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FRANK STELLA (b. 1936) THE PEQUOD MEETS THE RACHEL (B-12, 2X) acrylic and enamel on aluminum 64 x...

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FRANK STELLA (b. 1936) THE PEQUOD MEETS THE RACHEL (B-12, 2X) acrylic and enamel on aluminum 64 x...
FRANK STELLA
(b. 1936)
THE PEQUOD MEETS THE RACHEL (B-12, 2X)
acrylic and enamel on aluminum
64 x 521/2 x 171/8 in.
(162.6 x 133.4 x 43.5 cm)
executed in 1988
ESTIMATE: $90,000-120,000

PROVENANCE
Duson Gallery, Seoul

LITERATURE
R. Wallace, FRANK STELLA'S MOBY-DICK, WORDS AND SHAPES, ANN ARBOR, 2000, p. 109, no. 250 (illustrated)
THE PEQUOD MEETS THE RACHEL has the circular simplicity of a dog chasing, or a serpent biting, its own tail. The swelling gutter shape and the trailing wave shape are linked by the distinctive shape of the "spirit" wave from THE SPIRIT-SPOUT. These shapes are mounted over a circular mount whose absent center derives from the AHAB print. In this relief, the head of the wave shape that had resembled the laid-back raven in THE WHITENESS OF THE WHALE is painted so as to resemble the buoyant human head of the three-way wave in THE BLANKET. One can see the swelling head and extended arm either as reaching out to the expanding world of the "spirit" wave or retracting into the contracted shape of the "pincer" wave (R. Wallace, FRANK STELLA'S MOBY-DICK, WORDS AND SHAPES, ANN ARBOR, 2000, p. 107).