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GARRY WINOGRAND, (American, 1928-1984), LOS ANGELES, signed in pencil on verso, gelatin silver pr...
Currency:USD
Category:Everything Else / Other
Start Price:NA
Estimated At:6,000.00 - 8,000.00 USD
NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2003 Apr 25 @ 19:00UTC-05:00 : EST/CDT
GARRY WINOGRAND
(American, 1928-1984)
LOS ANGELES
signed in pencil on verso
gelatin silver print
image: 815/16 x 131/4 in. (22.7 x 33.7 cm)
paper: 11 x 1315/16 in. (27.9 x 35.4 cm)
1964
ESTIMATE: $6,000-8,000
PROVENANCE
Fraenkel Gallery, SAN FRANCISCO
LITERATURE
Nathan Lyons, ed., TOWARD A SOCIAL LANDSCAPE, NEW YORK, George East,man House, 1966, p. 58 (illustrated)
John Szarkowski, MIRRORS AND WINDOWS: AMERICAN PHOTOGRAPHY SINCE 1960, NEW YORK, Museum of Modern Art, 1978, p. 93 (illustrated)
Peter Turner, ed., AMERICAN IMAGES: PHOTOGRAPHY 1945-1980, London, Barbican Art Gallery/Penguin, 1985, p. 128 (illustrated)
Peter Turner, HISTORY OF PHOTOGRAPHY, NEW YORK, 1987, p. 162 (illustrated)
John Szarkowski, WINOGRAND: FIGMENTS FROM THE REAL WORLD, NEW YORK, Museum of Modern Art, 1988, p. 149 (illustrated)
Keith F. Davis, NIGHT LIGHT: A SURVEY OF 20TH CENTURY NIGHT PHOTOGRAPHY, Kansas City, Hallmark Cards, 1989, [p. 11], cat. no. 44 (illustrated)
Carl Chiarenza, "Standing on the Corner...: Reflections upon Winogrand's Photographic Gaze: Mirror of Self or World? Part I," IMAGE, vol. 34, no. 3-4 (Fall/Winter 1991), pp. 16-51 (illustrated on p. 24 as fig. 4)
Peter Galassi, AMERICAN PHOTOGRAPHY 1890-1965: FROM THE MUSEUM OF MODERN ART, NEW YORK, NEW YORK, Museum of Modern Art, 1995, p. 227 (illustrated)
Jeffrey Fraenkel, ed., THE MAN IN THE CROWD: THE UNEASY STREETS OF GARRY WINOGRAND, San Francisco, Fraenkel Gallery, 1999, pl. 20 (illustrated)
Peter Galassi, WALKER EVANS & COMPANY, NEW YORK, Museum of Modern Art, 2000, p. 131, pl. 145 (illustrated)
Carlos Gollonet and Leo Rubinfien, GARRY WINOGRAND: EL JUEGO DE LA FOTOGRAF-A. THE GAME OF PHOTOGRAPHY, Madrid, Tf. Editores, 2001, p. 65 (illustrated)
Kerry Brougher and Russell Ferguson, OPEN CITY: STREET PHOTOGRAPHS SINCE 1950, Oxford, MoMA/Hatje Cantz, 2001, pp. 72-73 (illustrated)
Trudy Wilner Stack, WINOGRAND 1964, Santa Fe, Arena Editions, 2002, p. 247 (illustrated)
Shooting at night with a wide-angle lens, Garry Winogrand made this photograph by leaning very close to this car. Years of shooting in the streets gave him the experience to capture such an image, which required incredibly nimble reflexes. Winogrand also possessed the same visual intelligence that he admired in the work of EugFne Atget, AndrT KertTsz, and Robert Frank. When speaking about photography he claimed that photographs are mute. "I photograph to find out what something looks like photographed" ("Monkeys Make the Problem More Difficult: A Collective Interview with Garry Winogrand," IMAGE, vol. 15, no. 2, July 1972, pp. 1-5).
Auction Location:
United States
Previewing Details:
Wednesday April 16 - Wednesday April 23
Additional Fees:
Shipping Details:
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