Fine Art Auction Group - Southeast Fine Art And Antique Sale - Session 3

Pair of illuminated vellum pages from a choir book, 15th/16th century with sections of latin verse hand drawn in black and red ink, each 22.5cm and 31

Railway interest - a unique collection of late 19th century photographs of engineering works undertaken on the Kwrunegala and Matara Railways in Ceylo

Robert E.L., Cricket in England 1894-1939, original dust jacket

F. Bartolozzi, oval print of a Renaissance gentleman and two ladies in a gilt foliate frame, 29cms x 34cms

J Lewis Slant, 20th century, a set of 4 etchings of Royal Tunbridge Wells, No 23 out of 30, each signed, dated and titled in pencil, loose in a folio,

After Reynolds, a Bartolozzi mezzotint, a portrait of a young child playing with a bird while his dog looks on, 30cm x 21cm

Hiroshige (1797-1858) Station 16 Night Snow at Kambara Yorunayuki, from the series The Fifty-three stations of the Tokaido, circa 1833-34 signed Hiros

Victorian school, a set of 8 lithographs of children at play, each 7.5cms x 11cms various frames

Early 19th century depiction of Brighton chain pier, coloured aquatint, 20cm x 38cm, Footnote torn and stained

After Joseph Nigg (1782-1863), a large Baxter print of a flower study with butterflies, 61cm x 48cm

Pair of early 19th century Brighton views, coloured aquatints, 17cm x 24cm

Thomas Kelly & Co publishers a 19th century hand coloured engraving of an ostrich, an Omidian crane and a Boleriac crane and of a secretary bird...

18th century print entitled The Albion Mills on Fire", 19cm x 23cm "

William Lionel Wyllie R.A. (1851-1931), Battle of Trafalgar, dry point etching, taken from his epic painting Panorama of the Battle of Trafalgar 1929

William Lionel Wyllie R.A. (1851-1931), Battle of Trafalgar, dry point etching, taken from his epic painting Panorama of the Battle of Trafalgar 1929

After Charles Reuben (1752-1798), Daniel Mendoza versus Richard Humphreys boxing print, together with another by C Metz, between Thoms Johnson and Isa

Alexandre Ivanov 20th century Russian a polychrome marching band signed and dated '93 linocut 32.5cm x 31cm

Alexandre Ivanov 20th century Russian, a polychrome picture of a tourist, linocut, signed dated '93, 33cm x 29.5cm

Alexandre Ivanov 20th century Russian, two sisters embracing, signed and dated '94, linocut, 33cm x 29.5cm

Alexandre Ivanov 20th century Russian, a polychrome juggling clown, linocut, signed, 32.5cm x 31cm

Alexandre Ivanov 20th century Russian, a portrait of the hunter, linocut, signed and dated, 33cm x 29.5cm

Alexandre Ivanov 20th century Russian, a woman with a bird on her hat, linocut, signed and dated '94, 33cm x 29.5cm

Alexandre Ivanov 20th century Russian, a pigeon sitting on a nest on a painters pallet, linocut, signed and dated '94, 27cm x 33cm

Ellis Hyland 20th century 'The Gay' Parisienne 1897, polychrome poster, 27cm x 25cm

20th century print, the cricket match between Sussex & Kent at Brighton 1849, aquatint, engraved by G H Phillips, 62cm x 45cm

After Charles Lees RSA, The Golfers A Grand Match Played over St Andrews Links - The Ginger Beer Hole (15th), A Homelovers reprinted 1951 after the 18

Alexandre Ivanov 20th century Russian, a polychrome picture of a couple sitting on a chicken, linocut, signed dated '93, 33cm x 29.5cm

Eugene Samuel Grasset (1841-1917 French), 'Encre L. Marquet', a woman leaning on a harp deep in thought, quill in hand, dated '92, poste...

T.M. Richardson, The Barbican or Utter Ward of Alnwick Castle, Aquatint on paper, engraved by D Havell published 1849, by W.Dixon & Richardson ...

Hurbert George dry point etching of St Peters, 54cm x 35cm

Victorian school, The Voyeurs, a pair of aquatints, in oval mounts, 19.5 x 32.5cm

George Barnard (1832-1890), views of Tunbridge Wells, drawn from nature and on stone, 3 coloured aquatints published by Nash, 30cm x 40cm

A view of the Tower taken upon the Thames, engraving hand coloured, 26cm x 43cm, together with London Bridge from Southwark Bridge, 18cm x 44.5cm, a c

View of Tunbridge Wells, Baths and Chapel, coloured aquatint, printed by W. Day and published in 1826, 23.5cm x 30.5cm, Footnote foxing and worm lines

J Badslade 18th century, topographical map of 'Tunbridge Wells' c.1740, Humbly dedicated to Thomas Pellet MD, engraved by Johannes Kip (1653...

After E Dayes, Oxford skyline with river in foreground magdalen bridge engraved by James Basire 32cm x 44cm

Robert Morden (active 1675-1703), county map of Kent, hand coloured and mounted in Hogarth frame, impression 38cms x 71cm

Robert Morden, (active 1675-1703), Map of Sussex 1695 edition, hand coloured as sold by Abel Swale Awnsham and John Churchill, 37cm x 44cm, Footnote c

G.Virtue, map of Kent, engraving, dated 1829, 34cm x 41.5cm footnote reputedly found in the attic of Sir Thomas Moores' former house

John Speed (1552-1629), map of the Turkish Empire, hand coloured, 21cm x 51cm

John Speed , (1552-1629), a new map of the Roman Empire, hand coloured engraving, 39cm x 51cm, probably cropped

John Speed (1552-1629), map of Asia with the lands adjoining described, the entire of the people and towness of importance all of them newly augmented

John Speed (1552-1629) map of East India F. Lamb, circa 1626 40cm x 51cm Footnote re-touched up with white paint to some areas where paper is worn

John Speed (1552-1629), A New and Accurate map of the World (1627), engraved 1651, double hemisphere map 40cm x 54cm

John Speed (1552-1629), county map of Cardiganshyre with inset town plan of Cardigan, engraved by Jodocas Hondias, published by John Sudbury & G...

John Norden, map of Kent hand coloured engraving, William Kip sculpsit, 30cm x 38.5cm, Footnote tears and losses, laid down

Robert Morden, (active 1675-1703), Map of Sussex 1695 edition, hand coloured as sold by Abel Swale Awnsham and John Churchill, 37cm x 44cm, Footnote c

Christopher Saxton (1542-1606), map of Monmouthshire, engraved by William Hole (1600-1646), hand coloured, 29cm x 56cm, Footnote water damage

J.W. Norie, 'A chart of the British Channel', drawn from the ordnance and Admiralty Surveys, engraving first published 1825 with improvement...

Three 20th century English watercolours, The Observatory Greenwich, Crystal Palace, Covent Garden Theatre, initialled H.T., 22cm x 29cm