Fine Art Furniture

A GOOD AFGHAN CARPET, with three rows of Ensari medallions on a burgundy field, 11ft 5in x 8ft 11in (335.5 x 262cm). ESTIMATE: £200 - 300 333.3...

AN EASTERN CARPET OF ISPHAHAN DESIGN, pale jade green field with all-over design of flowering tendrils, enclosed within a sage lotus border, 150 x 115

A FINE ANTIQUE CAUCASIAN KELIM, the design of broad horizontal bands in red and ivory filled with multi-coloured stars, (355.25 x 194.75cm). ESTIMATE:

A LARGE AFGHAN RUG OF ENSI DESIGN, in shades of dark red and blue, 97 x 62in (237.5 x 152cm).. ESTIMATE: £100 - 150 166.66-249.99

A FINE ANTIQUE CAUCASIAN RUG, the rich madder field with blue, pink and ivory medallions, surrounded by minor medallions in shades of blue, green and

A GORVAN CARPET, of Heriz design, 127 x 113in (111 x 277cm). ESTIMATE: £200 - 300 333.32-300

A FINE KUBA SHIRVAN RUG, the dark blue field with five multi-coloured medallions enclosed within three figured borders, 75 x 50in (184 x 122.5cm). EST

A KAZAK RUG, the pink field with three cruciform medallions enclosed within an ivory wine glass and leaf border, 85 x 53in (208 x 130cm). ESTIMATE: ...

AN OLD QASHQAI RUG, the three medallions, 48 x 74in (117 x 181cm). ESTIMATE: £100 - 150 166.66-150

A KARABAGH CORRIDOR CARPET, the dark blue field with all-over design of large stylised animals and birds enclosed within three wide figured borders, 1

A MODERN SILK CARPET OF PERSIAN DESIGN, the burgundy-field with floral medallions and spandrels predominantly in light and dark blue enclosed within a

A HAMADAN RUNNER, the dark blue field within multiple small boteh enclosed by three figured borders. ESTIMATE: £80 - 120 133.33-120

A LARGECHINESE CARPET, of floral design in shades of jade, beige and black, 219 x 145in (536 x 355cm). ESTIMATE: £600 - 800 999.96-800

A NINETEENTH CENTURY 10IN SQUARE DIAL THIRTY HOUR LONGCASE CLOCK MOVEMENT BY SNELLING OF ALTON (1798-1830), the birdcage plated movement with a brass

A MID NINETEENTH CENTURY DROP DIAL CLOCK, the rosewood veneered case with inlaid mother-of-pearl decoration, circular twelve inch dial with spun bezel

A THIRTY HOUR ARCHED DIAL HOODED WALL CLOCK BY THOMAS THORP, COLCHESTER (B.1717-D.1804), the seven inch thirty hour movement with a cartouche signed w

AN EIGHT DAY MAHOGANY LONGCASE CLOCK, signed Stephen Wiles, Marlborough. ESTIMATE: £1200 - 1400 1,999.92-1400

A SET OF NINE (EIGHT PLUS ONE) EARLY VICTORIAN MAHOGANY DINING ROOM CHAIRS, STAMPED LAMB OF MANCHESTER, the balloon backs with 'C' scroll lu...

A SHERATON PERIOD MAHOGANY BOWFRONT SIDEBOARD, circa 1790, the shaped top with white line inlay above an arrangement of cellaret and cutlery drawers,

A LARGE EARLY NINETEENTH CENTURY MAHOGANY DINING TABLE, of Cottage diner form, the two 'D' ends with plain frieze, standing on four tapered ...

A SET OF LATE EIGHTEENTH CENTURY CHAIRS IN THE SHERATON MANNER, the bar backs with black line inlay and central 'X' form splat, with carved ...

AN EARLY NINETEENTH CENTURY MAHOGANY SIDEBOARD, the plum pudding breakfronted top with a central drawer with black line Grecian key decoration and ori

A SET OF SIX EARLY NINETEENTH CENTURY MAHOGANY DINING ROOM CHAIRS, the bar backs with four black line inlaid uprights and a scratch moulded lumber rai

A SET OF THREE EARLY GEORGE III LADDERBACK DINING CHAIRS, the shaped cresting rail with three pierced ladderbacks having a drop-in seat standing on sq

A GEORGE IV MAHOGANY SERVING TABLE, (DISTRESSED), the galleried top above a full width frieze drawer, standing on ring turned and reeded legs, (missin

A GEORGE III STYLE MAHOGANY THREE PEDESTAL DINING TABLE, the reeded tops including two leaves above vase turned pedestals, with shaped and reeded legs

A LATE GEORGE III MAHOGANY TEA TABLE, the circular tilting top over a ring turned and wrythen carved stem, standing on three swept legs, 29.5in diamet

A WILLIAM IV MAHOGANY WIND-OUT DINING TABLE, the rectangular ends with two leaf inserts, having a plain frieze standing on turned and reeded legs, ter

A GEORGE III MAHOGANY WINE COOLER ON STAND, of octagonal form, the top opening to a void interior, (now lacking lead liner), of slightly tapered const

A PAIR OF REGENCY MAHOGANY ELBOW CHAIRS, with flame veneered bar backs and shaped and carved lumber rails, the downswept scrolling arms and regency st

A REGENCY MAHOGANY WINE COOLER of sarcophagus form, the flame mahogany veneered top with swirling black inlay, opening to reveal a lead lined interior

AN EARLY NINETEENTH CENTURY MAHOGANY BREAKFAST TABLE, the compound moulded square top tilting over a gun barrel stem on a quadrate platform base, supp

A LATE GEORGE III MAHOGANY SERVING TABLE, the bowfront top above two short and one long drawer, with later pierced brass handles, supported on slightl

AN EARLY NINETEENTH CENTURY MAHOGANY COTTAGE DINER, the thumb moulded dropflap top above a plain frieze raised on turned and tapered legs terminating

A SET OF FOUR MAHOGANY LATE GEORGE III STYLE DINING CHAIRS, the rectangular backs with triple palmette carved uprights, having overstuffed seats with

A PAIR OF GOOD LATE GEORGE III MAHOGANY DINING CHAIRS, the panelled bar backs above three tapered reeded slats with palmette carved decoration, the gr

AN EARLY NINETEENTH CENTURY ROSEWOOD BREAKFAST TABLE, the circular top with a plain frieze with a tapered hexagonal form centre column on a tripartite

A ROSEWOOD LOVE SEAT BY STUART DEVLIN (b.1931), circa 1978, an impressive double love seat, typical of the Devlin filigree and crown form, each conjoi

A NINETEENTH CENTURY MARBLE TOPPED AND CARVED GILTWOOD SIDETABLE, IN THE ITALIAN TASTE, the pink variegated marble top of serpentine outline, above a

AN EDWARDIAN CARVED WOOD AND PARCEL GILT BERGERE IN THE LOUIS XVITH TASTE, the upholstered back surrounded by foliate carving with padded and outswept

PART OF AN EARLY NINETEENTH CENTURY CARVED GILTWOOD DUCHESS, the rope carved bergère style back with stylised scale arm supports, the seat fram...

A GEORGE III 'PLUM PUDDING' MAHOGANY PEMBROKE TABLE, the oval dropflap top with thumb moulded edge, above a shaped frieze with a single draw...

A LATE NINTEENTH CENTURY ETAGERE, in the French style, serpentine rising top with a low brass gallery, with a central panel of Thuya and a crossbandin

A GEORGE III MAHOGANY TILT TOP TEA TABLE, the circular three panelled three plank top tilting over a gun barrel turned stem, supported on three swept

A NINETEENTH CENTURY SHERATON STYLE MAHOGANY CORNER CUPBOARD, the Greek key moulded cornice with a gothic arched frieze, above a glazed door with diam

A LATE GEORGE III MAHOGANY BOOKCASE TOP, the bow top pediment with sabicu inlay, above a pair of doors with reeded glazing bars opening to reveal thre

A GEORGE III MAHOGANY PEMBROKE TABLE, the oval dropleaf top with tulipwood crossbanding, over a shaped base with a single frieze drawer, standing on t

A LATE EIGHTEENTH CENTURY DEMI-LUNE SIDETABLE IN THE SHERATON TASTE, satinwood crossbanded top with large fan inlay, over a frieze inlaid with a centr

A PAIR OF EIGHTEENTH CENTURY CONCAVE FRONT COMMODES IN THE ADAMS STYLE, the moulded edge tops above a full width drawer with fluted decoration and a p

AN EARLY NINETEENTH CENTURY MAHOGANY BOWFRONT SIDETABLE, the black line and mahogany crossbanded top above an arrangement of two short and one long dr