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GARRY WINOGRAND, (American, 1928-1984), UNTITLED (FROM THE ANIMALS), each signed in pencil on ver...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:30,000.00 - 40,000.00 USD
GARRY WINOGRAND, (American, 1928-1984), UNTITLED (FROM THE ANIMALS), each signed in pencil on ver...
GARRY WINOGRAND
(American, 1928-1984)
UNTITLED (FROM THE ANIMALS)
each signed in pencil on verso
21 gelatin silver prints
each approximately: 87/16 x 131/4 in. (21.4 x 33.7 cm)or the inverse
1963
from THE ANIMALS series
ESTIMATE: $30,000-40,000
PROVENANCE
LIGHT Gallery, NEW YORK
LITERATURE
Garry Winogrand, THE ANIMALS, The Museum of Modern Art, NEW YORK, 1969 (each illustrated)
These 21 photographs are drawn from Winogrand's book of 46 photographs. 37 were exhibited at MoMA at the time of publication in 1969.
"When I was a kid in New York I used to go to the zoo. I always liked the zoo. I grew up within walking distance of the Bronx Zoo. And then when my first two children were young, I used to take them to the zoo. Zoos are always interesting. And I make pictures. Actually, the animal pictures came about in a funny way. I made a few shots. If you could see those contact sheets, they're mostly of the kids and maybe a few shots where I'm just playing. And at some point I realized something was going on in some of those pictures, so then I worked at it. Then at some point I realized it made sense as a book. So that's what happened." (Barbaralee Diamonstein, VISIONS AND IMAGES: AMERICAN PHOTOGRAPHERS ON PHOTOGRAPHY, New York, Rizzoli, 1982, p. 181).
In his Afterword to THE ANIMALS, John Szarkowski wrote, "Winogrand's zoo...is a surreal Disneyland where unlikely human beings and jaded careerist animals stare at each other through bars, exhibiting bad manners and a mutual failure to recognize their own ludicrous predicaments." (n.p.) And further "As for the pictures themselves, little can be said ex "As for the pictures themselves, little can be said except to give thanks. As complex and as simple as ancient parables, they cannot be imagined otherwise. Superficially casual, like a good fieldstone wall, they prove with familiarity to be irreducible and ordered. The richness of their observation and the sophistication of their graphic command amounts to virtuosity. Winogrand has made chaos clearly visible; he has disciplined it without breaking its spirit. It is not supremely difficult to make a clear picture of a truism, and it is easier still to hold up a mirror to the maelstrom and call it art. But to see and set down with acuity the flickering meanings that illuminate the menagerie we perform in-this is a creative miracle." (John Szarkowski, "Afterword," in Garry Winogrand, THE ANIMALS, New York, Museum of Modern Art, 1969, n.p.).