY A FARM HOUSE; A HAY CART CROSSING A BRIDGE a pair, oil on canvas, unsigned, both framed, 29 x 49cm

J. Binks, 20th Century THE STEAMSHIP ARTEMIS oil on board, signed and inscribed 'Artemis' London/New York, 31 x 51cm, in a maple frame Est. ...

Three prints 'THE SCHOOL YARD, ETON', 'MAGDALENE COLLEGE', 'CAIUS COLLEGE' all approx. 30 x 40cm Est. 80/120

David Shepherd 'THE SCAVENGERS' AND 'ZEBRAS AND COLONY WEAVERS' pencil signed prints, 51 x 88cm and 49 x 82cm, framed Est. 400/600

Circle of John Callow A SEASIDE TOWN indistinctly signed, watercolour, 22 x 31cm Est. 250/350

Cecil Aldin 'THE FIRST' lithograph of partridge shooting, published by Thomas McLean, 7 Haymarket, April 1901, framed, 30 x 62cm Est. 100/200

Two 18th century maps of Great Britain and Denmark, both approx. 28 x 34cm, framed and mounted Est. 200/300

After Delacroix (modern) MARAUDING TURKS oil on canvas, 60 x 90cm, together with AT THE BAZAAR oil on board, signed Khoppe, bottom left, 60 x 90cm Est

After Wadsworth PRINT OF A CAMOUFLAGED WARSHIP IN DRY DOCK 13 x 22cm, and AN ENGRAVING OF NELSON 24 x 18cm Est. 50/100

Tauik Frantisak Simon TWO PARISIAN VIEWS pencil, signed, aquatint, with stamp to left bottom, 35 x 42cm, framed Est. 100/200

After David Cox RUSTIC LANDSCAPE WITH FIGURES ON A BRIDGE AND DISTANT HARVESTERS watercolour, 23 x 32cm Est. 80/120

Andrea Biondetti THREE VIEWS OF VENICE each signed and framed, watercolours, 29.5 x 18cm Est. 1000/1200

Ash, 20th Century Contemporary School GIRL IN YELLOW FIELD WITH HOUSES IN THE BACKGROUND oil on board, signed and framed, 35 x 29.5cm Est. 100/200

Six Vanity Fair prints, including Statesman, no's. 50, 25, 129, 43, 15 and 42, all mounted and framed, 34 x 21cm

C. Mosley After David Ogborne 'AN EXACT PERSPECTIVE VIEW OF DUNMOW ...' The Dunmow Flitch a coloured print, 35 x 52cm Est. 150/200

Cecil Aldin HORSE AND CARRIAGE, 'UP BEFORE THE BEAK', I'M NOT YOUR FATHER three prints, and a print of musical birds by J. A. S. Est. 10...