Fine Tribal, Aboriginal Art and International Antiquities

c. 550-577 AD, of superb detail and quality, standing above a separate lotus base wearing a plain diaphanous robe, his left hand raised in vitarka mud

c. 550-577 AD, standing above a separate lotus base wearing a plain diaphanous robe, his left hand raised in vitarka mudra and his right in bhumispars

c. 550-577 AD, the relief sculpted with four heavenly apsaras in flight flanking a central element, of superb detail, remnant polychrome mineral earth

c.618-906 AD, seated in dhyanasana above a raised lotus platform, left hand in bhumisparsa wearing a flowing sanghati, the fine featured visage with s

c.960-1279 AD, in the form of a Bodhisattva seated above a tree base, dressed in flowing robes tied at the waist, excellent detail throughout, consist

c.18th-19th Century, of stucco with three faces in relief, inset glass eyes, polychrome mineral earth pigments, mounted on stand, China, 56cm Prove

c. 550-577 AD, the relief sculpted with an apsara playing the flute, remnant polychrome mineral earth pigments, consistent even weathering, some miner

c.1368-1644, the rectangular panel sculpted with a central recess of an erotic scene, of fine detail, consistent even weathering, some mineral concret

c.581-618 AD, of stone the fine featured visage with down cast eyes below an elaborate headdress, the fragmented torso sculpted with fine detail of a

c.618-907 AD, sculpted with a central recessed seated Buddha above two mythical beats within and arch surrounded by numerous images of Buddha in relie