Fine Tribal, Aboriginal Art and International Antiquities

Chanhudaro, c.3rd-2nd Mill. BC, in the form of a hollow bird, intact, 5x7cm Provenance: From an Australian collection Reference: Kenoyer, J. M.

c.2nd Mill. BC, in the form of a hollow female deity, surface encrustations, re-joined, 16cm Provenance: From an Australian collection Reference: K

c.2nd Mill. BC, in the form of an anthropomorph, surface encrustations, intact, 13cm Provenance: From an Australian collection Reference: For fu

c.3rd Mill. BC, the pierced sections temporarily strung on modern thread, 32cm Provenance: From an Australian collection Reference: c.f.: Bahn 1992

c.2nd Mill. BC, in anthropomorphus form, surface encrustations, intact, 6cm Provenance: From an Australian collection Reference: Kenoyer, J. M. Anc

Mehrgarh, 3300-3000 BC, in the form of a male deity, intact and presented in a display frame with accompanying information, 4cm, Frame 30x21cm Prov

Mehrgarh, 3300-3000 BC, in the form of a mother goddess, intact and presented in a display frame with accompanying information, 4cm, Frame 30x21cm

c.2nd Century BC, with a standing female in relief, re-joined, North India, 21cm Provenance: From an Australian collection Note: Certificate of

c.2nd Century BC, of diminutive form sculpted in the form of Kubera, lord of wealth and prosperity, North India, 10cm Provenance: From an Australia

c.3rd-2nd Century BC, in the form of a female, surface encrustations, North India, 6cm Provenance: From an Australian collection

c.2nd Century BC, the diminutive relief in the form of a female deity with two attendants, surface encrustations, North India, 11cm Provenance: Fro

c.2nd Century BC, in the form of a lady with elaborate headdress, surface encrustations, North India, 10cm Provenance: From an Australian collectio

c.2nd Century BC, in the form of a female deity, surface encrustations, North India, 10cm Provenance: From an Australian collection

c.2nd Century BC, in the form of a female deity, surface encrustations, North India, 7cm Provenance: From an Australian collection

c.2nd Century BC, in the form of a lady with elaborate coiffure, surface encrustations, North India, 6cm Provenance: From an Australian collection

c.1st Mill AD, of diminutive statue in the form of an elephant decorated with curvilinear stippled motifs, old encrustations, 15x8cm Provenance: Fr

c.322-185 BC, in diminutive stylised form of a leopard, remnant mineral earth pigments, weathered with old encrustations, 7cm Provenance: From an A

c.322-185 BC, in diminutive stylised form of a ram, weathered with old encrustations, 6cm Provenance: From an Australian collection

c.322-185 BC, in diminutive stylised form of a lady, weathered with old encrustations, 6cm Provenance: From an Australian collection

c.322-185 BC, in diminutive stylised form of a lady, weathered with old encrustations, 8cm Provenance: From an Australian collection

c.2nd Mill. BC, in the form of a votive figure, pierced at central section of head, surface encrustations, loss to lower section evident, otherwise in

c.2nd Mill. BC of stone in classic diminutive form, surface encrustations, minor loss to rim otherwise intact, Baluchistan, 4cm Provenance: From an

c.2nd Mill. BC of grey chlorite in classic diminutive form, surface encrustations, minor loss to base and rim otherwise intact, Baluchistan, 4cm Pr

c.2nd Mill. BC, the pierced fossilised marine shell sections temporarily strung on cotton thread, surface encrustations, Baluchistan, 34cm Provenan

c.6th-5th Mill. BC, of grey ware decorated with geometric motifs in mineral earth pigments, some encrustations, Turkmenia, 10x15cm Provenance: From

c.3rd Mill. BC decorated with geometric motifs in mineral earth pigments, re-joined, Baluchistan, 11cm Provenance: From an Australian collection Re

c.2nd-3rd Century AD, of solid sheet gold sculpted with two roaring lion heads at terminals, fine detail, remnant earth encrustations, 9cm (2) Prov

c.3rd Century AD, of museum quality, of green schist, in fine detail, the figure seated with right arm raised within a recessed alcove with pilar supp

c.3rd Century AD, of grey schist, sculptured with a figurative display of naked deities, a lotus flower and fruit in relief, within a recessed panel,

c.3rd Century AD, of grey schist sculpted in the form of devotees in pray above a fortress, Afghanistan, 20cm Provenance: from an Australian collec

c.3rd Century AD, in diminutive form, with fine features, even consistent weathering, Afghanistan, 8cm Provenance: from an Australian collection

c.3rd Century AD, of grey schist, in diminutive form, with slight central depression, decorated with incised motifs, Afghanistan, 13cm Provenance:

c.3rd Century AD, sculptured in diminutive form with deep bowl, encrustations, Afghanistan, 9cm Provenance: from an Australian collection

c.3rd Century AD, the diminutive section from a larger sculpture in the form of a hand holding a ball of lotus flowers, Afghanistan, 7cm Provenance

c.3rd Century AD, in diminutive form with clear features, sculpted in the image of a bodhisattva, Afghanistan, 7cm Provenance: from an Australian c

c.1st-3rd Century AD, of museum quality with clearly defined features, sculpted in the form of a seated Bodhisattva, probably Avalokitesvara in a medi

2nd-3rd Century AD, of diminutive form in the image of Buddha Sakyamuni, the fine featured visage with mediative expression, arched eyebrows above hea

2nd-3rd Century AD, of diminutive form, the fine featured visage with downcast eyes, hair in wavy curls gathered in a domed topknot above a forehead w

c.3rd Century AD, of red ceramic with good detail seated above a low platform dressed in flowing robes, weathered with encrustations, rejoined, stable

3rd Century AD, in diminutive form, the elegant featured visage with heavy lidded eyes below arched brows, aquiline nose and bow shaped mouth, his wav

c. 550-577 AD, of superb detail and quality, standing above a separate lotus base wearing a plain diaphanous robe, his left hand raised in vitarka mud

c. 550-577 AD, standing above a separate lotus base wearing a plain diaphanous robe, his left hand raised in vitarka mudra and his right in bhumispars

c. 550-577 AD, the relief sculpted with four heavenly apsaras in flight flanking a central element, of superb detail, remnant polychrome mineral earth

c.618-906 AD, seated in dhyanasana above a raised lotus platform, left hand in bhumisparsa wearing a flowing sanghati, the fine featured visage with s

c.960-1279 AD, in the form of a Bodhisattva seated above a tree base, dressed in flowing robes tied at the waist, excellent detail throughout, consist

c.18th-19th Century, of stucco with three faces in relief, inset glass eyes, polychrome mineral earth pigments, mounted on stand, China, 56cm Prove

c. 550-577 AD, the relief sculpted with an apsara playing the flute, remnant polychrome mineral earth pigments, consistent even weathering, some miner

c.1368-1644, the rectangular panel sculpted with a central recess of an erotic scene, of fine detail, consistent even weathering, some mineral concret

c.581-618 AD, of stone the fine featured visage with down cast eyes below an elaborate headdress, the fragmented torso sculpted with fine detail of a

c.618-907 AD, sculpted with a central recessed seated Buddha above two mythical beats within and arch surrounded by numerous images of Buddha in relie